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This seventh collection from one of South African poetry’s under-appreciated masters is possibly his best yet. Metatextual, meticulous and deeply steeped in sentiment, Liminal is an exquisite and at-times startling rumination on lives lived, loves loved and writings written. Skinner’s technical mastery of his style and craft, honed over the decades, only brightens the emotions that run through a mélange of travel poems, remembrances, experiments and treatises on the nature of being, literature and friendship.
A collection of South African poetry.
This unique interview book stems from the days when South Africa`s notorious Apartheid regime collapsed. It was written in January of 1988 and I present the talks as they were recorded then. It brought me straight into the heart of the cultural resistance while simultaenously revising anthropological research, too. I looked at the contribution the Arts could play in terminating racial segregation and asked respondents if they would use their creative activity in this regard rather than practicing Art-for-Arts-sake? The book includes a detailed bibliography, a comprehensive set of footnotes and a black and white photo of respondents.
Joan Hambidge has published over 25 collections of poetry. Her work uses the magnifying lense of poetry to dissect, examine and recompose the material of her own life and work, and in so doing, explores ideas and issues central to our understanding of language and meaning. The poems selected for translation in this compilation offer insights into her views across a spectrum of four categories: city life; love and family; ars poetica; and time and eternity. The Coroner’s Wife offers English readers the unique opportunity to experience a prolific and renowned Afrikaans poet in their own language. Translations have been sensively rendered by wellknown poets, Charl JF Cilliers, Johann de Lange, Jo Nel and Douglas Reid Skinner.
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Metaphysical Balm is a collection of poetry that utilises the lyrical subject, “Owl”, who is transmuted and transfigured through various guises, rituals, visions, histories, myths and physical and spiritual bodies, becoming a symbol for wisdom, inquisitiveness, religious longing, introspection, transfiguration and femininity. The collection is a journey of spiritual fulfillment and physical healing from birth to adulthood, from death to the spiritual unknown.
In this second collection Messages from the Bees Robin Winckel-Mellish shows the same qualities as A Lioness at my Heels, but this time runs deeper, darker and stronger. She delves not only into the riotous colours of southern Africa: birds, bees and caracals, but also climate change, while different kinds of love are pinpointed. Her poems of loss and grief are candid and even sensuous, showing the beauty of simplicity in bleakness. Both delicate and reflective these poems honour the wild while retaining a deeply-felt sense of connection with all that is relevant to our lives.
This new volume looks at Fantastic Currencies: money, modes, media.
Writing as Resistance charts the inner workings of apartheid, through the encounters-- imprisonment, exile, and homecoming-- that crucially defined its violent reign and ultimate overthrow. Author Paul Gready demonstrates the transformative nature of autobiographical narrative as resistance in the context of political struggle. This multidisciplinary study addresses a range of important contemporary topics: migration, postcolonialism, globalization, nationalism, human rights, and political democratization, among others. While informed by the work of South African writers-- including Breytenbach, Coetzee, First, Krog, Modisane, and Serote-- and adding to the literature on the apartheid era, this book speaks to all cultures of violence. With this important work Gready sheds new light on the relationship between violence and creativity.