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An inspirational graphic memoir of growing up Pasifika in New Zealand, written and illustrated by our fast-talking PI Poet Laureate, Selina Tusitala Marsh. At school, Selina is teased for her big, frizzy hair. Kids call her 'mophead'. She ties her hair up this way and that way and tries to fit in. Until one day - Sam Hunt plays a role - Selina gives up the game. She decides to let her hair out, to embrace her difference, to be WILD! Selina takes us through special moments in her extraordinary life. She becomes one of the first Pasifika women to hold a PhD. She reads for the Queen of England and Samoan royalty. She meets Barack Obama. And then she is named the New Zealand Poet Laureate. She picks up her special tokotoko, and notices something. It has wild hair coming out the end. It looks like a mop. A kid on the Waiheke ferry teases her about it. So she tells him a story . . . This is an inspirational graphic memoir, full of wry humour, that will appeal to young readers and adults alike. Illustrated with wit and verve by the author - NZ's bestselling Poet Laureate - Mophead tells the true story of a New Zealand woman realising how her difference can make a difference.
Fast Talking PI is the first 'singular, confident and musical' collection of poetry by Auckland writer Selina Tusitala Marsh. 'Tusitala' means writer of tales in Samoan, and Marsh here lives up to her name with stories of her life, her family, community, ancestry, and history. Her poetry is sensuous and strong, using lush imagery, clear rhythms and repetitions to power it forward. The list poem is a favourite style, but she also writes with a Pacific lyricism entirely her own. Fast Talking PI is structured in three sections, 'Tusitala (personal), 'Talkback' (political and historical) and 'Fast Talking PI' (already a classic). In poems like 'Guys Like Gauguin' she writes as a 'calabash breaker', fighting back against historic injustices; but in other poems she explores the idea of the calabash as the honoured vessel for identity and story. Ultimately, though, Marsh exhorts herself to 'be nobody's darling', as a writer she is a self-proclaimed 'darling in the margins', and Fast Talking PI proves it - a generous work that will thrill readers; 'a map in our arms / to get us over the reef'; and a tremendous first book.
'We are what we remember, the self is a trick of memory... history is the remembered tightrope that stretches across the abyss of all that we have forgotten' - Maualaivao Albert Wendt Built around the abyss, the tightrope, and the trick that we all have to perform to walk across it, Pasifika poetry warrior Selina Tusitala Marsh brings to life in Tightrope her ongoing dialogue with memory, life and death to find out whether 'stories' really can 'cure the incurable'. In Marsh's poetry, sharp intelligence combines a focused warrior fierceness with perceptive humour and energy, upheld by the mana of the Pacific. She mines rich veins - the tradition and culture of her whanau and Pacific nations; the works of feminist poets and leaders; words of distinguished poets Derek Walcott and Albert Wendt - to probe the particularities of words and cultures. Selina Tusitala Marsh's Tightrope takes us from the bustle of the world's largest Polynesian city, Auckland, through Avondale and Apia, and on to London and New York on an extraordinary poetic voyage.
InDark Sparring, Selina Tusitala Marsh combats family loss with all the techniques of poetry, ritual and Thai kickboxing at her disposal. The book brims with fluid, humming list poems, literary shoutouts and personal elegies, as Marsh takes us through her mother's diagnosis with cancer and the long journey out the other side of her illness. Along the way, she shows us other parts of her world: scenes from Matiatia to Orapiu to Apia; classroom politics; the importance of leadership; and the reasons New Zealand is a 'lucky' country. Dark Sparring has an appealing voice, a strong right hook and an affecting, rhythmic heart.
This collection offers short stories, extracts from novels and poems written by authors from the Cook Islands, Fiji, Samoa, Tonga, Niue, Hawai'i and New Zealand. Many draw inspiration from indigenous oral traditions, while others use the techniques of oral storytelling and recitation.
"In her bestselling Mophead, poet laureate and fast talking PI Selina Tusitala Marsh recounted her experience growing up Pasifika in Aotearoa and realising how her (and your) difference can make a difference. In Mophead Tu, Selina is crowned Commonwealth Poet and invited to perform for the Queen in Westminster Abbey. But when someone at work calls her a `sellout¿, Selina starts doubting herself. Can she stand with her people who struggled against the Queen . . . and still serve the Queen? From the sinking islands in the South Seas to the smoggy streets of London, Mophead Tu: The Queen¿s Poem is a hilariously thought-provoking take on colonial histories and one poet¿s journey to bridge the divide."
This long-awaited poetry collection from award-winning Pasifika poet Karlo Mila spans work written over a decade. The poems are both personal and political. They trace the effect of defining issues such as racism, poverty, violence, climate change and power on Pasifika peoples, Aotearoa and beyond. They also focus on the internal and micro issues – the ending of a marriage, the hope of new relationships, and the daily politics of being a partner, woman and mother. The collection meditates on love and relationships and explores identity, culture, community and belonging with a voice that does not shy away from the difficult.
An anthology of new New Zealand verse, which first appeared in the popular Friday Poem slot in The Spinoff website. It features some of the most well-known and established names in New Zealand poetry as well as new, exciting writers. It is a showcase of New Zealand poetry.
The voices of Tusiata Avia are infinite. She ranges from vulnerable to forbidding to celebratory with forms including pantoums, prayers and invocations. And in this electrifying new work, she gathers all the power of her voice to speak directly into histories of violence.Avia addresses James Cook in fury. She unravels the 2019 Christchurch massacre, walking us back to the beginning. She describes the contortions we make to avoid blame. And she locates the many voices that offer hope. The Savage Coloniser Book is a personal and political reckoning. As it holds history accountable, it rises in power.
This groundbreaking anthology is the first to navigate the interconnections between the rhetorics and aesthetics of the Pacific. Like the bright and multifaceted constellation for which it is named, Huihui: Rhetorics and Aesthetics in the Pacific showcases a variety of genres and cross-genre forms—critical essays, poetry, short fiction, speeches, photography, and personal reflections—that explore a wide range of subjects, from Disney’s Aulani Resort to the Bishop Museum, from tiki souvenirs to the Dusky Maiden stereotype, from military recruitment to colonial silencing, from healing lands to healing words and music, from decolonization to sovereignty. These works go beyond conceiving o...