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This is an edited book, which is edited by Ms. Shormita Bose. The book is divided into two sections- the first section deals with the articles and the second part deals with poetry section. Several writers and poets from India as well as from abroad have contributed their work in this book. The book talks about the position of women and queers in the society. The theme of this book is marginalization and discrimination faced by the inferior gender. It talks about the gender issues of the society. Women and queer individuals are the suppressed gender and they are on the margins of negligence and suppression. The situation of women during the outbreak of the novel coronavirus is also highlighted promptly in this book.
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Brief Candle: Three Plays brings together the most recent work of Sahitya Akademi award-winner Mahesh Dattani as he continues to explore subjects that need to be addressed but are relentlessly brushed under the carpet of middle-class morality—incest, gender bias and death. The title play is set in a hospital ward where terminally ill patients put up an energetic farce in memory of their friend who died of cancer. The blurring of lines between their romp and the events of their own lives leads to revelations that are both tragic and life-affirming. In the radio play The Girl Who Touched the Stars, Bhavna—now an astronaut ready to take off on a mission into outer space—reflects on her past in this moment of glory, only to confront the bitter truths she has tried to ignore all her life. The fragile fabric of familial relations is ripped apart in Thirty Days in September when memories of a traumatic past return to haunt a mother and her daughter. Playful and poignant, devastating and redemptive, these critically acclaimed plays lay bare the far-reaching consequences of the choices we make, confirming Dattani as one of India’s foremost dramatists.
The Grddha Mullick family bursts with marvellous tales of hangmen and hangings in which they figure as eyewitnesses to the momentous events that have shaped the history of the subcontinent. When twenty-two-year-old Chetna Grddha Mullick is appointed the first woman executioner in India, assistant and successor to her father, her life explodes under the harsh lights of television cameras. When the day of the execution arrives, will she bring herself to take a life? Meera’s spectacular imagination turns the story of Chetna’s life into an epic and perverse coming-of-age tale. The lurid pleasures of voyeurism and the punishing ironies of violence are kept in agile balance as the drama hurtles to its inevitable climax.
Brit Kotwal Breaks His Legs Eleven Times Before He Is Five Years Old. His Teeth Crumble And Chip If He Tries To Bite Into Anything. It Was His Sister Dolly S Idea To Call Him Brit, Short For Brittle, Because Of His Bones. Besides, Parsees Don T Really Like Long First-Names, And It Pleased His Mother Sera Because It Sounded So English. It Was Fun Sometimes, Being Different. None Of The Other Children Drank Powdered Pearls In Their Milk, Or Had Almond Oil Rubbed Into Their Legs Until It Gleamed Like Bangalore Silk. And Brit Knew He Could Always Get His Own Way With Dolly Even If It Took A Little Blackmail. But When You Reach Eighteen And Are Still The Size Of An Eight Year Old, It Is Not Much Fun, And Brit Has To Begin To Try And Grow In His Own Way& Trying To Grow Is A Many-Splendoured Work Built Around The Experiences Of A Physically Handicapped Boy Turning Into Manhood, A Deeply Moving Story Told With A Remarkable Blend Of Directness, Humour And Irreverence.
The Room on the Roof is a timeless coming-of-age novel that will resonate with a whole new generation of readers. Written by renowned author Ruskin Bond when he was just seventeen, it is the story of Rusty, a teenage Anglo-Indian boy who is orphaned and has to live with his English guardian in the stifling European quarter of Dehra Dun. Unhappy with the strict ways of his guardian, Rusty runs away from home to live with his Indian friends into the dream-bright world of the bazaar, Hindu festivals and all manner of Indian life. Rusty is enthralled, and is lost forever to the prim proprieties of the claustrophic European community.
Endurance: A Droll Saga Originally Published In Gujarati In 1947 As Manavini Bhavai Is A Modern Classic. Set Against The Rural Backdrop Of Gujarat, ItýS A Fictionalized Account Of The Great Famine Of 1990, Which Had Ravaged This Part Of The World. Written In A Simple, Direct Style, Free Of Conventional Artifice And Sophistication It Is Not ýCrude ý Or ýRawý. It Is The Story Of Love Between Kalu And Raju As Well As The Story Of Hard And Tragic Life Of The Farmers In Indian Villages. The Translation Seeks To Retain The Essential Simplicity, The Rustic Flavour And Spirit Of The Original As Closely As Possible.
Opening in Calcutta in the 1960s, Amitav Ghosh's radiant second novel follows two families -- one English, one Bengali -- as their lives intertwine in tragic and comic ways. The narrator, Indian born and English educated, traces events back and forth in time, from the outbreak of World War II to the late twentieth century, through years of Bengali partition and violence, observing the ways in which political events invade private lives.
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Now his mother's messages ramble on his answering machine when he wants no one but his one obsession, Richard, to call. Passionate and unflinchingly honest in its narrative, Ode to Lata scavenges the depths of one man's misguided search for love in a world of emotionally-void encounters and tangled memories. All the while, Ali's story is intertwined with the unraveling of his parents' own doomed relationship and the film music of Bollywood's eminent singer Lata Mangeshkar (Diva of Indian film music and the namesake of the book's title).