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Surviving Dictatorship
Written as a book for undergraduate students as well as scholars, Surviving Dictatorship is a work of visual sociology and oral history, and a case study that communicates the lived experience of poverty, repression, and resistance in an authoritarian society: Pinochetâe(tm)s Chile. It focuses on shantytown women, examining how they join groups to cope with exacerbated impoverishment and targeted repression, and how this leads them into very varied forms of resistance aimed at self-protection, community-building, and mounting an offensive. Drawing on a visual database of shantytown photographs, art, posters, flyers, and bulletins, as well as on interviews, photo elicitation, and archival research, the book is an example of how multiple methods might be successfully employed to examine dictatorship from the perspective of some of the least powerful members of society. It is ideal for courses in social inequalities, poverty, race/class/gender, political sociology, global studies, urban studies, womenâe(tm)s studies, human rights, oral history, and qualitative methods.
Learning SciPy for Numerical and Scientific Computing - Second Edition
This book targets programmers and scientists who have basic Python knowledge and who are keen to perform scientific and numerical computations with SciPy.
Post-Dictatorship Argentinian Cinema as a Renarration of Collective Memory
This book reflects on the role of Argentinean cinema in the construction of social memory. It observes the melancholic scene of Argentina’s first decade post-dictatorship as a context without the necessary social understanding to frame the traumatic experiences of the 1976-1983 military repression. Hence, it interprets such conditions as facilitating processes of intersubjective forgetting, fostered by sociopolitical institutions organizing the discourse of truth within a neoliberal re-democratization endeavor. The book proposes that the non-hegemonic cinema of 1985-1996 operated as a symbolic mediation with which a post-dictatorial, poetic, negotiated truth emerged within the historical process of collective memorialization of social trauma. The book draws from research on Latin American cinema and popular culture, subaltern studies, memory and trauma studies, and the notion of cultural hegemony.
Marketing Democracy
Amid protests against the Pinochet regime, a group of población(shantytown) residents came together in 1984 to challenge poor health care in their community and to denounce military rule. How did their organization respond seven years later when Chile's transition to democracy brought an end to dictatorship but no clear solution to ongoing health problems? Marketing Democracy shows how the exercise of power and the strategies of social movements transformed with the transition from a military to an elected-civilian regime in Chile. The term "marketing democracy" refers first to how contemporary democracies are shaped by transnational market forces, and second to how politicians have promoted democracy with the twin goals of attracting foreign capital and diminishing social movements.
The Untimely Present
The Untimely Present examines the fiction produced in the aftermath of the recent Latin American dictatorships, particularly those in Argentina, Brazil, and Chile. Idelber Avelar argues that through their legacy of social trauma and obliteration of history, these military regimes gave rise to unique and revealing practices of mourning that pervade the literature of this region. The theory of postdictatorial writing developed here is informed by a rereading of the links between mourning and mimesis in Plato, Nietzsche's notion of the untimely, Benjamin's theory of allegory, and psychoanalytic / deconstructive conceptions of mourning. Avelar starts by offering new readings of works produced be...
