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Simon Lewty [1992 Exhibition Cat.]
  • Language: en
  • Pages: 23

Simon Lewty [1992 Exhibition Cat.]

  • Type: Book
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  • Published: 1991
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  • Publisher: Unknown

None

The Self as a Stranger
  • Language: en
  • Pages: 190

The Self as a Stranger

  • Categories: Art

Artist Simon Lewty is known for his large scale and intensely detailed works where the layering of text and image serve to create a dream-like reality. Narrative is rarely followed through to conclusion, yet we are compelled to immerse ourselves in Lewty's rich representation of body and landscape. Visually reminiscent of ancient documents and comparable to maps, Lewty's text-based works explore forgotten worlds of light and darkness, offering a reflective sense of history and exploring the inevitability of the passing of time. The writers whose words have been selected to accompany this comprehensive survey of Lewty's work provide an in-depth study of the artist, shedding light on his key i...

Simon Lewty
  • Language: en
  • Pages: 34

Simon Lewty

  • Type: Book
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  • Published: 1995-01-01
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  • Publisher: Unknown

None

Psychological Aesthetics
  • Language: en
  • Pages: 159

Psychological Aesthetics

An introduction to the field of psychological aesthetics for art educators, art therapists, psychoanalysts, artists and art lovers, this book re-evaluates conventional philosophical and psychoanalytic approaches to aesthetic qualities themselves, to the kinds of psychological significance they can generate, and to the interweaving of inner and outer realities upon which this depends. Art history tends to see an artist's work in the context of their life and times; psychoanalysis and art therapy tend to see art works in terms of an unconscious' meaning that is beneath the surface of its aesthetic' properties, within the context of the therapeutic relationship. Maclagan draws attention to the ...

The Map Reader
  • Language: en
  • Pages: 528

The Map Reader

WINNER OF THE CANTEMIR PRIZE 2012 awarded by the Berendel Foundation The Map Reader brings together, for the first time, classic and hard-to-find articles on mapping. This book provides a wide-ranging and coherent edited compendium of key scholarly writing about the changing nature of cartography over the last half century. The editorial selection of fifty-four theoretical and thought provoking texts demonstrates how cartography works as a powerful representational form and explores how different mapping practices have been conceptualised in particular scholarly contexts. Themes covered include paradigms, politics, people, aesthetics and technology. Original interpretative essays set the lit...

Rethinking the Power of Maps
  • Language: en
  • Pages: 349

Rethinking the Power of Maps

A contemporary follow-up to the groundbreaking Power of Maps, this book takes a fresh look at what maps do, whose interests they serve, and how they can be used in surprising, creative, and radical ways. Denis Wood describes how cartography facilitated the rise of the modern state and how maps continue to embody and project the interests of their creators. He demystifies the hidden assumptions of mapmaking and explores the promises and limitations of diverse counter-mapping practices today. Thought-provoking illustrations include U.S. Geological Survey maps; electoral and transportation maps; and numerous examples of critical cartography, participatory GIS, and map art.

Modern Architecture in an Oxford College
  • Language: en
  • Pages: 176

Modern Architecture in an Oxford College

This book is a detailed historical study of the post-war architecture of St John's College, Oxford. In the sixty years since 1945 St John's has been one of the major patrons of modern architecture in Oxford and Cambridge, commissioning a series of innovative and successful buildings from a sequence of leading architectural practices (Architects Co-Partnership, Arup Associates, MacCormac Jamieson Pritchard). The college's modern buildings epitomise changing architectural ideas and practice over the last sixty years, from the neo-Georgianism of the immediate post-war years through the confident modernism of the late 1950s to the 1970s, to the post-modernism of more recent years. Geoffrey Tyack discusses these buildings in detail, with the help of copious illustrations, placing each building within the context of its architect's oeuvre and relating it to the changing character of Oxford University. It is thus intended to be a contribution to the understanding both of modern collegiate architecture and of reent English architectural in general. Publication will coincide with the 450th anniversary of the foundation of St John's College.

The Power of Place
  • Language: en
  • Pages: 324

The Power of Place

  • Type: Book
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  • Published: 1997-02-24
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  • Publisher: MIT Press

Based on her extensive experience in the urban communities of Los Angeles, historian and architect Dolores Hayden proposes new perspectives on gender, race, and ethnicity to broaden the practice of public history and public art, enlarge urban preservation, and reorient the writing of urban history to spatial struggles. In the first part of The Power of Place, Hayden outlines the elements of a social history of urban space to connect people's lives and livelihoods to the urban landscape as it changes over time. She then explores how communities and professionals can tap the power of historic urban landscapes to nurture public memory. The second part documents a decade of research and practice...

The Myth of Primitivism
  • Language: en
  • Pages: 597

The Myth of Primitivism

  • Categories: Art
  • Type: Book
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  • Published: 2006-05-23
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  • Publisher: Routledge

This book explores the fusion of myth, history and geography which leads to ideas of primitivism, and looks at their construction, interpretation and consumption in Western culture. Contextualized by Susan Hiller's introductions to each section, discussions range from the origins of cultural colonialism to eurocentric ideas of primitive societies, including the use of primitive culture in constructing national identities, and the appropriation of primitivist imagery in modernist art. The result is a controversial critique of art theory, practice and politics, and a major enquiry into the history of primitivism and its implications for contemporary culture.

About England
  • Language: en
  • Pages: 360

About England

A cultural history of “Englishness” and the idea of England since 1960. Brexit thrust long fraught debates about “Englishness” and the idea of England into the spotlight. About England explores imaginings of English identity since the 1960s in politics, geography, art, architecture, film, and music. David Matless reveals how the national is entangled with the local, the regional, the European, the international, the imperial, the post-imperial, and the global. He also addresses physical landscapes, from the village and country house to urban, suburban, and industrial spaces, and he reflects on the nature of English modernity. In short, About England uncovers the genealogy of recent cultural and political debates in England, showing how many of today’s social anxieties developed throughout the last half-century.