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Jar of Fat
An absurdist comedy and fifteenth winner of the Yale Drama Prize, exploring family, religion, identity, desire, and beauty in Korean American culture In a fantastical fairy-tale world, two Korean American sisters are deemed too fat to fit in their family grave. Will the sisters’ close bond survive under the pressure of their community and fretful parents, who will spare no effort to make them tinier? Jar of Fat, the fifteenth winner of the Yale Drama Prize, is a phantasmagorical, absurdist Korean American tale about the allure and danger entangled within the quest for beauty and thinness. Both laugh-out-loud funny and deeply troubling, Seayoung Yim’s play burns through the accumulated rage that anti-fat bias produces to reclaim what it steals from us every day: grace, space, possibility, and breath.
Bathhouse.pptx
The sixteenth winner of the Yale Drama Prize, a big-hearted evocation of queer intimacy set in a bathhouse at the end of the world In this love letter to queer bathhouse culture, the Presenter, a Mexican-American public-speaking student, is thrust into the landscapes of queer intimacy, colonialism, and erotic community when their class presentation on the history of cleanliness and bathing starts to unravel. What had been a single presentation soon becomes a chorus, joining student presenters with the ghosts of bathhouses past, present, and future, along with the cleaning staff, A Conquistador!, and officials from the Centers for Disease Control, to explore queer desire and the gleeful delights of messiness. Here in the bathhouse at the end of the world, Jesús I. Valles conjures the ever-present yearning for skin to touch skin, a place of connection that shimmers in the steam of the bathhouse and refuses to ever fully fade. Bathhouse.pptx is the sixteenth winner of the Yale Drama Series prize and first winner chosen by Tony-nominated playwright Jeremy O. Harris.
Bathhouse.pptx
The sixteenth winner of the Yale Drama Prize, a big-hearted evocation of queer intimacy set in a bathhouse at the end of the world In this love letter to queer bathhouse culture, the Presenter, a Mexican-American public-speaking student, is thrust into the landscapes of queer intimacy, colonialism, and erotic community when their class presentation on the history of cleanliness and bathing starts to unravel. What had been a single presentation soon becomes a chorus, joining student presenters with the ghosts of bathhouses past, present, and future, along with the cleaning staff, A Conquistador!, and officials from the Centers for Disease Control, to explore queer desire and the gleeful delights of messiness. Here in the bathhouse at the end of the world, Jesús I. Valles conjures the ever-present yearning for skin to touch skin, a place of connection that shimmers in the steam of the bathhouse and refuses to ever fully fade. Bathhouse.pptx is the sixteenth winner of the Yale Drama Series prize and first winner chosen by Tony-nominated playwright Jeremy O. Harris.
The Ballard Collection
The Seattle Play Series presents their third collection of plays about Ballard by Seattle playwrights.
Manifesto Volume 5
To create a MANIFESTO SERIES volume, Rain City Projects commissions a nationally recognized playwright to write a mission for or vision of what theater could be. They then edit a compilation of plays, culled from the ranks of works with a link to the Pacific Northwest that best illustrate their personal manifesto for the theater. WELCOME TO THE THEATER OF COST. I am not referring to any kind of monetary exchange. I am talking about the price you extract from your audience, your witnesses, your co-conspirators, the eternal exchange of time and attention for an experience that should leave them irrevocably changed. -- So begins Lauren Yee's manifesto for volume 5. This anthology includes the plays Terra Incognita by Benjamin Benne, Nadeshiko by Keiko Green, Roz and Ray by Karen Hartman, Bo-Nita by Elizabeth Heffron, Sound by Don X. Nguyen, and Do It For Umma by Seayoung Yim. RAIN CITY PROJECTS is dedicated to supporting, promoting and developing professional playwrights and their work in the Pacific Northwest. Our goals include raising the profile of the playwright within the working theater community and furthering an understanding of the playwright's role to the larger community.
The Late Wedding
Inspired by the writings of Italo Calvino (Invisible Cities and If on a Winter's Night a Traveler), The Late Wedding is a fractured portrait of a fractured marriage, as told through a series of interconnected fables, including an anthropological tour of fantastical tribes and their marital customs. Christopher Chen's winking second-person narrative, delivered by a six-person shape-shifting cast, deftly guides you on a wild and delightful examination of love and longing. At once an anthropological tour through marriage customs, a spy thriller, and a sci-fi love story, the mind-bending The Late Wedding is an inventive and surprising theatrical experience. "Wild, witty... contemplative and p...
blu
Memory, history, and culture collide with the starlit rooftop dreams of a myth-inspired character as Soledad and her partner, Hailstorm, redefine family on their own terms after the death of their eldest son in Iraq. blu, steeped in poetic realism and contemporary politics, challenges us to try to imagine a time before war. Selected as the winner of the 2010 Yale Drama competition from more than 950 submissions, Virginia Grise’s play blu takes place in the present but looks back on the not too distant past through a series of prayers, rituals, and dreams. Contest judge David Hare commented, "Virginia Grise is a blazingly talented writer, and her play blu stays with you a long time after you’ve read it." Noting that 2010 was a banner year for women playwrights, he added, "Women’s writing for the theatre is stronger and more eloquent than it has ever been."
Vincent in Brixton
Starting from the basic premise that Vincent van Gogh stayed in a Brixton rooming house in the 1870s, from which he returned to Holland a changed man, this play imagines how a love affair developed between the young painter and a woman twice his age.
