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Analog Circuit Design contains the contribution of 18 tutorials of the 17th workshop on Advances in Analog Circuit Design. Each part discusses a specific to-date topic on new and valuable design ideas in the area of analog circuit design. Each part is presented by six experts in that field and state of the art information is shared and overviewed. This book is number 17 in this successful series of Analog Circuit Design.
As the authors point out, "China has arrived, big time. To ignore the Chinese is foolish." Yet, where does one begin? Getting a handle on China, with its sweeping history and vast cultural diversity, is, for most, a daunting task. China: Ancient Culture, Modern Society provides a much-needed starting point for piecing together the many parts of the complex puzzle that is China. More than simply a guidebook or historical survey, this rich volume bridges geography, culture, politics, and beliefs to present a nuanced picture of a nation that is often misunderstood by those seeking to view it through a Western lens. Whether one is approaching China for the first time or seeking to fill the gaps in one's existing understanding of things Chinese, this book provides an abundance of useful information.
The Tiger Killers is the second volume of a new translation of the Chinese classical novel generally known as The Water Margin. Like the first volume, The Broken Seals, it follows the fortunes of various outlaw heroes as they move through a world of treacherous officials, jealous toadies, bullying gaolers, hired assassins, foolhardy generals and cannibalistic innkeepers. This volume contains some of the most famous scenes in the novel, starting with the episode in which Wu Song gets drunk at the tavern, ascends the pass in late evening and kills a notorious man-eating tiger with his bare hands. His subsequent encounter with his midget brother's flirtatious wife, Jinlian or Golden Lotus, and ...
One of the most famous episodes from Water Margin, a traditional Chinese novel, is here retold in simple Chinese. This text is the fifth volume designed to supplement the Intermediate Chinese Reader by John DeFrancis. It is presented in simplified characters, with pinyin romanization, and an accompanying audio program is available.
Here is the first booklength study of the life and works of Wu Yun, one of the most remarkable figures of eighth-century Daoism. Blending literary criticism with religious and cultural history, this book assesses the importance of Wu Yun the Daoist priest, the poet, the anti-Buddhist, the defender of reclusion and the philosopher of immortality, and in doing so, sheds new light on the very nature of Tang dynasty Daoism. The book, which should be of special interest to students of Tang literature and Medieval Daoism alike, alternates narrative and analysis with annotated translations of two thirds of Wu Yun’s remaining writings, including two stela inscriptions, three prose treatises, four rhapsodies and several dozens of poems.
This volume has its origins in the project "Large-scale Registration of Chinese Storytelling," which involved the recording on film of 360 hours of performances by the four masters of Yangzhou storytelling, Dai Buzhang, Fei Zhengliang, Gao Zaihua, and Ren Jitang. Four sets of these films have been deposited (in Washington D.C., Taipei, Beijing, and Copenhagen) so that future generations of scholars will have access to this unique material. With all text appearing in both English and Chinese and with its subject matter brought alive by a wealth of photographs plus a 60-minute film on VCD, this volume promises to be a classic work in its field.
Chinese Storytellers takes us to the teahouses and hidden corners of Yangzhou to explore the ancient art of Chinese storytelling (shuoshu).
Using the concept of theatricality to study Water Margin and Journey to the West, this study illustrates how writing and reading in early modern China became fused with a theatrical imagination in response to destabilizing social and political forces.
Chinese storytelling has survived through more than a millennium into our own time, while similar oral arts have fallen into oblivion in the West. Under the main heading of 'The Eternal Storyteller', in August 1996 the Nordic Institute of Asian Studies hosted an International Workshop on Oral Literature in Modern China. To this meeting, the first of its kind in Europe, five special guests were invited - master tellers from Yangzhou: Wang Xizotang, Li Xintang, Fei Zhengliang, Dai Buzhang and Hui Zhaolong. The volume derived from this meeting includes an introductory article written by John Miles Foley entitled 'A Comparative View on Oral Traditions'. Thereafter, a wide range of topics relating to Chinese oral literature is covered under the headings: 'Historical Lines', 'A Spectrium of Genres', 'Studies of Yangzhou and Suzhou Story- telling' and 'Performances of Yangzhou Storytelling'. However, the present volume does more than include papers derived from the meeting. It is also lavishly illustrated in word and picture from performances by the guest-storytellers. In so doing, the world of Chinese story telling is not just described and analysed - it is also brought to life.
This volume is a translated and edited collection of studies on the Shi ji (Records of the historian) by Sima Qian, authored by the prestigious Japanese sinologist Miyazaki Ichisada. Providing a pathbreaking analysis of the structure and formation of the Shi ji, it serves not only as an excellent introduction to Sima Qian’s masterpiece but also offers historiographical and methodological insights that will stimulate further debate and research. In this volume, Miyazaki presents fascinating evidence of the influence of narrative fiction and drama in Sima Qian’s recreation of the entire length and breadth of Chinese history right up to his own time. By establishing a foundational model for...