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Culturing the Body
The human body is both the site of lived experiences and a means of communicating those experiences to a diverse audience. Hominins have been culturing their bodies, that is adding social and cultural meaning through the use pigments and objects, for over 100,000 years. There is archaeological evidence for practices of adornment of the body by late Pleistocene and early Holocene hominins, including personal ornaments, clothing, hairstyles, body painting, and tattoos. These practices have been variously interpreted to reflect differences such as gender, status, and ethnicity, to attract or intimidate others, and as indices of a symbolically mediated self and personal identity. These studies contribute to a novel and growing body of evidence for diversity of cultural expression in the past, something that is a hallmark of human cultures today.
Osseous Projectile Weaponry
This volume presents the current state of knowledge on the osseous projectile weaponry that was produced by Pleistocene cultures across the globe. Through cross-cultural and temporal comparison of manufacturing methods, design, use methods, and associated technology, chapters in this volume identify and discuss differences and similarities between these Pleistocene cultures. The central research questions addressed in this volume include: (a) how did osseous weaponry technology develop and change through time and can these changes be tied to environmental and/or social influences?; (b) how did different Pleistocene cultures design and adapt their osseous weaponry technology to their environm...
The Nature of Culture
This volume introduces a model of the expansion of cultural capacity as a systemic approach with biological, historical and individual dimensions. It is contrasted with existing approaches from primatology and behavioural ecology; influential factors like differences in life history and demography are discussed; and the different stages of the development of cultural capacity in human evolution are traced in the archaeological record. The volume provides a synthetic view on a) the different factors and mechanisms of cultural development, and b) expansions of cultural capacities in human evolution beyond the capacities observed in animal culture so far. It is an important topic because only a volume of contributions from different disciplines can yield the necessary breadth to discuss the complex subject. The model introduced and discussed originates in the naturalist context and tries to open the discussion to some culturalist aspects, thus the publication in a series with archaeological and biological emphasis is apt. As a new development the synthetic model of expansion of cultural capacity is introduced and discussed in a broad perspective.
Contact, Circulation, Exchange
10 articles focus on worked hard materials of animal origin (shell, tusk, bone, antler) ranging chronologically from the Upper Palaeolithic to the Middle Ages. The authors have varied academic backgrounds that enhance the archaeological analyses carried out, often at first hand, on numerous collections from the Old and New Worlds.
Hidden Depths
n Hidden Depths, Professor Penny Spikins explores how our emotional connections have shaped human ancestry. Focusing on three key transitions in human origins, Professor Spikins explains how the emotional capacities of our early ancestors evolved in response to ecological changes, much like similar changes in other social mammals. For each transition, dedicated chapters examine evolutionary pressures, responses in changes in human emotional capacities and the archaeological evidence for human social behaviours. Starting from our earliest origins, in Part One, Professor Spikins explores how after two million years ago, movement of human ancestors into a new ecological niche drove new types of...
An Archaeology of Materials
This title develops a systematic approach to materials at a time when there has been a call for a greater focus on materials in material culture studies. It establishes a new perspective on the meaning and significance of materials, particularly those involved in mundane, daily usage.
Human Adaptation in the Asian Palaeolithic
This book examines the first human colonization of Asia and particularly the tropical environments of Southeast Asia during the Upper Pleistocene. In studying the unique character of the Asian archaeological record, it reassesses long-accepted propositions about the development of human 'modernity.' Ryan J. Rabett reveals an evolutionary relationship between colonization, the challenges encountered during this process - especially in relation to climatic and environmental change - and the forms of behaviour that emerged. This book argues that human modernity is not something achieved in the remote past in one part of the world, but rather is a diverse, flexible, responsive, and ongoing process of adaptation.
Ancient Ink
The human desire to adorn the body is universal and timeless. While specific forms of body decoration and the motivations for them vary by region, culture, and era, all human societies have engaged in practices designed to augment and enhance people’s natural appearance. Tattooing, the process of inserting pigment into the skin to create permanent designs and patterns, is one of the most widespread forms of body art and was practiced by ancient cultures throughout the world, with tattoos appearing on human mummies by 3200 BCE. Ancient Ink, the first book dedicated to the archaeological study of tattooing, presents new, globe-spanning research examining tattooed human remains, tattoo tools, and ancient art. Connecting ancient body art traditions to modern culture through Indigenous communities and the work of contemporary tattoo artists, the volume’s contributors reveal the antiquity, durability, and significance of body decoration, illuminating how different societies have used their skin to construct their identities.
The Museum of Other People
A TLS BEST BOOK OF 2023 'A formidable work' Nigel Barley, author of The Innocent Anthropologist 'Should be required reading' Richard Lambert, Financial Times 'A magnificent, moving survey' Felipe Fernández-Armesto, TLS This is a history of the ways in which foreign and prehistoric peoples were represented in museums of anthropology, with their displays of arts and artifacts, their dioramas, their special exhibitions, and their arrays of skulls and skeletons. Originally created as colonial enterprises, what is the purpose of these places today? What should they do with the items in their custodianship? And how can they help us to understand and appreciate other cultures? Informed by a lifetime of research and scholarship, this subtle and original work tackles painful questions about race, colonialism, difference, and cultural appropriation. The result is a must-read for anyone concerned with the coexistence of different modes of life.
Signed Language and Gesture Research in Cognitive Linguistics
This volume represents the first time that researchers on signed language and gesture have come together with a coherent focus under the framework of cognitive linguistics. The pioneering work of Sherman Wilcox is highlighted throughout, scaffolding much of the research of these contributors. The five sections of the volume reflect critical areas of Dr. Wilcox’s own research in cognitive linguistics: Guiding research principles in signed language, gesture, and cognitive linguistics; iconicity across signed and spoken linguistics; multimodality; blending, depiction and metaphor in signed languages; and specific grammatical constructions as form-meaning pairings. The authors of this volume exemplify and continue Dr. Wilcox’s work of bridging signed and spoken language disciplines by contributing chapters that represent a multiplicity of perspectives on signed, spoken, and gesture data. This volume presents a unified collection of cognitive linguistics research by leading authors that will be of interest to readers in the fields of signed and spoken language linguistics, gesture studies, and general linguistics.
