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Ticket to Minto
Ticket to Minto, Sohrab Homi Fracis's premier fiction collection, offers readers a passage to an unfamiliar destination-a world suspended between East and West, India and America, home and away. With piercing insight, Fracis expertly reveals the underlying differences between immersion in India's culture-Hindu, Muslim, or Parsi-and life as an Indian in America. Alternating between East and West, the stories in Ticket to Minto serve as companion pieces, interrelated across continents in both theme and content. A middle-aged man's search for love in Bombay is contrasted with an Indian American family's hopes for the marriage of their westernized daughter. A university student rushes to save the life of a servant in his homeland only to find his own life threatened while attending graduate school in America. Poignant and daring, Ticket to Minto underlines the harsh realization that the immigrant never truly arrives but is in constant limbo between two worlds. As one character relates, "There's a part of me that's American and a part that's Indian. I'm clear about that and comfortable with it, except that sometimes people want me to be just the one or the other."
True Fiction
Sohrab Homi Fracis's innovative new collection tells a spectrum of stories under a paradoxical new umbrella category: True Fiction. Monotony is banished from this book. At a Florida coffee shop, an immigrant's voice opens up even as a hipster musician's shuts down. An underpaid bank teller in the age of ATMs is fired and goes postal. In the title story, on whose premise the book pivots away from realism, a professor recalls his favorite communication ever--and it's utterly silent. A loving husband and father finds himself inexplicably transformed into a woman. In another world, the protagonist simultaneously faces his end and a new beginning. A budding female messiah confronts a non-gendered...
Whose World Is This?
Montgomery's characters blow drugs and boys, advise friends who are dying of AIDS about pennies in penny loafers, write letters to Caroline Kennedy, and fall in love with movie stars. Some lose themselves to ambivalence while contemplating motherhood; others find themselves soothed when, after hearing of the sudden death of a dear friend they seduce a stranger. In the story "We Americans," a woman abandoned by her husband grows so vulnerable, she internalizes TV news tragedies by developing hives in the shapes of foreign countries. In the title story, Hannah, a speed freak working the graveyard shift in a nursing home, falls in love with a quadriplegic who void of feelings in his limbs, feel things she cannot. In "Avalanche", an editor to movie stars in Beverly Hills struggles with how to reconcile her own story with the fairy-tale endings of celebrity culture. Tender, poignant, and at times hilarious, the women in Whose World Is This? turn common notions of love, compassion, and tradition upside down as they show us how vulnerability, although dangerous, is what makes life astonishingly beautiful and reality strangely unreal.
We Can't Help It If We're from Florida
'As hot and wild and dangerous as our beloved (or is it bedeviled?) state, itself.'' -- Lauren Groff, author of ''Fates & Furies''
Go Home
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Horse in the Dark
Bold and skilled, Francis takes us into the still landscapes of Texas, evoking the African American South in fluid detail. Her poems become panhandle folktales fraught with the weight of memories both individual and collective. Her creative tangle of metaphors, people, and geography will keep the reader rooted in the good earth of extraordinary verse.
Here Beneath Low-Flying Planes
The stories in Merrill Feitell’s award-winning collection, Here Beneath Low-Flying Planes, examine the fleeting and unexpected moments of human connection, reminding us of the indelible impact we have on one another no matter how insignificant or anonymous we might feel under our huge, collective sky. Feitell’s characters deal with shifting dynamics in relationships—whether they be best friends, lovers, family, or even strangers—that consistently leave them torn between two places or commitments. In the title story, Janie has undergone a painful childbirth experience and her group of friends must pioneer new dynamics while she wonders how to bring her old self back. In “Bike New Yo...
The Thin Tear In The Fabric Of Space
The Thin Tear in the Fabric of Space gathers stories about coping with grief, trying to love people who have died, and—more broadly—leaving old versions of the self behind, sometimes by choice and sometimes out of necessity. In each of the nine stories, Douglas Trevor’s characters are forced to face uncomfortable realities. For Elena Gavrushnekov in the title story, that means admitting after the death of her beloved that she still longs for contact with other human bodies. For Peter in “Central Square,” it is realizing that, like his deceased father before him, he is drinking himself to death. Unable to confront his incapacitated mother and the memory of the plane crash that kille...
Fire Road
Stephen Mann-- loyal son, war veteran, divorced father--is the subject of Donald Anderson's contemporary short-story cycle, Fire Road. In this award-winning collection, Mann negotiates life's punches through gain and loss, love and death, and the all too random dangers of being human. Woven between each personal story are poetic vignettes of isolated moments-- the headlines in a morning paper, a political murder--and the century's most violent tragedies--the bombing of Hiroshima, the firestorm at Dresden. Each vingette is a constant, powerful reminder of the human capacity to love and, ultimately, to destroy. A bruising view of one man's tumultuous journey through life, Fire Road explores the small and large crimes we all commit in the name of love and fear, despair and longing.
Her Kind of Want
Set mainly in a small town in Alabama, the stories here ache with the relentless longing of the poor, struggling, discarded Southern women who tell about their lives with men whose only presence is their absence.
