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The Bodily Unconscious in Psychoanalytic Technique
The Bodily Unconscious in Psychoanalytic Technique explores how corporeality and body memory can be more strongly integrated into psychoanalytic work. This book brings together an international range of contributors to consider the bodily unconscious from different theoretical perspectives. Concepts from the work of Freud, Bion, Winnicott, Lacan, Laplanche, and Fonagy are developed with the aim of incorporating body memory into psychoanalytic technique. The contributors consider how severe and complex clinical states, dominated by bodily symptoms and disorganisation, can be approached with methods that go beyond classical interpretation. The book includes ten case histories and discussion of key themes including transference and countertransference, feelings of corporeality and bodily sensations, and features clinical material throughout. The Bodily Unconscious in Psychoanalytic Technique will be essential reading for psychoanalysts and psychoanalytic psychotherapists in practice and training, particularly those interested in somatic approaches.
The Bodily Unconscious in Psychoanalytic Technique
The Bodily Unconscious in Psychoanalytic Technique explores how corporeality and body memory can be more strongly integrated into psychoanalytic work. This book brings together an international range of contributors to consider the bodily unconscious from different theoretical perspectives. Concepts from the work of Freud, Bion, Winnicott, Lacan, Laplanche, and Fonagy are developed with the aim of incorporating body memory into psychoanalytic technique. The contributors consider how severe and complex clinical states, dominated by bodily symptoms and disorganization, can be approached with methods that go beyond classical interpretation. The book includes ten case histories and discussion of key themes including transference and countertransference, feelings of corporeality and bodily sensations, and features clinical material throughout. The Bodily Unconscious in Psychoanalytic Technique will be essential reading for psychoanalysts and psychoanalytic psychotherapists in practice and training, particularly those interested in somatic approaches.
Picturing the Invisible
Picturing the Invisible presents different disciplinary approaches to articulating the invisible, that which is not known or that which is not provable. The challenge that we have seen is how to articulate these concepts, not only to those within a particular academic field but beyond, to other disciplines and society at large. As our understanding of the complexity of the world grows incrementally, so does our realisation that issues and problems can rarely be resolved within neat demarcations. Therefore, the importance of finding means of communicating across disciplines and fields becomes a priority. Whilst acknowledging the essential importance of the specialist academic, the capacity to...
Lacan in the German-Speaking World
This book offers a selection of the best work on Lacan that has been published over the past ten years by RISS, a Swiss journal of Lacanian studies. Though focused on Lacan and Freud, the collection is partly about Germany itself, addressing questions of trauma, historical memory, politics, fascism, and democracy. The essays range from investigations of particular art forms such as music and tragedy to clinical studies of melancholia, depression, anxiety, and other somatic phenomena that have a symbolic or psychic dimension. As a whole, the book explores the breakdown of meaning and the failure of social and political structures, which Lacan addresses through the category of the Real, and it offers English-speaking readers a variety of new perspectives on Lacan and psychoanalysis.
The Sublime in Everyday Life
Notions of the sublime are most often associated with the extraordinary, and include the intra-psychic, high-cultural and exceptional occurrences of elation and exaltation as part of the experience. Using psychoanalytic and aesthetic theories, this book aims to revitalise the sublime by re-evaluating its significance for contemporary life and, in a unique and fascinating endeavour, opens up a space that explores the sublime in the ordinary, everyday and quotidian. Through the exploration of familiar (i.e. love, death, art and nature) and unfamiliar (pornography, education and politics) threads of the sublime experience, this book posits the sublime as invoking an ordinary human response whic...
Ästhetik der Rührung
Rührung ist ein vertrautes, aber nur selten reflektiertes Gefühl. Im doppelten Sinn ist es «wenig angesehen»: Nicht nur hat es bislang vergleichsweise wenig wissenschaftliche Aufmerksamkeit erfahren, es wird auch schnell – gerade wenn es im Kontext von Kunst auftritt – als Anzeichen für fehlende Tiefe gesehen. Roger Fayet sucht in seiner Auseinandersetzung mit möglicherweise rührenden Kunstwerken nach einem besseren Verständnis dieses Gefühls, das er im Kontext ästhetischer Erfahrung sowie im Licht historischer und gegenwärtiger Theorien betrachtet. Er erkundet sein Thema in einem weiten zeitlichen Horizont: von der Ästhetik der Antike bis in die Kunst und Kunsttheorie der Gegenwart.
Mentalizing the Body
Mentalizing the Body brings together theory and practice with the latest neurobiological and developmental psychological findings to understand the relevance of the body in a wide range of mental disorders, especially personality and somatization disorders. Ulrich Schultz-Venrath provides insight on individual bodily phenomena within psychotherapeutic treatments – experienced by patients as well as therapists – and focuses on the importance of the intentionality of bodily symptoms and how they can be integrated in the talking cure. Mentalizing the Body expands the work of Anthony Bateman and Peter Fonagy, adding the “body mode” in contrast to the popular concept of “embodied mental...
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Musizieren als Kunst der Begegnung
Das Phänomen Musik begegnet uns in vielen Facetten. Wie aber kann gelehrt werden, was nicht im gegenständlichen Sinne vorhanden ist, sondern sich in faszinierender Weise der Greifbarkeit entzieht? Auf der Basis langjähriger Erfahrung in künstlerischen, pädagogischen und therapeutischen Kontexten fragt Nicole Besse in ihrer Dissertation nach grundlegenden Bedingungen des Musizierens, die für professionelle Aufführungen ebenso gelten wie für elementares Lernen. Ausgehend von berührenden Momenten, in denen eine ,auratische‘ Atmosphäre Raum greifen kann, erarbeitet sie Kriterien, gelingende von nicht gelingenden musikalischen Interaktionen zu unterscheiden. Sie untersucht, wie Menschen einander im Musizieren begegnen, wie sich ein Musizieren im emphatischen Sinne zeigt und wie es sich zeigen lässt. Der Entwurf eines Modells der „Auragogik“ nimmt Unverfügbares wie Didaktisches in den Blick und macht musik- und kunstphilosophische Ansätze u.a. von Christian Grüny, Georg W. Bertram und Gernot Böhme für das individuelle Musizieren wie für unterrichtspraktische Fragen auf sämtlichen Niveaustufen produktiv.
