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Sehnsucht: The C. S. Lewis Journal, established by the Arizona C. S. Lewis Society in 2007, is the only peer-reviewed journal devoted to the study of C. S. Lewis and his writings published anywhere in the world. It exists to promote literary, theological, historical, biographical, philosophical, bibliographical and cultural interest (broadly defined) in Lewis and his writings. The journal includes articles, review essays, book reviews, film reviews and play reviews, bibliographical material, poetry, interviews, editorials, and announcements of Lewis-related conferences, events and publications. Its readership is aimed at academic scholars from a wide variety of disciplines, as well as learned non-scholars and Lewis enthusiasts. At this time, Sehnsucht is published once a year.
Fantasy novels & movies are not just harmless entertainment.
Theologians, psychologists, academics, feminists, and fantasists offer humor, insight, and fresh perspectives on the enchanting and beloved Chronicles of Narnia series. Such contributors as fantasists Sarah Zettel and Lawrence Watt-Evans, children's literature scholar Naomi Wood, and C.S. Lewis scholars Colin Duriez and Joseph Pearce discuss topics such as J.R.R. Tolkien and Middle Earth's influence on the conception of Narnia, the relevance of allegory for both Christians and non-Christians, the idea of divine providence in Narnia, and Narnia's influence on modern-day witchcraft. Fans of the wildly popular series will revel in the examination of all aspects of C.S. Lewis and his magical Narnia.
How did five twentieth-century British authors, C. S. Lewis, J. R. R. Tolkien, Charles Williams, Owen Barfield, and Dorothy L. Sayers, along with their mentors George MacDonald and G. K. Chesterton, come to contribute more to the intellect and imagination of millions than many of their literary contemporaries put together? How do their achievements continue to inform and potentially transform us in the twenty-first century? In this first collection of its kind, addressing the entire famous group of seven authors, the twenty-seven chapters in The Inklings and Culture explore the legacy of their diverse literary art—inspired by the Christian faith—art that continues to speak hope into a hurting and deeply divided world.
When a Martian spacecraft lands on Woking Common, mankind is terrorized by aliens in tall, armored capsules which stalk the countryside on three legs. The machines wreak havoc on London and the Southern Counties, and survivors are driven underground. Scientist John Nicholson tells how he was plunged into a paralyzing nightmare of stark terror, savage madness and utter destruction.
An ever-expanding critical library on fantasy fiction requires an analysis of why the genre is so ubiquitous, enduring and beloved. This work analyzes the mythic elements in foundational fantasy texts, arguing that mythopoeic fantasy reveals timeless truths that link human cultures past and present. Through close readings of works like Phantastes, The King of Elfland's Daughter, The Fellowship of the Ring, The Lion, the Witch, and the Wardrobe, A Wizard of Earthsea, The Neverending Story, A Wrinkle in Time and Out of the Silent Planet, this book explores how mythopoeic fantasy speaks to the deepest concerns of the human heart. It investigates the genre's use of an imagination that is sometimes atrophied by the demands of contemporary life, and explores how fantasy provides restoration, consolation and hope within a cultural context that too often decries such ideas. Each chapter focuses on a representative text, providing author background and engaging relevant scholarship on a variety of relevant thematic issues. Offering new insights on these classic texts by drawing upon post-secular critical approaches, this work is suitable for both new and seasoned students of fantasy.
Lists addresses and information on contacts, pay rates, and submission requirements, and includes essays on the craft of writing.
"This book teases out hitherto unrecognised Eastern aspects in and influences on C. S. Lewis' Narnia Chronicles. These include storylines, plots, themes, imagery and even cities and landscapes in the East, as well as the 'Persian' style of illustrations by Pauline Baynes. Although never having ventured East himself, Lewis wrote that 'I am the product of endless books,' and in recognising Eastern references - many only subconsciously intended by Lewis - it is possible to enter the rich world of books that Lewis lived and breathed all his life. And, perhaps less obviously, overhear the conversations he had with his fellow Inklings or that he might have overheard himself in an Oxford pub. Relig...
This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic.
This bibliography and resource consists of a chronological introduction to the development of Lewis's works, a copious bibliography and a guide to the study of Lewis, an introductory essay on Christology in Lewis, and a glossary for those unfamiliar with some of the background and terms to Lewis's understanding of revelation and the Christ. It will be an invaluable resource for all scholars of C. S. Lewis. The bibliography stands alone but it also serves to complement the three volumes of the series C. S. Lewis, Revelation, and the Christ.