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Breaking the Rules of Watercolour
  • Language: en

Breaking the Rules of Watercolour

  • Categories: Art

Shirley Trevena is a well-known and successful watercolourist, with a huge international fan base. Throughout her career she has pushed the boundaries of watercolour and is regarded as one of Britain's most innovative artists in that medium. Shirley's watercolours are visually inspiring, vibrant in colour and strong in composition This, her third book, shows how she achieves her stunning results by pushing the medium to its limits. Shirley takes the reader through 10 paintings in great detail and shares all her professional tips and painting secrets. In addition, each painting has large close-up details so the reader can really see all the brushstrokes. Shirley breaks the conventional rules of watercolour in many different ways: through her compositions, strange perspectives, fascinating textures and, above all, the strength and vibrancy of her colour combinations. In Breaking the Rules of Watercolour, Shirley explains all her painting decisions and demonstrates her techniques at every stage. In this way, she encourages all watercolourists, whatever their level, to experiment with the medium and produce exciting and challenging work of their own.

Taking Risks with Watercolour
  • Language: en
  • Pages: 139

Taking Risks with Watercolour

A practical and well-illustrated book for the intermediate water colourist who is looking for greater challenges in their work.

Vibrant Watercolours
  • Language: en
  • Pages: 132

Vibrant Watercolours

  • Categories: Art

Superebly illustrated book in watercolor painting.

Experimental Landscapes in Watercolour
  • Language: en
  • Pages: 404

Experimental Landscapes in Watercolour

  • Categories: Art

Artist Ann Blockley is renowned for her innovative approach to traditional subjects. Following the huge success of her previous book, Experimental Flowers in Watercolour, she now explores ways to interpret landscape. Packed with stunning examples of her colourful, expressive work, this book encourages you to experiment with the same techniques in your own watercolour painting to develop a personal style. Techniques covered include combining water-based paint and ink with other media such as gesso and collage to create dramatic effects; manipulating paint with materials such as plastic wrap (clingfilm); tearing, layering and reassembling paintings into watercolour collages; and developing textures and marks made using fabrics and other found objects. Throughout the book Ann offers her personal commentary on how her paintings were created, giving us a unique insight into the mind of the artist. Both practical and inspirational, this glorious book is the ideal companion for watercolour painters who want to take their work a step further.

Abstract and Colour Techniques in Painting
  • Language: en
  • Pages: 136

Abstract and Colour Techniques in Painting

  • Categories: Art
  • Type: Book
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  • Published: 2007-08-09
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  • Publisher: Anova Books

In this inspirational workbook, award-winning mixed media artist Claire Harrigan leads painters towards non-representational painting through the use of color. Fantastically illustrated throughout and featuring sound technical advice, it covers every aspect of abstract painting, from concepts and influences, inspirations and starting points to approaching subjects, basic design considerations, and surface textures. Step-by-step analyses of Harrigan's own work demonstrate the importance of color contrast, harmony, and impact in a range of mixed media.

If You Are Bored With WATERCOLOR Read This Book
  • Language: en

If You Are Bored With WATERCOLOR Read This Book

  • Categories: Art
  • Type: Book
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  • Published: 2017-06-06
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  • Publisher: Ilex Press

Are you bored of painting tasteful landscapes, light seascapes and delicate still-lifes? Or are you laboring under the misconception that that is simply all watercolor is good for? Maybe you're so bored of looking at watercolor paintings that you've never even tried it! Whether you're at the beginning of your artistic journey, stuck in a rut and in desperate need of some inspiration or simply looking to improve your skills with watercolor, this book is sure to awaken your creativity. Stimulate your artistic minds and open your paint boxes to a whole new realm of possibility, using things like bleach, salt and combs - yes, the thing you'd ordinarily use to brush your hair with - to create exciting results. Professional fashion illustrator Veronica Ballart Lilja shares a wealth of new techniques based on her years of working with the medium that will open up watercolor for beginners, and encourage experts to stray from their more traditional methods. Jam packed with fresh ideas, adventurous tips and techniques, detailed theory and engaging exercises, this book allows you to develop and practise your skills in a free and expressive way.

Flower Painting
  • Language: en

Flower Painting

  • Categories: Art

Clear, step-by-step instructions give guidance on every aspect of flower painting from choice of materials to special techniques which will enable yo to portray the essence of your subject matter and all it glorious colour--Cover.

Watercolour Textures (Collins Artist’s Studio)
  • Language: en
  • Pages: 250

Watercolour Textures (Collins Artist’s Studio)

  • Categories: Art

Ann Blockley is a very successful artist, known for the innovative way in which she uses texture as a key element in her work. This book, in Collins Artist’s Studio series, looks at how she achieves her stunning effects and provides essential guidelines for the intermediate painter wishing to develop this aspect of their own painting.

John Blockley – A Retrospective
  • Language: en
  • Pages: 237

John Blockley – A Retrospective

  • Categories: Art

John Blockley was one of Britain's most outstanding watercolour and pastel painters of the late 20th century, and has exhibited at the Royal Academy. Self-taught, he produced work that has always been experimental and progressive. His highly textured style was well ahead of his time and still hugely influential now. The quality of his work is even more staggering given that he never trained at any art college, and spent most of his working life as an engineer. He only started painting full time at the age of 52. His obsession for drawing and painting, even while a successful engineer, was driven by his search for the essence of his subjects. The power of his paintings reveal that passion. Th...