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Reprint of the original, first published in 1875.
Powers of Darkness (Swedish: Mörkrets makter) is a translation of Bram Stoker’s Dracula published in the Stockholm newspaper Dagen in 1899–1900. It is longer than Dracula and features an expanded cast of characters, elaborate adventures in the Transylvanian castle, a lovers’ reunion in a Hungarian sanitorium, a mystical honey pot, and a showdown with the Count in London. The new content is rich in eroticism, xenophobia, spiritualism, and vague political conspiracies. This is the first time that the full Swedish text of Powers of Darkness has been translated into English; until now this story was only available in the much-abbreviated Icelandic version Makt Myrkranna. This edition contains a foreword by Hans Corneel de Roos, an expert on the Nordic Dracula variants and translator of the Icelandic text, and essays on xenophobia and racism in fin-de-siècle monster literature by Tyler Tichelaar and Sezin Koehler. It is illustrated with the original pen-and-ink drawings by Emil Åberg printed in the newspaper in 1899.
An anthology of Dracula first editions. The collection includes the history and artwork of 15 rare editions of Dracula, which until now, have not been available in a single publication. As a resource for researchers or fans of Dracula, this volume is a welcome addition to all libraries. Revelation of the recently discovered Hungarian translation illustrates once again the importance of ongoing research.
Against the social and economic upheavals that characterized the nineteenth century, the border-bending nosferatu embodied the period’s fears as well as its forbidden desires. This volume looks at both the range among and legacy of vampires in the nineteenth century, including race, culture, social upheaval, gender and sexuality, new knowledge and technology. The figure increased in popularity throughout the century and reached its climax in Dracula (1897), the most famous story of bloodsuckers. This book includes chapters on Bram Stoker’s iconic novel, as well as touchstone texts like John William Polidori’s The Vampyre (1819) and Sheridan Le Fanu’s Carmilla (1872), but it also focu...
With the purpose of introducing Marie Corelli to a new generation of readers and of reconsidering her works for generations familiar with them, Reinventing Marie Corelli for the Twenty-First Century demonstrates how provocative the author was as a public figure and how controversial and paradoxical were the views about womanhood and the supernatural pitched in her novels. This collection of original essays focuses on three major battles that engaged Corelli: her personal and public contentions, her mercurial constructions of gender and resistance to the New Woman modality and her untenable reconciliation of science with the supernatural. Corelli was often fighting several fronts at the same time; she rarely was not at war with someone including herself.
An exhaustive manual-essay introducing you to the world of solar cookers that highlights the potential of these practical tools with which you can cook your dishes outdoors with solar energy alone. You will learn the history, development and refinement of solar cookers, but also the theory of apparent motion of the Sun, as well of solar radiation and its conversion into heat. This book is accompanied by an extensive theoretical and practical section that illustrates the working principles of solar cookers: complete with the methods to build them with recycled materials, illustrative examples and advice on recipes.
We are fascinated by the Italians; their style, politics, diet, sex lives and cars, not to mention their incredibly beautiful country, to which many thousands of us flock year after year. Annalisa Coppolaro-Nowell gives us the skinny on what makes Italians tick. Why are they healthy and slim in spite of their carb-rich food? Why do they dress up for every occasion, even if it''s a trip to the market? Why do young Italians stay at home with mamma until well into their thirties? How can a country that produced Botticelli also produce Berlusconi? Taking a close look at all aspects of life in Il Bel Paese, this book is the essential companion for the curious and the committed Italophile.
This book presents a semiotic study of the re-elaboration of Christian narratives and values in a corpus of Italian novels published after the Second Vatican Council (1960s). It tackles the complex set of ideas expressed by Italian writers about the biblical narration of human origins and traditional religious language and ritual, the perceived clash between the immanent and transcendent nature and role of the Church, and the problematic notion of sanctity emerging from contemporary narrative.