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Sargy Mann
This book presents a series of Mann's paintings that represent his life as a painter, showing how his work has developed and changed. The paintings are photographed where they actually hang in his house.
Sargy Mann
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When You Can't Believe Your Eyes
This book was first projected in 2004, when Author Hannah Fairbairn was teaching interpersonal skills at the Carroll Center for the Blind in Newton, Massachusetts. The experiences of her adult students—and her own experience of sight lost—convinced her that everyone losing vision needs access to good information about the process of adjustment to losing sight and practical ways to use assertive speech. When You Can’t Believe Your Eyes is intended for anyone going through vision loss, their friends, and families. It will inform readers how to get expert professional help, face the trauma of loss, and navigate the world using speech more than sight. Each of the twelve chapters in the boo...
Sargy Mann
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Sargy Mann
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The Autobiography of a Super-Tramp
What is this life if, full of care, we have no time to stand and stare?' (LEISURE BY W.H. DAVIES) Loneliness and criminality determined William Henry Davies’ childhood and teenage-years. At the age of 22 he decided to leave Wales for America to chance his luck abroad. But getting there was not as easy as expected. At that point in time, he became a tramp. In his best-known work THE AUTOBIOGRAPHY OF A SUPER-TRAMP, Davies tells the story of his lifetime. He explains in a very intimate and touching way what it is like to grow up in Great Britain at the end of the 19th century. Furthermore, he describes how he felt during his vagabond life and what made him settle back in the UK. After all, Davies develops into the most popular poet of his time.
Racial Folly
Briscoe's grandmother remembered stories about the first white men coming to the Northern Territory. This extraordinary memoir shows us the history of an Aboriginal family who lived under the race laws, practices and policies of Australia in the twentieth century. It tells the story of a people trapped in ideological folly spawned to solve 'the half-caste problem'. It gives life to those generations of Aboriginal people assumed to have no history and whose past labels them only as shadowy figures. Briscoe's enthralling narrative combines his, and his contemporaries, institutional and family life with a high-level career at the heart of the Aboriginal political movement at its most dynamic time. It also documents the road he travelled as a seventeen year old fireman on the South Australia Railways to becoming the first Aboriginal person to achieve a PhD in history.
Alma W. Thomas
Catalog of an exhibition organized by and held at the Fort Wayne Museum of Art, Fort Wayne, Ind., Sept. 5-Nov. 8, 1998 and touring nationally through Jan. 9, 2000.
The Artist's Eyes
This title presents a celebration of vision, of art and of the relationship between the two. Artists see the world in physical terms as we all do. However, they may be more perceptive than most in interpreting the complexity of how and what they see. In this fascinating juxtaposition of science and art history, ophthalmologists Michael Marmor and James G. Ravin examine the role of vision and eye disease in art. They focus on the eye, where the process of vision originates and investigate how aspects of vision have inspired - and confounded - many of the world's most famous artists. Why do Georges Seurat's paintings appear to shimmer? How come the eyes in certain portraits seem to follow you around the room? Are the broad brushstrokes in Monet's Water Lilies due to cataracts? Could van Gogh's magnificent yellows be a result of drugs? How does eye disease affect the artistic process? Or does it at all? "The Artist's Eyes" considers these questions and more. It is a testament to the triumph of artistic talent over human vulnerability and a tribute to the paintings that define eras, the artists who made them and the eyes through which all of us experience art.
Funny Weather
In this inspiring collection of essays, acclaimed writer and critic Olivia Laing makes a brilliant case for why art matters, especially in the turbulent political weather of the twenty-first century. 'Never has a publication been more timely' - Dazed 'A brave writer whose books open up fundamental questions about life and art’ - Telegraph Funny Weather brings together a career's worth of Laing's writing about art and culture, examining their roles in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O’Keeffe, interviews Hilary Mantel and Ali Smith, writes love letters to David Bowie and Freddie Mercury, and explores loneliness and technology, women and alcohol, sex and the body. With characteristic originality and compassion, she celebrates art as a force of resistance and repair, an antidote to a frightening political time. We’re often told art can’t change anything. In Funny Weather, Laing argues that it can. It changes how we see the world, it exposes inequality, and it offers fertile new ways of living.
