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“BITTERLY FUNNY . . . [A] SLEEK FIRST NOVEL . . . NOIR CRIME . . . HAS FOUND A STERLING NEW CHAMPION IN PHILLIPS.” –The New York Times Book Review “A FUTURE HARD-BOILED CLASSIC–TIGHT, COLD, AND CACKLING WITH IRONY. On Christmas Eve [in Wichita], a mob lawyer is skipping town with the cash. But in this boozy, neo-noir world–James M. Cain meets George V. Higgins–the best-laid plans of bagmen turn brutal.” –The Dallas Morning News “OMINOUS, ACTION-PACKED. . . This is a confident, wry debut . . . [that] may remind readers of Fargo or Pulp Fiction.” –Detroit Free Press “I SIMPLY CAN’T WAIT TO SEE WHAT SCOTT PHILLIPS WILL DO NEXT. [This] funny, tough first novel felt like it was written by an old pro, an Elmore Leonard we’ve never heard about who’s discovered a place where the criminals are really dumb, the low-lifes are oh-so-fun to watch and, if somebody just happens to get what he deserves, there’s no one to blame.” –RICHARD RUSSO Author of Straight Man “A DARKLY COMIC, SOMETIMES BRUTAL PIECE OF NOIR FICTION.” –The Denver Post Finalist for the Hammett Prize
Language is an essential part of what makes us human. Where did it come from? How did it develop into the complex system we know today? And what can an evolutionary perspective tell us about the nature of language and communication? Drawing on a range of disciplines including cognitive science, linguistics, anthropology and evolutionary biology, Speaking Our Minds explains how language evolved and why we are the only species to communicate in this way. Written by a rising star in the field, this groundbreaking book is required reading for anyone interested in understanding the origins and evolution of human communication and language.
New York Times Book Review Editor’s Choice Three novellas are “cleverly linked together” in this “beguiling love letter to the great city” set before the financial crash of 2008 (Condé Nast Traveller). “Ironic, observant, alert . . . its atmosphere [is] invoked with intimate knowledge and a matchless sense of place.” —Colm Tóibín Barcelona Dreaming is narrated by an English woman who runs a gift shop, an alcoholic jazz pianist, and a translator tormented by unrequited love—all of whose lives will be changed forever. Underpinning the novel, and casting a long shadow, is a crime committed against a young Moroccan immigrant. Exploring themes of addiction, racism, celebrity, immigration, and self-delusion, and fueled by a longing for the unattainable and a nostalgia for what is about to be lost, Barcelona Dreaming is a love letter to one of the world’s most beautiful cities and a powerful and poignant fable for our uncertain times.
Noir master Scott Phillips's The Walkaway explores the far-reaching consequences of the deception and violence of its predecessor, The Ice Harvest. Summer 1989: Gunther Fahnstiel, once a tough cop who wasn’t averse to taking a little side money from a certain madam, has just escaped the dementia ward of his Wichita nursing home. He’s not exactly sure where he wants to go, but wherever it is, it has to do with the bag full of cash belonging to the man he accidentally backed over with his RV in 1979. During his search, Gunther begins to relive the violent fallout of that madam’s sex lottery forty years ago. As Gunther’s memories unravel, his past and present will collide in a devastating reckoning. This dark comedy, at once prequel and sequel to Phillips’s award-winning debut The Ice Harvest, proves that no walkaway can escape unscathed.
“Sir John’s ability to comprehend complex concepts and distill these into money-making ideas for his investors was legendary. With this book, Scott Phillips extends Sir John Templeton’s crystal clear vision to some of tomorrow’s most interesting and powerful money-making opportunities. All readers should be prepared to learn–and profit!” –Jeffrey Everett, Founding Partner, Everkey Global Partners “The brilliant global investing strategy of Sir John Templeton finds new life in Scott Phillips’ Buying at the Point of Maximum Pessimism. With the U.S. in trouble, savvy international investing is a must, and this book shows you the best places to put your money for serious profit...
