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My Profession
A profile of the authors life as a famous Soviet puppeteer and puppet theatre director. He describes childhood impressions, writes of earlier professions as artist and actor, and finally about his personal experiences with puppetry which helped him achieve mastery of his craft.Born in Moscow in 1901, he describes every step he took to his profession, how he worked on individual productions, and an account of all of his productions. In the 1920s Sergei Obraztsov founded the State Central Puppet Theatre in Moscow --- the biggest in Russia, an educational center of professional and amateurs theatre groups. The center houses the museum of theatrical puppets, a library on the theme, manuscript and pedagogical departments, and one of the worlds largest collection of theatrical puppets (about 3000 from 50 countries). Now over 50 years old, The Sergei Obraztsov Central Puppet Show has entertained tens-of-thousands of fans in 50 different countries, with a witty program that parodies slipshod variety performances.
Proceedings of the Soviet/British Puppetry Conference
This is Volume 1, Part 1 of the Contemporary Theatre Review of 1992. It includes the proceedings of the Soviet and British Puppetry Conference which provided the informed reflections on the workings of puppet theatres within both cultures that was brought about by a cultural exchange between the Rostov State Puppet Theatre and the Scottish Mask and Puppet Centre.
Information Bulletin
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Res
RES 59/60 includes “The making of architectural types” by Joseph Rykwert; “Traces of the sun and Inka kinetics” by Tom Cummins and Bruce Mannheim; “Inka water management and display fountains” by Carolyn Dean; “Guaman Poma’s pictures of huacas” by Lisa Trever; “Peruvian nature up close” by Daniela Bleichmar; and other papers.
USSR.
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Soviet Life
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Anglo-Soviet Journal
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All this is your World
In the Khrushchev era, Soviet citizens were newly encouraged to imagine themselves exploring the medieval towers of Tallinn's Old Town, relaxing on the Romanian Black Sea coast, even climbing the Eiffel Tower. By the mid 1960s, hundreds of thousands of Soviet citizens each year crossed previously closed Soviet borders to travel abroad. All this is your World explores the revolutionary integration of the Soviet Union into global processes of cultural exchange in which a de-Stalinizing Soviet Union increasingly, if anxiously, participated in the transnational circulation of people, ideas, and items. Anne E. Gorsuch examines what it meant to be "Soviet" in a country no longer defined as Stalini...
The Puppet Man: New & Selected Poems
American narrative poetry in the oral tradition.
