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Poetry lovers - those who enjoy reading it and those who are compelled to write it - will find in this collection a truly splendid experience of the country's soul. So much of the ineffable human spirit and experience that usually remains untold is gently lifted above the surface with care, attention and honesty.
In 28 essays selected from the proceedings of the XXII International Congress of FILLM held at Assumption University, Bangkok, scholars and teachers of languages and literatures have noted, bemoaned and analyzed the waning influence of the humanities to varying degrees. They have raised questions, offered solutions and vigorously defended their languages and literatures, often in no uncertain terms - not as a politically correct thing to do, but as a human obligation. The papers presented here are true to the spirit of the Congress from the moment of the keynote address to what followed in a spontaneous outbreak of voices from scholars of more than 70 universities throughout the world. For t...
Joan Hambidge has published over 25 collections of poetry. Her work uses the magnifying lense of poetry to dissect, examine and recompose the material of her own life and work, and in so doing, explores ideas and issues central to our understanding of language and meaning. The poems selected for translation in this compilation offer insights into her views across a spectrum of four categories: city life; love and family; ars poetica; and time and eternity. The Coroner’s Wife offers English readers the unique opportunity to experience a prolific and renowned Afrikaans poet in their own language. Translations have been sensively rendered by wellknown poets, Charl JF Cilliers, Johann de Lange, Jo Nel and Douglas Reid Skinner.
Essential...this distinctive series presents 120 southern African texts that are rich, evocative. -- Library Journal
Max du Preez has one hell of a story to tell. In his career as a renegade reporter, he’s survived three dismissals, seven libel suits, thirteen criminal cases, four aeroplane crashes, a bombing, two assassination attempts and was a regular on right-wing hit lists. He was in Soweto on 16 June 1976, witnessed the debauched parties of apartheid cabinet ministers, and stepped over dead bodies in a bombed Angolan village. He looked into apartheid killer Dirk Coetzee’s eyes and published his story of police death squads, and when he visited Vlakplaas himself, he was lucky to get out alive. Max is best known as founder and editor of the Afrikaans newspaper Vrye Weekblad, and for his weekly tele...
In this serious, often playful, sometimes outrageous volume, Murray draws inspiration from contemporary women’s experimental poetics. The collection recognises female writers’ equivocal relation to forms of the linguistic avant-garde such as L=A=N=G=U=A=G=E poetry, and brings embodiment and affective voicing back into the provocative equation. Yet, this is not a simple return to lyric intimacy. Murray inflects poetry’s familiar inner speech with the sounds and shapes of found materials and engaging cultural noise. In Otherwise Occupied, the seamlessness of the beautiful, expressive poem becomes otherwise under the innovative necessity of the page as an open field of multiple (mis)takes and (mis)givings. Here, a poem is a space of enactment, a process of thinking-writing and performative exploration: idea ↔ body, lyric ↔ language, innovative necessity ↔ enduring convention. And in the end: there is no subject outside language.
What happens when we cross a significant boundary? We step into an unsettling in-between zone, where we have to abandon accepted structures and truths. Yet this liminal zone can also open up possibilities for inner transformation, leading to the birth of a new sense of fellowship. Since 1994, South Africans have been experiencing the anxieties of old structures breaking down and of new ones being built - a process that South African authors have been powerfully representing and questioning. Beyond the Threshold analyzes the transformative powers of liminal states and hybridizing processes in literature. Its authors discuss a wide range of intriguing liminal characters, dangerous liminal situations, and unique transformations in recent books mainly from South Africa. These books tell the compelling stories of marginal characters, giving their stories moral authority while exploring their transformative possibilities.
First published in 1992, this book represents the first major attempt to compile a bibliography of Derrida’s work and scholarship about his work. It attempts to be comprehensive rather than selective, listing primary and secondary works from the year of Derrida’s Master’s thesis in 1954 up until 1991, and is extensively annotated. It arranges under article type a huge number of works from scholars across numerous fields — reflecting the interdisciplinary and controversial nature of Deconstruction. The substantial introduction and annotations also make this bibliography, in part, a critical guide and as such will make a highly useful reference tool for those studying his philosophy.
Metaphysical Balm is a collection of poetry that utilises the lyrical subject, “Owl”, who is transmuted and transfigured through various guises, rituals, visions, histories, myths and physical and spiritual bodies, becoming a symbol for wisdom, inquisitiveness, religious longing, introspection, transfiguration and femininity. The collection is a journey of spiritual fulfillment and physical healing from birth to adulthood, from death to the spiritual unknown.