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Lindsey Hughes (1949-2007) made her reputation as one of the foremost historians of the age of Peter the Great by revealing the more freakish aspects of the tsar's complex mind and reconstructing the various physical environments in which he lived. Contributors to Personality and Place in Russian Culture were encouraged to develop any of the approaches featured in Hughes's work: pointillist and panoramic, playful and morbid, quotidian and bizarre. The result is a rich and original collection, ranging from the sixteenth century to the present day, in which a group of leading international scholars explore the role of the individual in Russian culture, the myriad variety of individual lives, and the changing meanings invested in particular places. The editor, Simon Dixon, is Sir Bernard Pares Professor of Russian History at UCL School of Slavonic and East European Studies.
This Companion contains 31 essays by leading international scholars to provide an overview of the key debates on eighteenth-century Europe. Examines the social, intellectual, economic, cultural, and political changes that took place throughout eighteenth-century Europe Focuses on Europe while placing it within its international context Considers not just major western European states, but also the often neglected countries of eastern and northern Europe
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This book is a unique compilation of thinkers and scholars and interesting intellectuals with the Christian name of Thomas.
Types and stereotypes is the fourth and last volume of a path-breaking multinational literary history that incorporates innovative features relevant to the writing of literary history in general. Instead of offering a traditional chronological narrative of the period 1800-1989, the History of the Literary Cultures of East-Central Europe approaches the region’s literatures from five complementary angles, focusing on literature’s participation in and reaction to key political events, literary periods and genres, the literatures of cities and sub-regions, literary institutions, and figures of representation. The main objective of the project is to challenge the self-enclosure of national li...
Annually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, and within this classification alphabetically. The bibliography contains a geographical index and indexes of persons and authors.
This collection focuses on generations of early women historians, seeking to identify the intellectual milieu and professional realities that framed their lives. It moves beyond treating them as simply individuals and looks to the social and intellectual forces that encouraged them to study history and, at the same time, would often limit the reach and define the nature of their study. This collection of essays speaks to female practitioners of history over the past four centuries that published original histories, some within a university setting and some outside. By analysing the values these early women scholars faced, readers can understand the broader social values that led women historians to exist as a unit apart from the career path of their male colleagues.
In the absence of democratic state institutions, eastern European countries were considered to possess only myths of democracy. Working on the premise that democracy is not only an institutional arrangement but also a civilisational project, this book argues that mythical narratives help understanding the emergence of democracy without ‘democrats’. Examining different national traditions as well as pre-communist and communist narratives, myths are seen as politically fabricated ‘programmes of truth’ that form and sustain the political imagination. Appearing as cultural, literary, or historical resources, myths amount to ideology in narrative form, which actors use in political strugg...