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The second incisive issue of a digital literary journal born out of self-isolation. During this trying time, the journal aims to lift spirits and engage minds with stimulating poetry, works of fiction, and art, while also publishing opinion pieces, personal essays, and cultural commentary.
Persian Pottery in the First Global Age: the Sixteenth and Seventeeth Centuries studies the ceramic industry of Iran in the Safavid period (1501–1732) and the impact which the influx of Chinese blue-and-white porcelain, heightened by the activities of the English and Dutch East Indies Companies after c. 1700, had on local production. The multidisciplinary approach of the authors (Lisa Golombek, Robert B. Mason, Patricia Proctor, Eileen Reilly) leads to a reconstruction of the narrative about Safavid pottery and revises commonly accepted notions. The book includes easily accessible reference charts to assist in dating and provenancing Safavid pottery on the basis of diagnostic motifs, potters’ marks, petrofabrics, shapes, and Chinese models.
The Quarantine Review is a literary journal created to alleviate the malaise of social distancing with exceptional writing and artwork. The Quarantine Review celebrates literature and art, connecting readers through reflections on the human condition — our lived experiences, afflictions, and dreams. As we face a pandemic with profound implications, the essays within offer a variety of perspectives on the current predicament, encouraging readers to reflect on the world we knew before and contemplate how society can be reshaped once we emerge. Through The Quarantine Review, Dupuis and Sarfraz hope to give voice to the swirling emotions inside each of us during this unprecedented moment, to create a circuit of empathy between the reader, the work itself, and the wider world beyond the walls of our homes. This issue includes writing from J.J. Dupuis, Stacey May Fowles, Samantha Garner, Fei Lu, A.G. Pasquella, Shajia Sarfraz, Paul Vermeersch, and Lindsay Zier-Vogel.
“An invaluable aid in this time of troubled spirits, muddled truths, and convoluted thinking.” — Mark Mothersbaugh, Devo Paul Vermeersch has reinvented the “new and selected.” Bringing together the very best of his poetry from the last quarter century with new and never-before-published works, Shared Universe is a sprawling chronicle of the dawn of civilizations, the riddles of 21st-century existence, and any number of glorious, or menacing, futures. Selected poetry collections are traditionally organized according to the books in which the poems first appeared, but these poems are arranged by prophecy and mythos, corresponding to the human (or trans-human) body, or as dictated by animal speech. In this universe, time is thematic instead of chronological, and space is aesthetic rather than voluminous. Here, alongside popular favourites, are recently unearthed gems and visionary new poems that reveal the books hidden within the books of one of Canada’s most distinctive and imaginative poets.
In four chapters, a foreword, preface, and two appendices accompanied by detailed, full-color illustrations, scholars Arni Brownstone, Nicholas Johnson, Bas van Doesburg, Eckehard Dolinski, Michael Swanton, and Elizabeth Hill Boone describe what a lienzo is and how it was made. They also explain the particular origin, format, and content of the Lienzo of Tlapiltepec—as well as its place within the larger world of Mexican painted history. The contributors furthermore explore the artistry and visual experience of the work. A final essay documents past illustrations of the lienzo including the one rendered for this book, which employed innovative processes to recover long faded colors.
The second issue of a digital journal created to alleviate the malaise of social distancing with exceptional writing and artwork. The Quarantine Review celebrates literature and art, connecting readers through reflections on the human condition — our lived experiences, afflictions, and dreams. As we face a pandemic with profound implications, the essays within offer a variety of perspectives on the current predicament, encouraging readers to reflect on the world we knew before and contemplate how society can be reshaped once we emerge. Through The Quarantine Review, Dupuis and Sarfraz hope to give voice to the swirling emotions inside each of us during this unprecedented moment, to create a circuit of empathy between the reader, the work itself, and the wider world beyond the walls of our homes. This issue includes writing from Waris Ahluwalia, Catherine Bush, Roseanne Carrara, J.J. Dupuis, Khandijah Kanji, J.J. Martin, C.S. O'Cinneide, Terese Mason Pierre, Teri Vlassopoulos, and artwork by Blaise Moritz.
