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He Included Me
The dramatic and colorful autobiography of a Black woman born in 1909 in rural Alabama. A rare first-person account of life in the twentieth-century South, He Included Me weaves together the story of a black family—eight children reared in rural Alabama, their mother a schoolteacher, their father a minister—and the emerging self-portrait of a woman determined, like her parents, to look ahead. Sarah Rice recalls her mother’s hymn of thanks—“He Include Me”—when God showed her a way to feed her family, and hears again her mother's quiet words, “It's no disgrace to work. It's an honor to make an honest dollar,” spoken when her children were embarrassed that she took in white pe...
Our Multi-National Heritage to Adam, Ancestors of Merlene Hutto Byars, Volume 1
This book is the result of information about the five generations of ancestry for the families of Esther Ray McClintock, Frank Pickens Williams, and Merlene Faye Hutto Byars (Klutzow) being handed down to them by their parents and also because Esther, Pickens and Merlene have explored cemeteries in many states and in Europe. - Xlibris Podcast Part 1: http://www.xlibrispodcasts.com/our-multi-national-heritage-to-adam-1 - Xlibris Podcast Part 3: http://www.xlibrispodcasts.com/our-multi-national-heritage-to-adam-3 - Xlibris Podcast Part 5: http://www.xlibrispodcasts.com/our-multi-national-heritage-to-adam-5
Women Who Made Money
This is not a usual kind of book about banking or bankers. The authors were interested in the lives of women who joined in partnership banking. These women began working in what had been a male preserve before ideas of feminism and women's rights had suggested this as a possibility. They were feminists before feminism existed! Responsibility as partners in banks did not absolve them from their duties as wives and mothers. So we hear about domestic matters - childbirth, sickness, dinner services, furniture, watercolour painting and riding accidents. There is also a background of links with commerce and business which made the British economy so vibrant and dynamic at this formative time. The ...
The Fantasticks
A libretto of the beloved musical. “Richly illustrated, it is ideal for fans of the show, as well as admirers of musical theatre.” – Variety; “Anybody who has seen the show (who hasn't?) should read the book.” – Entertainment Today; “The perfect present for any Fantasticks fans.” – Cleveland Plain Dealer; “A valuable resource. Recommended for all collections.” – Choice
The New England Historical and Genealogical Register
Beginning in 1924, Proceedings are incorporated into the Apr. number.
The Salem Witch Trials
The Salem Witch Trials is based on over twenty-five years of archival research--including the author's discovery of previously unknown documents--newly found cases and court records. From January 1692 to January 1697 this history unfolds a nearly day-by-day narrative of the crisis as the citizens of New England experienced it.
Crafting Lives
From the colonial period onward, black artisans in southern cities--thousands of free and enslaved carpenters, coopers, dressmakers, blacksmiths, saddlers, shoemakers, bricklayers, shipwrights, cabinetmakers, tailors, and others--played vital roles in their communities. Yet only a very few black craftspeople have gained popular and scholarly attention. Catherine W. Bishir remedies this oversight by offering an in-depth portrayal of urban African American artisans in the small but important port city of New Bern. In so doing, she highlights the community's often unrecognized importance in the history of nineteenth-century black life. Drawing upon myriad sources, Bishir brings to life men and women who employed their trade skills, sense of purpose, and community relationships to work for liberty and self-sufficiency, to establish and protect their families, and to assume leadership in churches and associations and in New Bern's dynamic political life during and after the Civil War. Focusing on their words and actions, Crafting Lives provides a new understanding of urban southern black artisans' unique place in the larger picture of American artisan identity.
