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Gender in Germany and Beyond
Jean Quataert redefined the boundaries of at least five historical fields including European socialism, women’s history and gender history, and international law and human rights. In this volume dedicated to her pioneering work, established and emerging scholars showcase the signature ways in which Quataert, as one of the discipline’s first women’s historians, has influenced how subsequent generations think about history writing as a form of intellectual activism. Gender in Germany and Beyond presents cutting edge historiographical commentary alongside new work which address subjects such as the history of German colonialism and women’s colonial leagues, human rights advocacy during the Cold War, and the complexities of turn of the century gay and lesbian rights organizing.
The Academy
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Shelley's Music
First published in 2009. This book argues that the images of and allusions to music in Shelley’s writing demonstrate his attempt to infuse the traditionally masculine word with the traditionally feminine voice and music. This further extends to his even more fundamental desire to integrate the "object voice" with his own subjectivity. For Shelley, what plagues this integration is the prospect of losing both the poet’s authority and the subjectivity upon which it relies. This book asserts that the resultant deadlock and instability paradoxically becomes Shelley’s ultimate goal — creating a steady state of suspension that finally preserves both his authority and his humanity.
Shelley and the Romantic Imagination
"Frosch offers a fuller psychoanalytic account of Shelley's poetry than previously available, discussing both oedipal and pre-oedipal conflict, the positive and negative attitudes toward both the father and the mother, and the subtle workings, defensive and creative, of the ego."--Jacket.
Academy; a Weekly Review of Literature, Learning, Science and Art
The Poetical gazette; the official organ of the Poetry society and a review of poetical affairs, nos. 4-7 issued as supplements to the Academy, v. 79, Oct. 15, Nov. 5, Dec. 3 and 31, 1910
