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India in the Persian World of Letters
This book traces the development of philology (the study of literary language) in Persian tradition in India, focusing socio-political ramifications, and provides an intellectual biography of Ārzū, an innovative and influential eighteenth-century scholar and poet in India.
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The Making of Persianate Modernity
Traces the emergence of literary history, showing how Iranians and South Asians drew from their shared heritage to produce a 'Persianate modernity'.
Islamic Thought and the Art of Translation
Islamic Thought and the Art of Translation honors two of the most beloved and productive scholars in the field of Islamic Studies, Professors William Chittick and Sachiko Murata. For the past five decades, in over 40 books (monographs, editions, translations, edited volumes) and more than 300 articles, Professors Chittick and Murata have presented us with philologically sound and analytically rigorous expositions of the pre-modern Islamic intellectual tradition, particularly in the areas of Sufism and philosophy. They have done so primarily by zeroing in on the technical vocabularies of Arabic, Persian, and Chinese texts in these disciplines, demonstrating just how important careful reading ...
Political Catchphrases and Contemporary History
Political Catchphrases and Contemporary History presents an historical account of the period 2001-2020 by focusing on the shifting connotations of certain political catchphrases and words. These allow for a linked-up narrative covering areas such as politics and policy, business and investing, austerity and inequality, identity, climate change, crowd protests, flexible working, and online education. Key junctures are 9/11, the 2002 dot-com crash and the 2007-2008 financial crisis, the Occupy movements of 2011-2012, China's economic policy from 2014 onwards, and the COVID-19 outbreak in 2020. Half the book is devoted to the unusually pervasive usage of the catchphrase 'new normal'. Chapters are also given to 'we are the 99%' and the catchwords 'austerity' and 'resilience'. Case studies of these catchphrases and words occupy much of the book. The final chapter makes conceptual inferences and proposes both a theory of political catchphrases and a distinctive approach to contemporary history. The source materials are predominantly from the UK and USA, but refer, naturally, to issues of global moment.
Ottoman Canon and the Construction of Arabic and Turkish Literatures
The Ottoman Canon and the Construction of Arabic and Turkish Literatures fleshes out the Ottoman canon's multilingual character to call for a literary history that can reassess and even move beyond categories that many critics take for granted, such as 'classical Arabic literature' and 'Ottoman literature'. It gives a historically contextualised close reading of works from authors who have been studied as pionneers of Arabic and Turkish literatures, such as Ziya Pasha, Jurji Zaydan, Ma?ruf al-Rusafi and Ahmet Hamdi Tanpinar. The Ottoman Canon analyses how these authors prepared the arguments and concepts that shape how we study Arabic and Turkish literatures today as they reassessed the relationship among the Ottoman canon's linguistic traditions. Furthermore, The Ottoman Canon examines the Ottoman reception of pre-Ottoman poets, such as Kab ibn Zuhayr, hence opening up new research avenues for Arabic literature, Ottoman studies and comparative literature.
The Oxford Handbook of the Sociology of the Middle East
The Oxford Handbook of the Sociology of the Middle East integrates the study of the social dynamics in the Middle East within history, culture, and politics. The volume transcends a purely regional perspective to investigate the global nature of these dynamics and their impact on the life of people in the region. It provides a comprehensive perspective in connecting the vexed state-society relations in the region with movements of transformation and the affirmation of rights and creativity in the public arenas.
Music and Musicians in Late Mughal India
Based on a vast, virtually unstudied archive of Indian writings alongside visual sources, this book presents the first history of music and musicians in late Mughal India c.1748–1858 and takes the lives of nine musicians as entry points into six prominent types of writing on music in Persian, Brajbhasha, Urdu and English, moving from Delhi to Lucknow, Hyderabad, Jaipur and among the British. It shows how a key Mughal cultural field responded to the political, economic and social upheaval of the transition to British rule, while addressing a central philosophical question: can we ever recapture the ephemeral experience of music once the performance is over? These rich, diverse sources shine new light on the wider historical processes of this pivotal transitional period, and provide a new history of music, musicians and their audiences during the precise period in which North Indian classical music coalesced in its modern form.
Between Household and State
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Between Household and State departs from dynastic narrations of the Mughal past to highlight the role of elite households and familial networks in peninsular India, the only region of the subcontinent never fully incorporated into the imperial realm. Drawing on rare documentary and literary materials in Persian and Urdu alongside the Dutch East India Company’s archives, this book takes readers on a journey from military forts and regional courts in the Deccan to the ports and weaving villages of the Coromandel Coast. It examines how regional elite alliances, feuds, and material exchanges intersected with imperial institutions to create new forms of affinity, belonging, and social exclusion. Subah Dayal brings attention to the importance of ghar—or home—in the creation of forms of mobility that anchored the Mughal frontier across the variable geography of peninsular India in the seventeenth century.
