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The Dialectic of Ressentiment
Drawing upon a wide variety of authors, approaches, and ideological contexts, this book offers a comprehensive and detailed critique of the distinct and polemical senses in which the concept of ressentiment (and its cognate 'resentment') is used today. It also proposes a new mode of addressing ressentiment in which critique and polemics no longer set the tone: care. Contemporary tendencies in political culture such as neoliberalism, nationalism, populism, identity politics, and large-scale conspiracy theories have led to the return of the concept of ressentiment in armchair political analysis. This book argues that, due to the tension between its enormous descriptive power and its mutually c...
The Philosophy of Mannerism
"Examining afresh the 16th-century style of mannerism, Sjoerd van Tuinen synthesises philosophy and aesthetics to demonstrate not only the contemporary relevance of mannerism but its broader significance as a form of modal thinking. Beyond a style of art that spurned the balance and proportion of earlier Renaissance painting in favour of compositional instability and tension, this book looks a-historically at mannerism to investigate what it can tell us about continental modal metaphysics, focusing in particular on its artificial and what Van Tuinen calls 'secondary' nature. In three main parts, Van Tuinen first explores the ontology, aesthetics and ethics of mannerism. He then develops this through an extended study of Leibniz as a modal and indeed mannerist philosopher, before outlining in the final part a (neo)-mannerist aesthetics that incorporates diagrammatics, alchemy and contemporary technologies of speculative design. Drawing on Bergson, Simondon, Deleuze, Stengers and Agamben, together with artworks from Lomazzo to Arcimboldo, The Philosophy of Mannerism uncovers the rich new pathways created by the combination of philosophy, art history and contemporary theory"--
Deleuze and the Passions
In recent years the humanities, social sciences and neuroscience have witnessed an 'affective turn, ' especially in discourses around post-Fordist labor, economic and ecological crises, populism and identity politics, mental health, and political struggle. This new awareness would be unthinkable without the pioneering work of Gilles Deleuze, who replaced judgment with affect as the very material movement of thought: every concept is an affective experience, a becoming. Besides entirely active affects, the highest practice of thought, there is no thought without passive affects or passions. Instead of a calm and rational philosophy of passions, Deleuzian thought is therefore inseparable from ...
Deleuze and the Fold: A Critical Reader
Featuring contributions by leading academics this collection is a companion to one of the most intricate of Deleuze's philosophical texts, articulating Leibnizian thought within the context of Baroque expressionism, characterized by its interdisciplinary approach to philosophy. This reader offers an incisive critical overview of its key themes
Sloterdijk Now
Peter Sloterdijk is one of the most challenging and contentious thinkers currently working within the European tradition. This is the first collection devoted to his work for English-language audiences and will act as an introduction to his work, set an agenda for engagement with his ideas, and relate his writings to a range of political, theoretical and practical contexts. Since his philosophical bestseller Critique of Cynical Reason (1983), Sloterdijk has exercised an important influence over German and other European thought and recently interest in his diverse oeuvre has grown considerably. The past few years have seen a number of his books translated into English, with many more to come...
The Politics of Debt
The Politics of Debt brings together philosophers, political scientists, and economists and sets them the task of reflecting on the political role played by debt. Focusing on the aftermath of the 2008 economic crisis, particularly in the United States and Europe, the book is split into groups. It contains six essays and five interviews that aim to fully comprehend the political consequences of the economic crisis and specifically of debt.
Speculative Art Histories
First full-scale thematic analysis of Pina Bausch's Tanztheater, critically evaluating the impact of modernist theatre on her choreographic method
Speculative Art Histories
Situated at the interface of philosophy, aesthetics, and art history, this collection brings together a series of creative responses to the recent speculative turn in Continental philosophy. It gives you both a genealogy of speculative art history and a provocatively experimental counter-discourse of new speculative art histories. The contributors include philosophers, art historians, architects and art practitioners who go beyond the mere complementarity of philosophy and art history. They are generous with the types of art they examine, including architecture, cinema, dance, and new media, and the philosophical trajectories they engage with.
The Polemics of Ressentiment
The rise of populism, cynicism, fanaticism and fundamentalism challenges us to reconsider the problem of ressentiment. Characterized by Nietzsche as the self-poisoning of the will through internalising trauma in the form of a postponed and imaginary revenge, the concept of ressentiment is making a comeback in political discourse. Unlike resentment, the feeling of injustice, ressentiment is an intrinsically polemical notion. It implies a political drama in which there is no inherent good sense in its application and no universal criterion. Drawing on psychoanalysis, political theory, media theory and philosophy, this book examines a wide variety of ideological contexts, offering an examination of the divergent senses in which the concept of ressentiment is used today.
The war of appearances : transparency, opacity, radiance
The War of Appearances includes brand new essays by Paul Frissen, Graham Harman, Timothy Morton, Luciana Parisi, Matteo Pasquinelli, Willem Schinkel, Lars Spuybroek, René ten Bos, and McKenzie Wark, plus artworks by Paolo Cirio, Wim Delvoye, Tomás Saraceno, Diana Scherer. In their contributions they develop two strategies against the old Enlightenment ideal of transparency. An ideal that has been completely transformed into a global state of mediation and automation. The two strategies, opacity and radiance, initially appear to be diametrically opposed: one starts from a fundamental inaccessibility, the other one from an excess of visibility. But quickly they start to overlap and together they evolve into a kind of spook-phenomenology that opens up new ways of thinking and seeing.
