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The Memory Factory
The Memory Factory introduces an English-speaking public to the significant women artists of Vienna at the turn of the twentieth century, each chosen for her aesthetic innovations and participation in public exhibitions. These women played important public roles as exhibiting artists, both individually and in collectives, but this history has been silenced over time. Their stories show that the city of Vienna was contradictory and cosmopolitan: despite men-only policies in its main art institutions, it offered a myriad of unexpected ways for women artists to forge successful public careers. Women artists came from the provinces, Russia, and Germany to participate in its vibrant art scene. Ho...
Touch Nature
"Touch Nature: Art in the Age of the Climate Crisis" extends the dialogue initiated by the group exhibition "Touch Nature," held at the Austrian Cultural Forum in 2023/24. It captures a dynamic conversation exploring the profound impact of human activity on the environment and climate. Artists delve into pressing issues like global food systems, epidemics, and the legacy of colonialism, with many drawing inspiration from nature's restorative qualities and its role in various mythologies. Artists featured: Uli Aigner, Edward Burtynsky, Petah Coyne, Mark Dion, Ines Doujak, Titanilla Eisenhart, Michael Endlicher, TIME GATES, Peter Hauenschild, Barbara Anna Husar, Kevin King, Kitty Kino, Christiane Löhr, Yvonne Oswald, Monika Pichler, Klaus Pichler (in collaboration with Maren Jeleff and Martin Kirchmair), Margot Pilz, PRINZpod, Luisa Rabbia, Oliver Ressler, Ursula von Rydingsvard, Gregor Sailer, Marielis Seyler, Elisabeth von Samsonow, Martin Schrampf, Rebecca Smith, Betsy Weis, Nives Widauer, Laurent Ziegler and Balint Zsako.
Exhibiting Craft and Design
Exhibiting Craft and Design: Transgressing the White Cube Paradigm investigates the firmly-established manner in which craft and design have typically been presented by museums and galleries, what strategies curators have employed throughout the twentieth century, and especially in more recent years how exhibiting design and craft objects challenges the notion of the modernist White Cube display paradigm.
Chinese History in Geographical Perspective
This volume treats "China" first and foremost as an evolving and imagined geographical entity. The contributors explore China's last five hundred years of history using geography as a lens through which to approach such issues as sports, ethnography, cartography, religion, elite and popular culture, transnational networking, urban planning, and politics.
Blik for lyd
’Blik for lyd’ handler ikke om at slå blikket ned eller lukke øjnene i. Den handler derimod om at slå ørerne ud og holde blik, ører og tænkning åbne for lyd og dermed for de øvrige sensoriske modaliteter, som til stadighed henvender sig til os gennem medier og artefakter, i byen og i vores hverdag. ’Blik for lyd’ introducerer som den første bog på dansk et internationalt stort og voksende fag- og forskningsfelt, ’Sound Studies’, som stadig er i boblende udvikling, og som er markant interdisciplinært. Bogen henvender sig derfor til så forskellige fagområder som medie-, sprog-, it- og kommunikationsfag, kunst- og kulturfag, geografi-, arkitektur- og naturvidenskabelige fag samt handels- og organisationsfag. Det sker gennem otte forskellige bidrag, som med lyttende og analytisk afsæt undersøger forskellige lydfænomener i kontekst: fra lyd i film, musikvideo, reklamer, lydkunst og lydbøger til lyd og urbanitet – lyd og lokalitet.
The Artist as Public Intellectual?
In reading all the theoretical contributions to this book, an essentially common idea of the social can be observed which is of fundamental importance for a new definition of artistic production: a process-related order of institutionalized actions, including the linguistic actions to which individuals are exposed. For here, in the repetition of such institutionalized acts, is where subjects first emerge at all. Objects, whether they be objects of everyday use or whole architectures, are like moulds which provide for the institutionalization of actions. The artist emerges as a social figure, as the product of a society and the agent of political interests. From this point of view, the status of objects, the status of the "work" is not the expression of a circumscribed meaning, but the instrument of forming a subject. The opposition of theory and practice becomes obsolete. Subject and object are meaning written into actions.
Sergei Sviatchenko
"This is the first monograph to focus exclusively on the prolific collage output of Setgei Sviatchenko, a leading figure in the contemporary collage world. Edited by Rick Poynor, who provides a critical overview, it gathers Sviatchenko's most significant work from the past 10 years and shows little seen collages from his early years in Ukraine before he moved in 1990 to live and work in Denmark" -- book cover
Maria Lassnig
The exhibition at Municipal Art Gallery of Athens, 2017 is the last exhibition project that Maria Lassnig was able to plan personally with the curator Hans Ulrich Obrist. Around 50 works are on show - paintings and works on paper, especially watercolours - which seize upon motifs from Greek mythology and their expansive and permanent exchange with all Mediterranean civilisations. Although these works by Maria Lassnig are not so well known, they manifest characteristics typical of her work: the awareness of the body, the painterly rendering of the inner and outer world, as well as animal portrayals and landscapes. In an unusual selection from Maria Lassnig's oeuvre the exhibition and the accompanying catalogue with contributions from leading scholars and artists spotlight her unique visual idiom, in which she combines science with a subjective emotional life, and Mediterranean landscapes with figures from ancient mythology. Accompanies the exhibition Maria Lassnig: The future is created from the fragments of the past, 31 Mar - 16 Jul 2017, Municipal Gallery, Athens, Greece.
