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The Female Gaze
Frank but scathing in her remarks, Chatterji in this collection of essays voices those who have been muted but not silenced. She scrutinizes the intertwined fabric of social and financial milieu that determines a woman’s place in society. Her observations on the systemic silence of women, the physical and mental abuse, the stereotypes that women are forced to live up to, are some of the many things that force you to stop and think. Ranging from issues that affect women and society to the representation of women in cinema, she goes through important societal issues one by one with a fine-tooth comb and analyses them through multiple lenses.
Suchitra Sen
The definitive biography of one of Indian cinema's biggest icons Arguably the greatest star of Bengali cinema, Suchitra Sen mesmerized audiences for years, before withdrawing from the public gaze and refusing to emerge in the limelight in the last decade of her life. In this nuanced biography, Shoma Chatterji unveils the two different dimensions of the Suchitra Sen persona: as a legendary romantic star with an audience pull spanning over two decades, and her slow but steady metamorphosis into a powerful performing artist through films like Deep Jele Jai, Hospital, Mamta and Aandhi who could seamlessly and effortlessly essay completely different characters without the on-screen partnership of Uttam Kumar. Award-winning author and film critic Shoma Chatterji presents a fascinating portrait of an icon of Indian cinema, addressing two significant elements that have not been touched by other writers: Suchitra Sen as a working woman in films and her wilful social seclusion.
Filming Reality
The evolution of the independent documentary cinema in India!
Through the Lens, Brightly
Does the gender of a director affect your perception of a film or dictate whether or not you watch a certain movie? The Indian film industry, the biggest in the world in terms of quantity, language and culture, produces close to a thousand films a year. Yet, the presence of women in the directorial chair still appears to be a drop in the widening ocean of filmmakers in the country. Very little is known about women directors who stepped into the industry years ago and left their footsteps on the sands of reel-time. Through the Lens, Brightly: Women in Cinema, Women at Work unearths how the 'working woman' has been presented in films directed by women. Most women directors are 'working women' ...
Woman at the Window
Representations of women in Indian cinema are often warped and twisted. They are subjected to a series of gazes - voyeuristic, investigative and titillating. The controlling look is always with the male. One film-maker who consistently steered clear of this right through his career was Satyajit Ray. None of Ray's women on celluloid can be reduced to a cliche. They defy every imaginable stereotyping. This is particularly true of the women in his adaptations of Tagore's stories. Woman at the Window attempts a completely new way of looking at Ray's films in general, and his films adapted from Tagore in particular, through contextualizing the women by objects they are surrounded by or are fond of, or are habituated to using or learning to use over time. What emerges is a one-of-its-kind book, indeed the first comprehensive study of this kind on the cinema of Ray which offers a greater understanding of the differences, or the absence thereof, between Tagore's original stories and Ray's celluloid readings of these stories, as also fascinating material for gender studies students, researchers, academics and scholars writing on cinema.
Woman at the Window
Representations of women in Indian cinema are often warped and twisted. They are subjected to a series of gazes - voyeuristic, investigative and titillating. The controlling look is always with the male. One film-maker who consistently steered clear of this right through his career was Satyajit Ray. None of Ray's women on celluloid can be reduced to a cliche. They defy every imaginable stereotyping. This is particularly true of the women in his adaptations of Tagore's stories. Woman at the Window attempts a completely new way of looking at Ray's films in general, and his films adapted from Tagore in particular, through contextualizing the women by objects they are surrounded by or are fond of, or are habituated to using or learning to use over time. What emerges is a one-of-its-kind book, indeed the first comprehensive study of this kind on the cinema of Ray which offers a greater understanding of the differences, or the absence thereof, between Tagore's original stories and Ray's celluloid readings of these stories, as also fascinating material for gender studies students, researchers, academics and scholars writing on cinema.
Bollywood Cinema Kaleidoscope
This book is aimed at offering an insight into different aspects of Bollywood cinema that need highlighting now and for the future as an archival collection of concepts, ideas, realities and ideologies Bollywood Cinema represents, reflects, deflects from and critiques as well.
Amitabh Bachchan as the Other
In the chapter titled 'Othering the Other, ' we witness a mellow Bachchan embracing roles he never thought possible in his youth.
Parama and Other Outsiders
This Book Looks At The Cinema Of Aparna Sen In Acomprehensive Manner. Winner Of The National Award For Best Book On Cinema 2002.
Subject Cinema, Object Women
This Book Is Perhaphs, The First Modest Attempt By An Indian Film Critic Delve Into The Rather Delicate Subject Of Feminist Film Criticism Within The Framework Of Indian Popular Cinema. The Idea Was Rooted In A Consistent Thrashing Of Ideas And Concepts Attacking The Patriarchal Dominance In Hindi Popular Cinema Through Articles Written In Indian Publications And Papers Presented At Seminars On Cinema Over The Past Two Decades. It Is More Of An Emotional Response To The Portrayal Of Women In Indian Cinema Than A Cerebral And Clinical Analysis Conducted Along The British Schools Of Feminist Film Criticism Based On Psycho-Analysis, Semiology And Structuralism. This Is The Result Of Three Years Of Intensive Research, Through Films, Books And Documentation Consisting Of Archival Material On Indian Cinema.
