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This study develops an interdisciplinary approach to the analysis of the cultural history of the German Democratic Republic, examining the interaction between intellectuals and Party functionaries from a literary and historical perspective. Divided into three case studies, the work focuses on writers positioned along a spectrum of conformity and dissent and who had quite different relationships to political power: Hermann Kant, Stefan Heym and Elfriede Brüning. Drawing on and comparing unpublished archive material, autobiography and the literary output of the three named writers, this study brings to the fore the ambiguities and contradictions of intellectual life in the GDR. Tensions betwe...
In Writing Against Hitler, Daniel Siemens reconstructs the history of the struggles of socialist intellectuals in Germany from the 1920s through the post-World War II era by focusing on the life of one influential member of that group, Hermann Budzislawski (1901-78). In the 1930s, Budzislawski served as the editor in chief of the prominent antifascist journal Die neue Weltbühne. After the German occupation of France, he worked in exile in the United States until 1948, when he moved to East Germany. He became influential in training a new generation of journalists and worked as a politician. Through the twin stories of a highly ambitious figure and the legendary publication he headed, Siemen...
Among the many studies on German National Socialism that have appeared in the last forty to fifty years, one aspect has seldom been treated in detail: the cultural representations of Adolf Hitler from the late 1920s to the present. This book focuses on the image of Hitler in literature, photography, historiography, film, philosophy, theatre, and comic books by major artists and scholars such as Ernst Ottwalt, Heinrich Hoffmann, Bertolt Brecht, John Hearfield, Leni Riefenstahl, Charles Chaplin, Theodor W. Adorno, Heiner Muller, and George Tabori.
This study of contemporary German poetry represents the first attempt to examine comprehensively and at some length the lyric response to the unification period. It sets out to investigate, by means of close textual analysis, whether the German ‘Wende’ was also a turning-point for poetry, exploring how GDR poets responded both to the revolutionary events of 1989 and subsequently to the new, united Germany. An introductory chapter considers what is distinct about poetry as a genre, especially under censorship or amid historic change, as well as outlining the post-unification ‘Literaturstreit’. The following chapter offers a survey of the poet’s role in the GDR from 1949 until 1989. ...
This book seeks to move twentieth-century German literary history away from its stubbornly persistent reliance on the political turning-points of 1933 and 1945. In the first part of the book, the authors analyze a synchronic corpus of literary journals, identifying a restorative aesthetic mood in the years 1930-1960 which persists across political date boundaries. In the second part, the careers of five writers are considered diachronically against this prevailing restorative climate: Gottfried Benn, Johannes R. Becher, Bertolt Brecht, Günter Eich, and Peter Huchel. Combining these two approaches, the authors show that a fresh perspective that challenges established literary-historical periodisations can shed light on the common cultural and aesthetic ground shared by writers, editors and critics across the ideological divides of the era.
An account of fraught and complex cross-cultural literary exchange between two highly distinct - even uniquely opposed - reading contexts, Australian Literature in the German Democratic Republic has resonance for all newly global reckonings of the cultural Cold War. Working from the extraordinary records of the East German publishing and censorship regime, the authors materially track the production and reception of one country’s corpus as envisioned by another. The 90 Australian titles published in the GDR form an alternative canon, revealing a shadowy literary archive that rewrites Australia’s postwar cultural history from behind the iron curtain and illuminates multiple ironies for the GDR as a ‘reading nation’. This book brings together leading German and Australian scholars in the fields of book history, German and Australian cultural history, Australian and postcolonial literatures, and postcolonial and cross-cultural theory, with emerging writers currently navigating between the two cultures.
The German Democratic Republic has become the subject of novels, memoirs and films, and the backdrop for general debates over the power of intellectuals in contemporary media and society. This collection considers the demise of the GDR and its impact on the place of intellectuals.
Medical histories of Belgium reshapes Belgian history of medicine by bringing together a new generation of scholars. Going beyond a chronological narrative, the book offers new insights by questioning classic themes of the history of medicine: physicians, institutions and the nation state. While retracing specific Belgian characteristics, it also engages with broader European developments in the nineteenth and twentieth centuries. Medical histories of Belgium will appeal to Historians of Belgium in various subfields, especially cultural history and political history and medical historians and medical practitioners seeking the historical context of their activities.
A decade after the collapse of communism, this volume presents a historical reflection on the perplexing nature of the East German dictatorship. In contrast to most political rhetoric, it seeks to establish a middle ground between totalitarianism theory, stressing the repressive features of the SED-regime, and apologetics of the socialist experiment, emphasizing the normality of daily lives. The book transcends the polarization of public debate by stressing the tensions and contradictions within the East German system that combined both aspects by using dictatorial means to achieve its emancipatory aims. By analyzing a range of political, social, cultural, and chronological topics, the contributors sketch a differentiated picture of the GDR which emphasizes both its repressive and its welfare features. The sixteen original essays, especially written for this volume by historians from both east and west Germany, represent the cutting edge of current research and suggest new theoretical perspectives. They explore political, social, and cultural mechanisms of control as well as analyze their limits and discuss the mixture of dynamism and stagnation that was typical of the GDR.