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Design and Analysis of Algorithms
This book constitutes the refereed proceedings of the First Mediterranean Conference on Algorithms, MedAlg 2012, held in Kibbutz Ein Gedi, Israel, in December 2012. The 18 papers presented were carefully reviewed and selected from 44 submissions. The conference papers focus on the design, engineering, theoretical and experimental performance analysis of algorithms for problems arising in different areas of computation. Topics covered include: communications networks, combinatorial optimization and approximation, parallel and distributed computing, computer systems and architecture, economics, game theory, social networks and the World Wide Web.
Introduction to English Syntax
This book provides an overview of basic syntactic categories, analytical methods and theoretical frameworks that are needed for a comprehensive and systematic description and analysis of the syntax of English as it is spoken and written today. It is therefore useful for students of the English language but also for teachers who are looking for an overview of traditional syntactic analysis. In addition, the book explores various related aspects, such as syntactic variation, the relation between syntax and semantics, and psycholinguistic approaches to syntax. One focus throughout is to introduce the reader to the 'art' or science of syntactic argumentation. Almost all of the examples that are found in this book are drawn from language corpora - each syntactic concept, therefore, is exemplified by authentic language data.
Silence and its Derivatives
This edited book examines silence and silencing in and out of discourse, as viewed through a variety of contexts such as historical archives, day-to-day conversations, modern poetry, creative writing clubs, and visual novels, among others. The contributions engage with the historical shifts in how silence and silencing have been viewed, conceptualized and recorded throughout the course of the twentieth and twenty-first centuries, then present a series of case studies from disciplines including linguistics, history, literature and culture, and geographical settings ranging from Argentina to the Philippines, Nigeria, Ireland, Morocco, Japan, South Africa, and Vietnam. Through these examples, the authors underline the thematic and methodological contact zones between different fields and traditions, providing a stimulating and truly interdisciplinary volume that will be of interest to scholars across the humanities.
Rhythm in Speech, Prose and Verse
In contrast to other works, the linguistic approach to rhythm presented in this book does not start from decontextualized structures but from performance data in a bottom-up fashion. Drawing on Halliday's distinction between wording, writing, and sounding, the proposed model takes account of several levels of abstraction. Important categories for data analysis are syllable rhythm and accent rhythm, which interact to establish prominence patterns (peaks and valleys) that can be observed in spontaneous and prepared speech, readings and recitals. Excluding subjective factors of analysis, the new model offers a tool to describe the rhythmic potential of prose and verse and to evaluate rhythmic performances of reading and reciting.
Syntactic Variation and Genre
Review text: "Without a doubt, the volume in its entirety is inspiring. ... The articles are all written in an accessible style, so that the publication is suitable not only for experts, but also for students of linguistics. It is recommendable to all who want to broaden their horizons and embark on linguistic studies at the borders of traditional sub-disciplines."Sixta Quassdorf in: Linguist List 22.3028.
AAA Arbeiten aus Anglistik und Amerikanistik 2013
Das Nichts stellt eine Konstante in Leopardis Werk dar, deren Darstellung bei Weitem nicht auf die bloße Nennung des ,nulla' beschränkt ist. Es erweist sich als polyvalente Denkfigur, die unter anderem auf Mangel, Abwesenheit, Wertlosigkeit, Zersetzung und Vergehen verweist. Durch eine genaue Betrachtung der unterschiedlichen Nichts-Konzeptionen wird eine gleitende Semantik sichtbar, die im ganzen Werk dynamisch bleibt. Diese entsteht durch die wiederholte Parallelisierung von gegensätzlichen Begrifflichkeiten wie ,Vernunft und Natur', ,Antike und Moderne', ,Dichtung und Philosophie', ,Materie und Geist', ,Leben und Tod', ,Inneres und Äußeres', etc. Dies ist aber nicht die einzige Funktion, die das Nichts in Leopardis Gedankenbewegungen einnimmt: Das Nichts entpuppt sich vielerorts als Orientierungspunkt.
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