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This is the first monographic study devoted to S l awomir Mro z ek, the most prominent contemporary Polish dramatist. It centers on Mrozek's development as a playwright, shown through the analysis of his complete dramas. Also discussed is Mro z ek's experience as a journalist and theatre critic, satirist and short story writer, author of cartoons and movie scenarios. The monograph spans Mrozek's beginnings as the Eastern European representative of the Theatre of the Absurd and his expatriate existence during which he transcends the absurdist model. Mrozek's return to Poland in 1996 reestablishes him as a major literary figures on the contemporary Polish scene. His continuous presence in Western and Eastern European theatres testifies to the broad appeal of his plays. The presentation of Mrozek's entire artistic profile is supplemented by information on the reception of his writings in Poland and abroad, including the most important performances of his plays. The volume also provides a chronology of Mrozek's life and works, a complete listing of primary texts in Polish, English and German, a list of theatrical premieres, and a bibliography of secondary sources.
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Arthur lives with his Bohemian family in appalling disorder: his mother sleeps with a vulgar hoodlum; his father looks the other way, meanwhile writing avant-garde plays; and his grandmother plays cards incessantly. Arthur's elaborate coup d'etat, by which he seeks to establish his kind of order in the house at the point of a gun, leads to his total defeat and ends in a chilling moment.
This is the first monographic study devoted to S l awomir Mro z ek, the most prominent contemporary Polish dramatist. It centers on Mrozek's development as a playwright, shown through the analysis of his complete dramas. Also discussed is Mro z ek's experience as a journalist and theatre critic, satirist and short story writer, author of cartoons and movie scenarios. The monograph spans Mrozek's beginnings as the Eastern European representative of the Theatre of the Absurd and his expatriate existence during which he transcends the absurdist model. Mrozek's return to Poland in 1996 reestablishes him as a major literary figures on the contemporary Polish scene. His continuous presence in Western and Eastern European theatres testifies to the broad appeal of his plays. The presentation of Mrozek's entire artistic profile is supplemented by information on the reception of his writings in Poland and abroad, including the most important performances of his plays. The volume also provides a chronology of Mrozek's life and works, a complete listing of primary texts in Polish, English and German, a list of theatrical premieres, and a bibliography of secondary sources.
The Elephant (1957) is Slawomir Mrozek's award-winning collection of hilarious and unnerving short stories, satirising life in Poland under a totalitarian regime. The family of a wealthy lawyer keep a 'tamed progressive' as a pet; a zoo saves money for the workers by fashioning their elephant from rubber; a swan is dismissed from the municipal park for public drunkenness; and under the Writers' Association, literary critics are banished to the salt mines. In these tales of bureaucrats, officials and artists, Mrozek conjures perfectly a life of imagined crimes and absurd authority.
This important play from one of Poland's most prominent playwrights has had successful stagings in San Francisco, Minneapolis, Washington, D.C., and New York. It takes place on a New Year's Eve in an unnamed country in the home of two immigrants. One is a political exile, an intellectual who gets his money from a mysterious source. The other is a ditch digger who is saving money to bring over his family.
S3awomir Mro¿ek has reigned as the pre-eminent playwright and satirist of Eastern Europe for the past half-century. A sharp critic of all oppressive systems during the Cold War, he began his career as a young enthusiast for the new Communist regime in the early 1950s. It didn't take long, however, until he was deemed such a threat that his work was banned not only in his native Poland, but also in all Eastern bloc countries. After the fall of Communism, he returned home from self imposed exile in the West and was recognized as a major literary figure. This reissue of fourteen plays and ten short stories, along with a sampling of his capricious cartoons, affirms Mro¿ek's mastery of a wide spectrum of styles, and illustrates the development of his talent over the decades. From the vantage point of the twenty-first century, Mro¿ek's questioning of authority, his razor-sharp sense of the comic, and his spirit of contradiction seem as fresh, and as relevant, as ever.
(Applause Books). Slawomir Mrozek, the Polish-born writer whose plays among them Tango and Vatzlav have earned him a reputation as one of Europe's most inventive new playwrights, has written three more plays which confirm his position as a master of modern satire whose concerns are as political as they are moral. In Striptease , two characters one an intellectual, the other an activist find themselves inside a room where a gigantic hand instructs them to remove their clothes until both act out an elaborate dance of rationalized submission. In Repeat Performance , a middle-aged man on an escapade with his son's young wife encounters a ghost from his own youth the charismatic political leader to whom he had sworn everlasting allegiance, and whose spirit has now returned to claim either the father or the son. The Prophets tells what happens when two prophets show up to fulfill the prophesies instead of just one.
Short satirical sketches by a renowned contemporary Polish dissident playwright and writer.
This title develops reading skills by introducing learners to a wide variety of authentic texts, including articles, poems and literary passages.