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Abstract and Colour Techniques in Painting
In this inspirational workbook, award-winning mixed media artist Claire Harrigan leads painters towards non-representational painting through the use of color. Fantastically illustrated throughout and featuring sound technical advice, it covers every aspect of abstract painting, from concepts and influences, inspirations and starting points to approaching subjects, basic design considerations, and surface textures. Step-by-step analyses of Harrigan's own work demonstrate the importance of color contrast, harmony, and impact in a range of mixed media.
Who's who in Art
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Elizabeth I and Ireland
The first sustained consideration of the roles played by Elizabeth and by the Irish in shaping relations between the realms.
Tangled Roots
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Ireland in the Virginian Sea
In the late sixteenth century, the English started expanding westward, establishing control over parts of neighboring Ireland as well as exploring and later colonizing distant North America. Audrey Horning deftly examines the relationship between British colonization efforts in both locales, depicting their close interconnection as fields for colonial experimentation. Focusing on the Ulster Plantation in the north of Ireland and the Jamestown settlement in the Chesapeake, she challenges the notion that Ireland merely served as a testing ground for British expansion into North America. Horning instead analyzes the people, financial networks, and information that circulated through and connected English plantations on either side of the Atlantic. In addition, Horning explores English colonialism from the perspective of the Gaelic Irish and Algonquian societies and traces the political and material impact of contact. The focus on the material culture of both locales yields a textured specificity to the complex relationships between natives and newcomers while exposing the lack of a determining vision or organization in early English colonial projects.
Gerald of Wales
• This book is the first multi-authored work on Gerald of Wales • It has a cross-disciplinary approach bringing together a variety of voices and perspectives • Includes rare focus on his lesser-studied works • This broader view provides a fuller context for Gerald’s more popular/better-studied works
Design and Colour in Watercolour
Leading watercolour artist Michelle Scragg uses the popular medium of watercolour to produce paintings that have a strong sense of colour, in both her figurative and abstract work. But her work is also well designed and she shows how watercolour can translate very effectively into design for fabrics, furnishings, illustrations and other applications. The book comprises the following chapters: 1. Exploring Watercolour's Strengths: with skills, techniques and practical considerations 2. Bold Colour: from selecting colours to colour and composition 3. Expression and Design: Drawing and sketchbook work plus Effective Design, Fabric Design and Watercolour illustration. 4. Interpretation: from feeling and response to observation and imagination 5. Studio practice: how to adjust your work depending on the aims of the painting and the various practical issues, particularly when designing for fabric or furnishings.
Arts Review
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Loyalty and Identity
This collection of essays provides a series of fresh approaches to a fascinating subject: Jacobitism. The contributors focus on issues of identity and memory among Jacobites in Scotland, Ireland, England and Europe. They examine Jacobitism as an integral aspect of culture and society in the British Isles and beyond during the century after 1688.
