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This book describes in word and illustration the results of an exciting quest on the part of its authors to discover and record Indian rock paintings of Northern Ontario and Minnesota. Numerous drawings were made from these pictographs at a hundred different sites; the originals range in age from four to five hundred years to a thousand, and were done with the simplest materials: fingers for brushes, fine clay impregnated with ferrous oxide giving the characteristic red paint. Where an overhanging rock protected a vertical face from dripping water or on dry, naked rock faces the Indians recorded the forest life with which they lived in intimate association—deer, caribou, rabbit, heron, tro...
This is the story of a Missassauga Indian girl named Morning Sky who with her family spends the winter camped at the mouth of the Humber River. Cold and hunger threatened their survival but by facing these hardships together a very special and powerful bond is created among the members of the family.
Daylight in the Swamp is the bush memoirs of Selwyn Dewdney, a noted Canadian artist and recorder of native rock art. His two great loves, art and the Canadian north, come together in this book. His respect for native culture and art is reflected in his own work, his insight into native rock art, and his passion for canoeing and the northern experience.The third theme of the book is history spanning the period from 1910 through to the 1970s during which the old north largely vanished. Dewdney was there to record the images of forgotten dreams painted on rocks and cliffs throughout the Canadian Shield. Thanks to these memoirs we are all there to witness these things with Dewdney.
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"After his university education and graduation from the Ontario College of Art, he taught at Beck Collegiate from 1936 to 1945. A year later he published his first novel, Wind Without Rain, which dealt with the politics of the teaching profession. He resigned his teaching position in 1945 to protest the demotion of a fellow teacher."--Http://www.londonculture.ca/things-we-do/culture-directory/historic-favourites/selwyn-dewdney
A four-time Governor General’s-award nominee for both poetry and non-fiction, Christopher Dewdney is celebrated internationally as a writer and a visionary and is best known for his particular imagining of place and memory. Beginning with Paleozoic fossil formations in southwestern Ontario and moving through eons of natural history to cityscapes and the digital present, Dewdney’s poetics encapsulate often surreal experiences from radical and epiphenomenal perspectives. His writing vibrates in a standing wave between science and art, reason and myth—embedding geology, neurophysiology, linguistics, and post-digital technology within a play of transitory viewpoints. Children of the Outer Dark provides a geological survey of Dewdney’s poetic strata. The poems selected, along with their order of presentation, serve a critical function to mine diverse layers of development in Dewdney’s career. This collection will reward all those who seek inspiration and will provide teachers, students, and other writers with a short natural history of one of Canadas essential poetic minds.
A collection of lives and stories that provides a fascinating look at the eminent and no so eminent characters who came before us and left their colourful mark on Canada’s history.
The Midewiwin is the traditional religious belief system central to the world view of Ojibwa in Canada and the US. It is a highly complex and rich series of sacred teachings and narratives whose preservation enabled the Ojibwa to withstand severe challenges to their entire social fabric throughout the 19th and 20th centuries. It remains an important living and spiritual tradition for many Aboriginal people today.The rituals of the Midewiwin were observed by many 19th century Euro-Americans, most of whom approached these ceremonies with hostility and suspicion. As a result, although there were many accounts of the Midewiwin published in the 19th century, they were often riddled with misinterpretations and inaccuracies.Historian Michael Angel compares the early texts written about the Midewiwin, and identifies major, common misconceptions in these accounts. In his explanation of the historical role played by the Midewiwin, he provides alternative viewpoints and explanations of the significance of the ceremonies, while respecting the sacred and symbolic nature of the Midewiwin rituals, songs, and scrolls.
More than 400 rock paintings adorn the Canadian Shield from Quebec to Saskatchewan, the legacy of the Algonkian-speaking Cree and Ojibwa.