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Abstract and Colour Techniques in Painting
In this inspirational workbook, award-winning mixed media artist Claire Harrigan leads painters towards non-representational painting through the use of color. Fantastically illustrated throughout and featuring sound technical advice, it covers every aspect of abstract painting, from concepts and influences, inspirations and starting points to approaching subjects, basic design considerations, and surface textures. Step-by-step analyses of Harrigan's own work demonstrate the importance of color contrast, harmony, and impact in a range of mixed media.
Loyalty and Identity
This collection of essays provides a series of fresh approaches to a fascinating subject: Jacobitism. The contributors focus on issues of identity and memory among Jacobites in Scotland, Ireland, England and Europe. They examine Jacobitism as an integral aspect of culture and society in the British Isles and beyond during the century after 1688.
Gerald of Wales
Gerald of Wales (c.1146–c.1223), widely recognized for his innovative ethnographic studies of Ireland and Wales, was in fact the author of some twenty-three works which touch upon many aspects of twelfth-century life. Despite their valuable insights, these works have been vastly understudied. This collection of essays reassesses Gerald’s importance as a medieval Latin writer and rhetorician by focusing on his lesser-known works and providing a fuller context for his more popular writings. This broader view of his corpus brings to light new evidence for his rhetorical strategies, political positioning and usage of source material, and attests to the breadth and depth of his collected works.
Design and Colour in Watercolour
Leading watercolour artist Michelle Scragg uses the popular medium of watercolour to produce paintings that have a strong sense of colour, in both her figurative and abstract work. But her work is also well designed and she shows how watercolour can translate very effectively into design for fabrics, furnishings, illustrations and other applications. The book comprises the following chapters: 1. Exploring Watercolour's Strengths: with skills, techniques and practical considerations 2. Bold Colour: from selecting colours to colour and composition 3. Expression and Design: Drawing and sketchbook work plus Effective Design, Fabric Design and Watercolour illustration. 4. Interpretation: from feeling and response to observation and imagination 5. Studio practice: how to adjust your work depending on the aims of the painting and the various practical issues, particularly when designing for fabric or furnishings.
Elizabeth I and Ireland
The last generation has seen a veritable revolution in scholarly work on Elizabeth I, on Ireland, and on the colonial aspects of the literary productions that typically served to link the two. It is now commonly accepted that Elizabeth was a much more active and activist figure than an older scholarship allowed. Gaelic elites are acknowledged to have had close interactions with the crown and continental powers; Ireland itself has been shown to have occupied a greater place in Tudor political calculations than previously thought. Literary masterpieces of the age are recognised for their imperial and colonial entanglements. Elizabeth I and Ireland is the first collection fully to connect these recent scholarly advances. Bringing together Irish and English historians, and literary scholars of both vernacular languages, this is the first sustained consideration of the roles played by Elizabeth and by the Irish in shaping relations between the realms.
Tangled Roots
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Ireland in the Virginian Sea
In the late sixteenth century, the English started expanding westward, establishing control over parts of neighboring Ireland as well as exploring and later colonizing distant North America. Audrey Horning deftly examines the relationship between British colonization efforts in both locales, depicting their close interconnection as fields for colonial experimentation. Focusing on the Ulster Plantation in the north of Ireland and the Jamestown settlement in the Chesapeake, she challenges the notion that Ireland merely served as a testing ground for British expansion into North America. Horning instead analyzes the people, financial networks, and information that circulated through and connected English plantations on either side of the Atlantic. In addition, Horning explores English colonialism from the perspective of the Gaelic Irish and Algonquian societies and traces the political and material impact of contact. The focus on the material culture of both locales yields a textured specificity to the complex relationships between natives and newcomers while exposing the lack of a determining vision or organization in early English colonial projects.
