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Francisco Suárez: Metaphysics, Politics And Ethics
O presente volume publica as Atas do Iº Encontro Internacional “Pensar o Barroco em Portugal” (26-28 de Junho de 2017), que se ocupou do pensamento metafísico, ético e político de Francisco Suárez. Contando com a colaboração de alguns dos maiores especialistas internacionais na obra e no pensamento deste famoso professor da Universidade de Coimbra no século XVII, este volume celebra os 400 anos da sua morte e assinala a produtividade do seu legado filosófico-teológico.
The Endless Periphery
While the masterpieces of the Italian Renaissance are usually associated with Italy’s historical seats of power, some of the era’s most characteristic works are to be found in places other than Florence, Rome, and Venice. They are the product of the diversity of regions and cultures that makes up the country. In Endless Periphery, Stephen J. Campbell examines a range of iconic works in order to unlock a rich series of local references in Renaissance art that include regional rulers, patron saints, and miracles, demonstrating, for example, that the works of Titian spoke to beholders differently in Naples, Brescia, or Milan than in his native Venice. More than a series of regional microhistories, Endless Periphery tracks the geographic mobility of Italian Renaissance art and artists, revealing a series of exchanges between artists and their patrons, as well as the power dynamics that fueled these exchanges. A counter history of one of the greatest epochs of art production, this richly illustrated book will bring new insight to our understanding of classic works of Italian art.
Accents on Artists
ACCENT ON ARTISTS (a Fact-Filled Pronunciation Guide to over 800 artists' names you should know...) published by Art 'N Facts, Inc. Whether you work in museums, broadcasting or the print media, or are simply an art lover, you will value this book as a quick & comprehensive guide to the top names in fine art, photography, video & architecture. This 384 page pocket-size (5" x 5 1/2") reference book, with its unique two-page format & companion 60 minute audio tape, provides an alphabetical list which includes the name, its phonetic pronunciation, nationality, date of birth & some notable facts to help you identify & become familiar with the artists & their work. ACCENT ON ARTISTS has already wo...
Selected Poems
Poems deal with love, sensuality, nature, the seasons, death, justice, music, war, and travel.
Handbook to Life in Renaissance Europe
The word renaissance means "rebirth," and the most obvious example of this phenomenon was the regeneration of Europe's classical Roman roots. The Renaissance began in northern Italy in the late 14th century and culminated in England in the early 17th century. Emphasis on the dignity of man (though not of woman) and on human potential distinguished the Renaissance from the previous Middle Ages. In poetry and literature, individual thought and action were prevalent, while depictions of the human form became a touchstone of Renaissance art. In science and medicine the macrocosm and microcosm of the human condition inspired remarkable strides in research and discovery, and the Earth itself was explored, situating Europeans within a wider realm of possibilities. Organized thematically, the Handbook to Life in Renaissance Europe covers all aspects of life in Renaissance Europe: History; religion; art and visual culture; architecture; literature and language; music; warfare; commerce; exploration and travel; science and medicine; education; daily life.
Renaissance Characters
Compared to the Middle Ages, the Renaissance is brief—little more than two centuries, extending roughly from the mid-fourteenth century to the end of the sixteenth century—and largely confined to a few Italian city states. Nevertheless, the epoch marked a great cultural shift in sensibilities, the dawn of a new age in which classical Greek and Roman values were "reborn" and human values in all fields, from the arts to civic life, were reaffirmed. With this volume, Eugenio Garin, a leading Renaissance scholar, has gathered the work of an international team of scholars into an accessible account of the people who animated this decisive moment in the genesis of the modern mind. We are offered a broad spectrum of figures, major and minor, as they lived their lives: the prince and the military commander, the cardinal and the courtier, the artist and the philosopher, the merchant and the banker, the voyager, and women of all classes. With its concentration on the concrete, the specific, even the anecdotal, the volume offers a wealth of new perspectives and ideas for study.
Gospel Figures in Art
In viewing the great works of sacred Western art, many people find difficulty in understanding the stories and identifying the figures portrayed in them. This informative guide decodes these often-mysterious scenes and reveals a vibrant world of images from the Christian tradition for museum visitors, students, and art enthusiasts alike. Gospel Figures in Art examines depictions of stories and figures from both the New Testament's canonical gospels (the books of Matthew, Mark, Luke, and John) and the apocryphal gospels (early Christian writings excluded from the New Testament because of their unsubstantiated authorship), which served as rich sources of inspiration for medieval and Renaissanc...
René Descartes’s Natural Philosophy and Particular Bodies
This book explores René Descartes’s attempts to describe particular bodies, such as rocks, minerals, metals, plants, and animals, within the mechanistic interpretation of nature of his philosophical program. Despite his early rationalistic epistemology, Descartes’s increasing attention to collections, histories, lists of qualities, and particular bodies results in a puzzling ‘short history of all natural phenomena’ contained in the Principles of philosophy (1644). The present book outlines the role of Descartes's observations and experimentation as he aimed to construct a universal science of nature, ultimately revealing the mechanization of nature in detail, and for curious bodies such as the Bologna Stone or the sensitive herb. What results is a theoretical natural history consistent with the mechanical principles of his philosophy, ultimately shedding new light on his attempt to produce a complete philosophy of nature.
