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"By investigating Romantic-era negotiations of Welsh culture both by writers seeking to further the assimilation of the Welsh, and by those seeking to protect and preserve a distinctive cultural identity for the Welsh, this book traces the effects of differing historiographic approaches to identity formation, allowing for a better understanding of how cultural material can be productively reworked in order to gain a specific end."--BOOK JACKET.
The Routledge Companion to Romantic Women Writers overviews critical reception for Romantic women writers from their earliest periodical reviews through the most current scholarship and directs users to avenues of future research. It is divided into two parts.The first section offers topical discussions on the status of provincial poets, on women’s engagement in children’s literature, the relation of women writers to their religious backgrounds, the historical backgrounds to women’s orientalism, and their engagement in debates on slavery and abolition.The second part surveys the life and careers of individual women – some 47 in all with sections for biography, biographical resources, works, modern editions, archival holdings, critical reception, and avenues for further research. The final sections of each essay offer further guidance for researchers, including “Signatures” under which the author published, and a “List of Works” accompanied, whenever possible, with contemporary prices and publishing formats. To facilitate research, a robust “Works Cited” includes all texts mentioned or quoted in the essay.
The late eighteenth century was one of the most exciting and unsettling periods in European history, with the shock-waves of the French Revolution rippling around the world. As this collection of essays by leading scholars shows, Wales was no exception. From political pamphlets to a Denbighshire folk-play, from bardic poetry to the remodelling of the Welsh landscape itself, responses to the revolutionary ferment of ideas took many forms. We see how Welsh poets and preachers negotiated complex London–Wales networks of patronage and even more complex issues of national and cultural loyalty; and how the landscape itself is reimagined in fiction, remodelled à la Rousseau, while it rapidly emptied as impoverished farming families emigrated to the New World. Drawing on a wealth of vibrant material in both Welsh and English, much of it unpublished, this collection marks another important contribution to ‘four nations’ criticism, and offers new insights into the tensions and flashpoints of Romantic-period Wales.
Nation and Migration provides a literary history for a nation that still considers itself a land of immigrants, exploring the significant contributions of Scotland, Ireland, and Wales to the development of a British Atlantic literature and culture
In the period following the French revolution in 1789, Welsh poets continually reflected on the extraordinary new era in which they lived through their writing. Effortlessly ranging from Wales’s deep and distant history to accounts of the most topical and urgent current affairs, their poems on war, Welshness, druids, parted lovers and sublime landscapes encompass the beautiful, the brutal and the mysterious. Facing a future that often seemed agonisingly uncertain, poets in Wales used their verses to voice their thoughts and feelings about events that had rocked the whole of Europe, and whose effects continued to be felt long after 1789. This new selection of poetry from Wales sets recently-discovered manuscript texts alongside little-known early printed poems, offering a full and accessible introduction to Welsh poetry in English in the period 1780-1820.
This book offers a fresh and timely 'European' perspective on Wales and Welshness. Uncovering rare travel texts in French and German from 1780 to now it provides a valuable case-study of a culture that is often minoritized, and demonstrates the value of multilingual research and a transnational approach.
In R.S. Thomas - A Stylistic Biography, Daniel Westover traces Thomas's poetic development over six decades, demonstrating how the complex interior of the poet manifests itself in the continually shifting style of his poems.
Spoken words come alive in written verse. In Sounding Imperial, James Mulholland offers a new assessment of the origins, evolution, and importance of poetic voice in the eighteenth and early nineteenth centuries. By examining a series of literary experiments in which authors imitated oral voices and impersonated foreign speakers, Mulholland uncovers an innovative global aesthetics of poetic voice that arose as authors invented new ways of crafting textual voices and appealing to readers. As poets drew on cultural forms from around Great Britain and across the globe, impersonating “primitive” speakers and reviving ancient oral performances (or fictionalizing them in verse), they invigorat...
Brokering Culture in Britain's Empire and the Historical Novel examines the relationship between the historical sensibilities of nineteenth-century British and American “romancers” and the conceptual frameworks that eighteenth-century imperial interlocutors used to imagine and critique their own experiences of Britain’s diffused, tenuous, and often accidental authority. Salyer argues that this cultural experience, more than what Lukács had in mind when he wrote of a mass historical consciousness after Napoleon, gave rise to the Romantic historiographical approach of writers such as Walter Scott, James Fenimore Cooper, Charles Brockden Brown and Frederick Marryat. This book traces the ...
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