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Described as 'the Catholic church's best kept secret,' Catholic Social Teaching provides a rich body of thought, and finds a particular resonance as all denominations in the church seek to engage with the needs of contemporary society. Yet beyond the immediate context of the Catholic church, it is all too readily ignored. Resolutely aimed at those who come from traditions beyond the movement’s traditional catholic heartlands but who seek to view their ministry through the lens of generous orthodoxy, "Love in Action" offers a deeply scriptural but accessible introduction to this vital approach to the church’s ministry in the world.
In God’s Patience and our Work Ben Fulford argues that Hans Frei’s theology and ethics offers unheralded but valuable resources for thinking about the social and political engagement of Christian communities in pluralistic societies in light of hope in Jesus Christ. He shows how Frei’s project of recovering the conditions for and shape of a generous orthodoxy runs through his work, offering broad, flexible vision of Christian identity, ethical responsibility and humanistic witness, focused in the person and presence of Jesus Christ. In dialogue with liberation theologies, Fulford draws from Frei an account of divine patience and providence to frame hopeful, pragmatic Christian participation in work for dignity, justice and penultimate reconciliation, rooted in new and deeper contextual reading of his work.
The Catholic tradition offers a rich and varied resource for the Church of England to draw upon. First presented as a series of study days held at St Peter de Beauvoir Town, North London, the contributions in this book explore its richness and diversity. Chapters reflect on how the tradition can speak into all aspects of life.
THE STORY: CAKEWALK follows the labyrinth of laughter and passion that exists between any two people attracted to each other--especially if one of them is 20 years younger and the other a famous femme fatale. Lillian Hellman, the legendary, glamorou
Explores the theological dimension of Catholic social teaching by showing how magisterial documents dealing with social issues are a path to enter into the mystery of the Christian God and to produce “theo-logy”: a reasoned discourse about the divine.
Grace - the free, unconditional and limitless love of God - is one of the epic words of the Christian faith and a key part of what is most distinctive about it. It lies at the heart of what is proclaimed in the Gospel, but is not well understood, even by Christians. For centuries, Christians have laboured under two opposing misunderstandings: the Catholic view: We must strive to be good in order to deserve God's love,or the Protestant view: Humankind is so sinful, we can do no good at all. To set a great imbalance right, this volume explores what grace is; how it flows from an understanding of the Trinity; how it becomes visible in the life of Christ; grace in creation, human freedom and the Church; ways of thinking about grace and living the life of grace.
The dialect of North-East Scotland, one of the most distinctive and best preserved in the country, survives as both a proudly maintained mark of local identity and the vehicle for a remarkable regional literature. The present study, after placing the dialect in its historical, geographical and social context, discusses in some detail a selection of previous accounts of its distinctive characteristics of phonology and grammar, showing that its shibboleths have been well recognised, and have remained consistent, over a long period. Passages of recorded speech are then examined, with extensive use of phonetic transcription. Finally, a representative selection of written texts, dating from the eighteenth century to the present and illustrating a wide variety of styles and genres, are presented with detailed annotations. A full glossary is also included. This study clearly demonstrates both the individuality of the dialect and the richness of the local culture of which it is an integral part.
Sienna, Theo and Vic are finally safe, but they all know it won’t last. Though her best friend has changed, she’s no longer the timid girl who needs protecting, Sienna finds it hard to let her go—especially when the Reeks attack. Vic was changed in Prison Black, for better or worse, and she no longer needs anyone’s help to destroy the monsters…she is the monster. Jayla would give her life if it meant keeping Caspian and Em out of harms way, but she know it won’t be that easy. Trapped in Governor Greyson’s world there is only one way to escape—by trusting others, people she has no idea their allegiance, and hoping she can prevent what she knows is coming…a war. Caspian will ...
We express the mystery of God with diverse metaphors, but mostly in Adult terms. In this experimental theological adventure, Graham Adams imagines what might flow from a more thorough ‘be-child-ing’ of God. Aware that the Child can be idealized, he selects particular characteristics of childness in order to disrupt God’s omnipresence, omnipotence and omniscience. The smallness of the Child re-envisages divine location in sites of smallness, like an open palm receiving the experiences of the overlooked. The weakness of the Child reimagines divine agency as chaos-event, subverting prevailing patterns of power and evoking relationships of mutuality. And the curiosity of the Child reconceives divine encounter as horizon-seeker, imaginatively and empathetically pursuing the unknown. These possibilities are brought into dialogue both with other theologies (Black, disabled and queer) and with pastoral loss, economic/ecological injustice, and theological education. Through these conversations, God the Child emerges not only as a new model for God, but intrinsic to God’s new social reality which is close at hand.
Railway financier Simon Davenant has waited seven years for a second chance with his childhood sweetheart and best friend. He’s not about to let his impending financial ruin destroy the opportunity. This time, he’ll do anything he can to secure her hand in marriage—even if it means losing her heart for good. The Lady Always Wins is a short story of 18,500 words (about 60 print pages). This story was previously published in the anthology “Three Weddings and a Murder.”