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Family Records
With few exceptions, this work identifies every family that can be traced to the Passaic Valley prior to 1800. It is a massive compilation, treating several generations in the direct line, and it is surprisingly good in the elucidation of family relationships. Several years in preparation, this work names no fewer than 25,000 persons. The principal families covered are: Allen, Alward, Anderson, Badgley, Bailey, Ball, Barle, Bauldwell, Beach, Bebout, Bedell, Bedford, Bonnel, Boyle, Brittin, Broadwell, Brown, Burrows, Byram, Clark, Conklin, Connet, Cooper, Elmer, Enyart, Findlay, Finn, Frazee, French, Griffin, Hall, Hallock, Halsey, Hand, Hart, Heath, Hedges, High, Hill, Hole, Hurin, Jennings,...
The Mystery Solved
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Family Records
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Faces Westward
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Index to Marriages of Old Rappahannock and Essex Counties, Virginia, 1655-1900
Old Rappahannock County, originally embracing lands lying on both sides of the Rappahannock River, was organized in 1656 and was formerly a part of Lancaster County. In 1692 Old Rappahannock was abolished. The portion lying south of the river was taken to form Essex County, and the area north of the river formed the county of Richmond. Records of Old Rappahannock and Essex counties, on which this work is founded, date from 1655 and are on file at the courthouse in Tappahannock, Essex County. Some marriage bonds of the period 1804 to 1853 were previously copied into the marriage register, instituted as the official catalogue of marriages. In compiling this work, Mrs. Wilkerson used not only the marriage bonds found in the register and the marriage register itself, but also inferential marriage proofs derived from wills, deeds, and court order books. The result is a work of astonishing magnitude; the period covered runs to nearly 250 years and the number of persons namedΓ including brides, grooms, parents, and guardiansΓ touches 10,000. The text is arranged alphabetically throughout and includes the date of the marriage record and the source.
Stephen Crane
Stephen Crane’s short, compact life—“a life of fire,” he called it—is surrounded by myths, distortions, and fabrications. Paul Sorrentino has sifted through garbled chronologies and contradictory eyewitness accounts, scoured the archives, and followed in Crane’s footsteps. The result is the most accurate account of the poet and novelist to date.
Melodramatic Voices: Understanding Music Drama
The genre of mélodrame à grand spectacle that emerged in the boulevard theatres of Paris in the 1790s - and which was quickly exported abroad - expressed the moral struggle between good and evil through a drama of heightened emotions. Physical gesture, mise en scène and music were as important in communicating meaning and passion as spoken dialogue. The premise of this volume is the idea that the melodramatic aesthetic is central to our understanding of nineteenth-century music drama, broadly defined as spoken plays with music, operas and other hybrid genres that combine music with text and/or image. This relationship is examined closely, and its evolution in the twentieth century in selected operas, musicals and films is understood as an extension of this nineteenth-century aesthetic. The book therefore develops our understanding of opera in the context of melodrama's broader influence on musical culture during the nineteenth and twentieth centuries. This book will appeal to those interested in film studies, drama, theatre and modern languages as well as music and opera.
