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Utopian Fiction in China
The book studies utopian fiction as a knowledge apparatus by connecting three aspects of late Qing culture: the rise of modern press, the emergence of new genre, and the epistemology of modernity, while reflecting on the ability of utopian imagination to develop the three-way relationship between new people, new China, and new genre via the Chinese public sphere.
Utopian Fiction in China
Unlike previous studies that have examined the late Qing utopian imagination as an ahistorical motif, a literary theme, and a translation phenomenon, in this book Shuk Man Leung considers utopian fiction as a knowledge apparatus that helped develop Chinese nationalism and modernity. Based on untapped primary sources in Chinese, English, and Japanese, her research reveals how utopian imagination, blooming after Liang Qichao’s publication of The Future of New China, served as a tool of knowledge formation and dissemination that transformed China’s public sphere and catalysed historical change. Embracing interdisciplinary approach from genre studies, studies on modern Chinese newspapers and intellectual history, this book provides an analysis of the development of utopian literary practices, epistemic meanings, and fictional narratives and the interactions between traditional and imported knowledge that helped shape the discourse in early 20th century China.
Comparative Print Culture
Drawing on comparative literary studies, postcolonial book history, and multiple, literary, and alternative modernities, this collection approaches the study of alternative literary modernities from the perspective ofcomparative print culture. The term comparative print culture designates a wide range of scholarly practices that discover, examine, document, and/or historicize various printed materials and their reproduction, circulation, and uses across genres, languages, media, and technologies, all within a comparative orientation. This book explores alternative literary modernities mostly by highlighting the distinct ways in which literary and cultural print modernities outside Europe evince the repurposing of European systems and cultures of print and further deconstruct their perceived universality.
Blue Book
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The 70's Biweekly
Taking The 70’s Biweekly—an independent youth publication in the 1970s’ Hong Kong—as the main thread, this edited volume investigates an unexplored trajectory of Hong Kong’s cultural and art production in the 1970s that represents the making of a dissent space by independent press and activist groups in the city. The 70’s Biweekly stands out from many other independent magazines with its unique blending of radical political theories, social activism, avant-garde art, and local art and literature creations. By taking the magazine as a nodal point of social and cultural activism from and around which actions, debates, community, and artistic practices are formed and generated, this...
A Modern Miscellany
In A Modern Miscellany Paul Bevan demonstrates that in the 1930s the Chinese cartoon was not only important in the sphere of Shanghai popular culture but that it occupied a central place in the primary discourse of Chinese modern art history.
China's Conservative Revolution
Interweaving political, intellectual, cultural and diplomatic histories, Tsui demonstrates how the Guomindang's national revolution turned conservative after the 1927 anti-Communist coup and contributed to the ascendancy of the global radical right. This revisionist reading of Nationalist China will appeal to a wide range of students and scholars.
香港中文大學崇基學院概覽
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