The seventh issue of a digital journal created to alleviate the malaise of social distancing with exceptional writing and artwork. The Quarantine Review celebrates literature and art, connecting readers through reflections on the human condition — our lived experiences, afflictions, and dreams. As we face a pandemic with profound implications, the essays within offer a variety of perspectives on the current predicament, encouraging readers to reflect on the world we knew before and contemplate how society can be reshaped once we emerge. Through The Quarantine Review, Dupuis and Sarfraz hope to give voice to the swirling emotions inside each of us during this unprecedented moment, to create a circuit of empathy between the reader, the work itself, and the wider world beyond the walls of our homes. This issue includes works by Kirti Bhadresa, Sydney Warner Brooman, Diana Fitzgerald Bryden, Veronique Darwin, Catherine Graham, Joy Gyamfi, Pamela Hensley, Mark Laliberte, Donna Langevin, Mike Lee, H. C. Phillips, Robert Priest, Kenneth Sherman, Jillian Stirk, and Jasper Wrinch.
The tenth issue of a digital journal created to alleviate the malaise of social distancing with exceptional writing and artwork. The Quarantine Review celebrates literature and art, connecting readers through reflections on the human condition — our lived experiences, afflictions, and dreams. As we face a pandemic with profound implications, the essays within offer a variety of perspectives on the current predicament, encouraging readers to reflect on the world we knew before and contemplate how society can be reshaped once we emerge. Through The Quarantine Review, Dupuis and Sarfraz hope to give voice to the swirling emotions inside each of us during this unprecedented moment, to create a circuit of empathy between the reader, the work itself, and the wider world beyond the walls of our homes. This issue is an homage to pulp fiction, featuring the work of David Barrick, Diana Fitzgerald Bryden, Maureen Hynes, Shaun Jex, Mike Lee, Keriann McGoogan, Jeff Parent, A.G. Pasquella, H.C. Phillips, Todd Sullivan, Ishmael A. Soledad, and Daniel Wade.
The third issue of a digital journal created to alleviate the malaise of social distancing with exceptional writing and artwork. The Quarantine Review celebrates literature and art, connecting readers through reflections on the human condition — our lived experiences, afflictions, and dreams. As we face a pandemic with profound implications, the essays within offer a variety of perspectives on the current predicament, encouraging readers to reflect on the world we knew before and contemplate how society can be reshaped once we emerge. Through The Quarantine Review, Dupuis and Sarfraz hope to give voice to the swirling emotions inside each of us during this unprecedented moment, to create a circuit of empathy between the reader, the work itself, and the wider world beyond the walls of our homes. This issue features writing by Eric Chase Anderson, Jill Andew, Keisha N. Blain, Roseanne Carrara, Khadijah Kanji, David Leonard, Wajahat Mahmood, Tsedale M. Melaku, Jeff Parent, Harsh Trivedi, Andrew Wilmot, and artwork by Nicola Woods.
The ninth issue of a digital journal created to alleviate the malaise of social distancing with exceptional writing and artwork. The Quarantine Review celebrates literature and art, connecting readers through reflections on the human condition — our lived experiences, afflictions, and dreams. As we face a pandemic with profound implications, the essays within offer a variety of perspectives on the current predicament, encouraging readers to reflect on the world we knew before and contemplate how society can be reshaped once we emerge. Through The Quarantine Review, Dupuis and Sarfraz hope to give voice to the swirling emotions inside each of us during this unprecedented moment, to create a circuit of empathy between the reader, the work itself, and the wider world beyond the walls of our homes. This issue includes writing from Jowita Bydlowska, Yuan Changming, Teresa Douglas, Hollay Ghadery, Eleni Gouliaras, Vera Hadzic, Kevin Heslop, Carol Lipszyc, Monty Reid, Deryck N. Robertson, Lynn Tait, Myna Wallin, Matthew Walsh, and Katie Welch, with art by Shannon Kennedy.