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he revival of the bronze statuette popular in classical antiquity stands out as an enduring achievement of the Italian Renaissance. These small sculptures attest to early modern artists' technical prowess, ingenuity, and desire to emulate—or even surpass—the ancients. From the studioli, or private studies, of humanist scholars in fifteenth-century Padua to the Fifth Avenue apartments of Gilded Age collectors, viewers have delighted in the mysteries of these objects: how they were made, what they depicted, who made them, and when. This catalogue is the first systematic study of The Metropolitan Museum of Art's European Sculpture and Decorative Arts collection of Italian bronzes. The colle...
"Much needed. Fills an existing gap in the historical period with a wide range of examples from all over the world."--Margarita Díaz-Andreu, author of A World History of Nineteenth-Century Archaeology: Nationalism, Colonialism, and the Past "Provides new, nuanced perspectives that will inspire studies in the materiality of identity creation and transformation in the past and its role in heritage creation in the present."--Stephen A. Brighton, author of Historical Archaeology of the Irish Diaspora: A Transnational Approach "Thoughtful, challenging, and original. Expands the spatial and temporal parameters of the growing literature on nationalism and national identity."--Philip L. Kohl, coedi...
This book analyses aspects of the material culture of early modern Greece from an object-based perspective, using surviving artefacts from that period as primary sources. A printed book, a wine jug, an ecclesiastical embroidery, and a pocket watch are used as entry points to examine the consumer practices of the emerging Greek bourgeoisie under Ottoman rule in the long eighteenth century. The acquisition and usage of novel products – especially imported ones – by Greeks was connected to personal expression, identity building, and self-determination in the context of the Enlightenment. The enjoyment of innovative artefacts opened new horizons to them and facilitated their individual and c...
One of the greatest challenges facing the Church and society today is how to build understanding and co-operation between people of different faiths for the common good. The consequences of misunderstanding and alienation are all too evident - getting this right is both vital and urgent. This innovative book tells the stories of a remarkably varied series of local church and community projects that lay and ordained members of Christian churches have initiated with people of other faiths. The entire process from initial idea and starting to understand different cultural and religious perspectives is described, as are the practical lessons learned and pitfalls encountered along the way.The projects vary from pupils spending a day in each others' faith schools, multi-faith hospital, hospice and prison chaplaincy, much sharing of food, hospitality in each others' places of worship and more. This is practical theology and faith dialogue in action. The book concludes with a simple guide to the conventions and terminology of other faiths.
Provides an overview of a classical monument interjected with the discoveries of modern scholarship.
A history of the postal system that once connected the Ottoman Empire Before the advent of steamships or the telegraph, the premier technology for long-distance communication was the horse-run relay system. Every empire had one--including the Ottoman Empire. In The Sublime Post, Choon Hwee Koh examines how the vast Ottoman postal system worked across three centuries by tracking the roles of eight small-scale actors--the Courier, the Tatar, Imperial Decrees, the Bookkeeper, the Postmaster, the Villager, Money, and the Horse. There are stories of price-gouging postmasters; of murdered couriers and their bereaved widows; of moonlighting officials transporting merchandise; of neighboring village...
This book uses the stories of early modern women in the Mediterranean who left their birthplaces, families, and religions to reveal the complex space women of the period occupied socially and politically. In the narrow sense, the word “renegade” as used in the early modern Mediterranean referred to a Christian who had abandoned his or her religion to become a Muslim. With Renegade Women, Eric R Dursteler deftly redefines and broadens the term to include anyone who crossed the era’s and region’s religious, political, social, and gender boundaries. Drawing on archival research, he relates three tales of women whose lives afford great insight into both the specific experiences and condi...
Inspired by Deborah Howard’s leading role in fostering a historically grounded and interdisciplinary approach to the art and architecture of Venice, the essays here examine the connections and rapports between art and identity through the discussion of patronage, space (domestic and ecclesiastical), and dissemination of architectural knowledge as well as models within Venice, its territories and beyond.
Ralph Waldo Emerson once said that “all history becomes subjective,” that, in fact, “properly there is no history, only biography.” Today, Emerson’s observation is hardly revolutionary for archaeologists; it has become conventional wisdom that the present is a battleground where interpretations of the events and meanings of the past are constantly being disputed. What were the major events? Whose lives did these events impact, and how? Who were the key players? What was their legacy? We know all too well that the answers to these questions can vary considerably depending on what political, social, or personal agenda is driving the response. Despite our keen eye for discerning histo...
Weaving together cultural history and critical imperial studies, this book shows how war and colonial expansion shaped seventeenth-century Venetian culture and society. Anastasia Stouraiti tests conventional assumptions about republicanism, commercial peace and cross-cultural exchange and offers a novel approach to the study of the Republic of Venice. Her extensive research brings the history of communication in dialogue with conquest and empire-building in the Mediterranean to provide an original interpretation of the politics of knowledge in wartime Venice. The book argues that the Venetian-Ottoman War of the Morea (1684-1699) was mediated through a diverse range of cultural mechanisms of patrician elite domination that orchestrated the production of popular consent. It sheds new light on the militarisation of the Venetian public sphere and exposes the connections between bellicose foreign policies and domestic power politics in a state celebrated as the most serene republic of merchants.