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W.G. Sebald and the Writing of History
Summary: "W.G. Sebald, frequently mentioned in the same breath as Franz Kafka and Vladimir Nabokov, is one of the most important European writers of recent decades. He has been lauded by such major cultural commentators as Susan Sontag and Paul Auster, and he has combined wide public appeal with universal critical acclaim. His work is concerned with questions of memory, exile, representation, and, above all else, history. But his approach to history is strikingly different from conventional historiographical writing on the one hand, and from the historical novel on the other. His texts are hybrid in nature, mixing fiction, biography, historiography, travel-writing and memoir, and incorporating numerous photographic images. This volume seeks to respond to the complexities of Sebaldʼs image of history by presenting essays by a team of international scholars, all of whom are acknowledged Sebald experts. It offers a unique and exciting perspective on the dazzling work of one of the major literary figures of our times."--Publisher description.
Distinctive Styles and Authorship in Alternative Comics
Distinctive Styles and Authorship in Alternative Comics addresses the benefits and limits of analyses of style in alternative comics. It offers three close readings of works serially published between 1980 and 2018 – Art Spiegelman’s Maus, Alison Bechdel’s Dykes to Watch Out For, and Jason Lutes’ Berlin – and discusses how artistic style may influence the ways in which readers construct authorship.
The Shock of the Other
Alterity is not a mere synonym of difference; what it signifies is otherness, a distinction or separation that can entail similarity as well as difference. The articles collected here explore ways to define, situate and negotiate alterity in a manner that does not do away with the other through negation or neutralization but that instead engages alterity as a reconfiguring of identities that keeps them open to change, to a becoming without horizon. Alterity and its situated negotiations with identity are configured through the body, through the psyche and through translational politics. From critical readings of angels, specters, grotesque bodies, online avatars, Sex and the City, pornography in French literature, Australian billboard art, Pina Bausch, Adrian Piper, Kashmiri poetry, contemporary German fiction, Jacques Brault and Northern-Irish poetry, there emerges a vision of identities as multi-faceted constructions that are continually being transformed by the various alterities with which they intersect and which they must actively engage in order to function effectively in the social, political, and aesthetic realm.
Corporeality and Culture
The ’material turn’ in critical theory - and particularly the turn towards the body coupled with scientific insights from biomedicine, biology and physics - is becoming an important path in fields of humanities-based scholarly inquiry. Material and technological philosophies play an increasingly central role in disciplines such as literary studies, cultural studies, history, performance and aesthetics, to name only a few. This edited collection of essays investigates how the material turn finds applications within humanities-based frameworks - focusing on practical reflections and disciplinary responses. It takes as its critical premise the understanding that importation of theoretical v...
Voices from Necropolis
At the intersection of Derrida's philosophy and Spivak's influence on narrative studies, this study offers a critical effort that goes against the mainstream of contemporary studies about autobiographical texts, here Reading Lolita in Tehran and Persepolis. On another level, this book is an attempt to interrogate critically the relation of subalternity and autobiographical writing, which is only made possible by extending the range of the genre of autobiography so that it can bear witness to what has been condemned to be unnarratable and, consequently, unheard.
German Women's Life Writing and the Holocaust
Examines women's life writing in order to shed light on female complicity in the Second World War and the Holocaust.
andererseits - Yearbook of Transatlantic German Studies
andererseits provides a forum for research, commentary, and creative work on topics related to the German-speaking world and the field of German Studies. Works presented in the publication come from a wide variety of genres including book reviews, poetry, essays, editorials, forum discussions, academic notes, lectures, and traditional peer-reviewed academic articles. In addition, we welcome contributions by journalists, librarians, archivists, and other commentators interested in German Studies broadly conceived. As a specifically transatlantic endeavor, we also highlight select topics in American Studies that impact German Studies. By publishing such a diverse array of material, we hope to demonstrate the extraordinary value of the humanities in general, and German Studies in particular, on a variety of intellectual and cultural levels. This issue features sections about German Studies approaches to media literacy, Stephen Dowden's book »Modernism and Mimesis« and the poetics of ambiguous memory.
Juli Zeh
This volume casts a critical light on one of Germany’s bestselling and most controversial authors. Juli Zeh’s literary work is not only widely read in Germany, but also featured on high school and college syllabi both in Germany and abroad. In recent years and in the wake of the Covid 19 lockdowns, Zeh’s output has only increased, though her most recent work, Unterleuten (2016), Über Menschen (2021), and Zwischen Welten (2023; co-written with Simon Urban), has evolved away from the literary and philosophical thought that informed her more nuanced earlier work and towards a more conservative representation of contemporary social dynamics. While her work continues to garner prestigious ...
The Short Story in German in the Twenty-first Century
Since the 1990s, the short story has re-emerged in the German-speaking world as a vibrant literary genre. This volume aims to establish a framework for further research into this rich field. The introduction and six thematic chapters discuss theories of the short-story form, literary-aesthetic questions, and key trends in the twenty-first century. Seven chapters on significant literary figures from Germany, Austria, and Switzerland then offer a range of theoretical and thematic approaches to individual stories and collections. Finally, two original translations showcase contemporary short-story writing in German.