Beyond Sound is a must-read for anyone who loves music technology and wants to build a career in this competitive, fast-paced world. Author Scott L. Phillips draws on his seventeen-year career as a technology trainer and educator, and his extensive network of music technology professionals, to present an intimate view of the exciting world of music technology. The book offers an in-depth consideration of music technology education, including looks at specific programs and a clear explanation of different types of degrees. Moreover, it provides practical guidance on career preparation, including how to get a great internship, how to land that first job, and how to make connections and move up in a variety of businesses from recording to television and film to video games. And Phillips brings stories from successful professionals, who share their experiences, advice, and suggestions.
“St. Louis gets a turn to show its dark side . . . [A] spirited, black-hearted collection” including a story from New York Times–bestselling author John Lutz (Kirkus Reviews). A vibrant Midwest metropolis, St. Louis has a rich, multicultural history of art and literature—both high and low. That duality is embraced here in an anthology that spans the reaches of noir, from violent criminality to bad luck and bad attitudes. St. Louis Noir includes stories by bestselling authors John Lutz and Scott Phillips, a poetic interlude featuring Poet Laureate Michael Castro, and more tales from Calvin Wilson, LaVelle Wilkins-Chinn, Paul D. Marks, Colleen J. McElroy, Jason Makansi, S.L. Coney, Laura Benedict, Jedidiah Ayres, Umar Lee, Chris Barsanti, and L.J. Smith. “The stories here are uniformly strong. Regular readers of the Noir series know what to expect: tightly written, tightly plotted, mostly character-driven stories of murder and mayhem, death and despair, shadow and shock.” —Booklist “Thirteen tales of grim homicidal happenings (plus one poetic interlude) set in the streets of the St. Louis area.” —St. Louis Post-Dispatch
A hardboiled valentine to the Golden State, That Left Turn at Albuquerque marks the return of noir master Scott Phillips. Douglas Rigby, attorney-at-law, is bankrupt. He’s just sunk his last $200,000—a clandestine “loan” from his last remaining client, former bigshot TV exec Glenn Haskill—into a cocaine deal gone wrong. The lesson? Never trust anyone else with the dirty work. Desperate to get back on top, Rigby formulates an art forgery scheme involving one of Glenn’s priceless paintings, a victimless crime. But for Rigby to pull this one off, he’ll need to negotiate a whole cast of players with their own agendas, including his wife, his girlfriend, an embittered art forger, Glenn’s resentful nurse, and the man’s money-hungry nephew. One misstep, and it all falls apart—will he be able to save his skin? Written with hard-knock sensibility and wicked humor, Scott Phillips’s newest novel will cement him as one of the great crime writers of the 21st century.
Brilliant physicist Henry Sullivan attempts to colonize TRAPPIST-1e in order to prove his superluminal theories, but is instead marooned and trapped by a terrifying alien in a ruined city and haunted by the ghost of his wife. When he discovers the true nature of her existence and its connection to his own latent telepathic powers, he realizes that this is the key to destroying the alien and saving a distant star system from an army of the inhuman Gorathkai.
Legal decisions continue to mystify: why was this person sentenced to 20 years in prison, but that person to just 10 years for the same crime? Why did one person sue for civil damages, but another let the matter drop? Legal rules are supposed to answer these questions, but their answers are radically incomplete. Wouldn’t it be wonderful to have a theory that predicted and explained legal decisions? Drawing on Donald Black’s theoretical ideas, Geometrical Justice: The Death Penalty in America addresses these issues, focusing specifi cally on who is sentenced to death and executed in the United States. The book explains why some murders are more serious than others and how the social characteristics of defendants, victims, and jurors aff ect case outcomes. Building on the most rigorous data in the field, the authors reveal wide discrepancies in capital punishment – why one person lives, but another person dies. Geometrical Justice will be of interest to those engaged in criminal justice, criminology, and socio- legal studies, as well as students taking courses on sentencing, corrections, and capital punishment.