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श्रीकान्त वर्मा का कविता-संसार उनके पाँच कविता-संग्रहोंµभटका मेघ (1957), दिनारम्भ (1967), माया दर्पण (1967), जलसाघर (1973) और मगध (1984) में फैला हुआ है। यहाँ इन्हीं से इन कविताओं का चयन किया गया है। इन कविताओं से गुजरते हुए लगेगा कि कवि में आद्यन्त अपने परिवेश और उसे झेलते मनुष्य के प्रति ...
Sunetra Choudhury started her career at The Indian Express in 1999, as a metro reporter. In 2000, as a recognition of her abilities she was sent for Japan’s Foreign Press Centre Fellowship by the paper. She became Indian Express’ youngest Deputy Chief Reporter at 24 and also brought out Newsline, the pull-out city section. In 2002, Sunetra joined the launch team of Star News, a 24-hour Hindi news channel. Within a year, she moved to NDTV. After the success of one of her assignments at NDTV, covering the 2009 election campaign, she authored Braking News. Sunetra anchors a daily, audience-based show called Agenda – the only out-of-studio show of its kind – and a primetime show on student leaders and elections. In April 2016, she got the Red Ink award for her story on how Indians were adopting disabled children.
The stories in this anthology hold an element of surprise for Western readers who expect an Indian narrative technique and an Indian fabric of life. On the contrary, the stories talk about universal experiences that go beyond geographical boundaries and reach out to share a modern twentieth century sensibility with the West. A must for readers with a thirst for cross-cultural experiences.
How is a writer formed? Yes, through labour, commitment, perseverance, grit and various other things that we keep hearing about. But equally, a writer is formed through the workings of a particular kind of sensibility. As Vineet Gill attempts to understand this writerly sensibility in Nirmal Verma's life and work, he finds that the personal and the literary are, on some level, inseparable. In this masterly deep dive into the world of one of Hindi literature's pioneers, Gill looks at the scattered elements of Verma's life as ingredients that went into the making of the writer. The places he lived in, the people he knew, the books he read are all reflected, in Gill's view, in Verma's stories and novels. This is a work of intense readerly analysis and considered excavation-a contemplation on Verma's oeuvre and its place in world literature.
Cold War Genres explores post-independence Hindi literature, framing it within the sociopolitical backdrop of Nehruvian India during the early Cold War. The book underscores the pivotal role of Hindi's claims to be a national language following independence, which fostered a unique moment of literary innovation. Central to its narrative is the work of Gajanan Madhav Muktibodh, a pivotal figure in modern South Asian literature. Using Muktibodh's poetry, criticism, and fiction as a primary example, the book shows how literary form shapes a response to the internal contradictions of 1950s India, one that must be read in light of both the antinomies of Hindi literature and North India as well as the aesthetic debates and emerging ideas of global space during this time. Cold War Genres therefore functions as a lens to evaluate questions of genre and form shared by a range of literary cultures in the mid-twentieth-century decolonizing world. This book features extensive translations from Muktibodh's poetry and prose, including full translations of two poems "Brahmarākṣas" (The Brahman Demon) and "Aṃdhere meṃ" (In the Dark).
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Over 5,500 detailed biographies of the most eminent, talented and distinguished women in the world today.
An enchanting and joyous exploration of life and creativity at the geographical edges of the modern world Who is a provincial? In this subversive book, Sumana Roy assembles a striking cast of writers, artists, filmmakers, cricketers, tourist guides, English teachers, lovers and letter writers, private tutors and secret-keepers whose lives and work provide varied answers to that question. Combining memoir with the literary, sensory, and emotional history of an ignored people, she challenges the metropolitan’s dominance to reclaim the joyous dignity of provincial life, its tics and taunts, enthusiasms and tragicomedies. In a wide-ranging series of “postcards” from the peripheries of Indi...