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Through Their Lenses is a collection of twenty-nine award-winning short stories by tweens. These stories encompass a wide range of genres, inviting readers to explore a wealth of important themes passionately crafted by these young writers: from a girl going on a quest to release a curse bestowed on her by a witch to a guy trying to escape after being stranded in a different time.
Made in Taiwan: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary Taiwanese popular music. Each essay, written by a leading scholar of Taiwanese music, covers the major figures, styles, and social contexts of pop music in Taiwan and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Taiwan, followed by essays organized into thematic sections: Trajectories, Identities, Issues, and Interactions.
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This vivid book is an inquiry into the stagnation between the development of architectural practice and the progress in urban modernization. It is about islands as territories of resistance. It is about dense places where multitudes dwell in perennial contestations with the city on every front. It is about the histories, tactics and spaces of everyday survival within the hegemonic sway of global capital and unstoppable development. It is preoccupied with making visible the culture of resistance and architecture's entanglement with it. It is about urban resilience. It is about Hong Kong, where uncertainty is status quo.This interdisciplinary volume explores real and invented places and identi...
Living on Your Own is an ethnography of young, single women in South Korea who seek to live independently. Using extensive interviews, along with media analysis and archival research, Jesook Song traces the women's difficulties in achieving residential autonomy. Song exposes the clash between the women's burgeoning desire for independent lives and the ongoing incursion of traditional, conservative family ideology and marriage pressure into housing practices and financial institutions. She pays particular attention to the Korean rent system and the reliance on lump-sum cash even for basic subsistence, which promotes tight control of young adults' lives by family and kinship networks. The young women whose voices feature prominently in this book are a prototype of global youth in crisis: caught between aspirations for the self-development and flexible lifestyle championed by globalizing media and communication technology and the reality of their position as flexible labor in a neoliberal economy.