You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Creative industries are a growing and globally important area for both economic vitality and cultural expression of industrialized nations. This volume examines their institutional, categorical and structural dynamics to provide an overview of new trends and emerging issues in scholarship on this topic.
The three "essays" in this book draw on the translator's work on love poetry—classical waka and the tanka of Yosano Akiko (1878–1942)—but also introduce the prose poems and free verse of a contemporary surrealist poet, Mizuno Ruriko, whose themes are childhood and the loss of innocence. "The Secret Island and the Enticing Flame" shows the translator of poetry experimenting with three different ways to present the results of his craft. "In the Dark of the Year" is an essay in sequencing. Cranston arranges translations of fifty love poems in the tanka form, ranging from the ancient chronicle Kojiki to the contemporary poet Tawara Machi, in an examination of desire, melancholy, and despai...
This edited volume discusses images that bleed, speak, cry, move, and behave in ways we usually attribute to living creatures. Living images have been the object of devotion as well as targets of destruction, and they have been marginalised in both culture and cultural studies for their ambivalence as well as their transgressive nature. But what is it that makes images the loci of such powerful properties? The present volume is an attempt to recuperate the living image, draw it from the margins, and re-illuminate its importance for cultural history. The title of this book reflects the ambition of the contributions to navigate between the Middle Ages of the past and the Middle Ages of the pre...
A lush portrait introducing one of the most important Japanese artists of the Edo period Best known for his paintings Irises and Red and White Plum Blossoms, Ogata Kōrin (1658-1716) was a highly successful artist who worked in many genres and media--including hanging scrolls, screen paintings, fan paintings, lacquer, textiles, and ceramics. Combining archival research, social history, and visual analysis, Frank Feltens situates Kōrin within the broader art culture of early modern Japan. He shows how financial pressures, client preferences, and the impulse toward personal branding in a competitive field shaped Kōrin's approach to art-making throughout his career. Feltens also offers a keen visual reading of the artist's work, highlighting the ways Kōrin's artistic innovations succeeded across media, such as his introduction of painterly techniques into lacquer design and his creation of ceramics that mimicked the appearance of ink paintings. This book, the first major study of Kōrin in English, provides an intimate and thought-provoking portrait of one of Japan's most significant artists.
Focusing on the period between the beginning of the eighteenth century and the late twentieth century, this edited volume examines the histories of objects, museums, exhibitions, and collections in Portugal or outside Portugal but representing Portugal, or related to it through colonial relationships. The book highlights the specificities of the Portuguese case, set against a globalised, transnational, and transcolonial context, and provides a precedent for future studies and a dialogue with equivalent studies related to other geographies. The diversity of the cultural, intellectual, and political contexts (imperial, colonial, monarchical, republican, authoritarian) offered by the Portuguese example allows for the exploration of a number of complex case-studies. Chapters study the artistic, collecting, and museological practices in Portugal and in the various geographical contexts of its colonial empire, with particular emphasis on the circulation and connectedness of objects, products, people, and ideas. The book will be of interest to scholars working in art history, museum studies, intellectual and cultural history, and imperial and colonial history.
We are now entering a new phase in the establishment of historical organization studies as a distinctive methodological paradigm within the broad field of organization studies. This book serves both as a landmark in the development of the field and as a key reference tool for researchers and students. For two decades, organization theorists have emphasized the need for more and better research recognizing the importance of the past in shaping the present and future. By historicizing organizational research, the contexts and forces bearing upon organizations will be more fully recognized, and analyses of organizational dynamics improved. But how, precisely, might a traditionally empirically o...
Porcelain imported from China was the most highly coveted new medium in sixteenth- and early seventeenth-century Europe. Its pure white color, translucency, and durability, as well as the delicacy of decoration, were impossible to achieve in European earthenware and stoneware. In response, European ceramic factories set out to discover the process of producing porcelain in the Chinese manner, with significant artistic, technical, and commercial ramifications for Britain and the Continent. Indeed, not only artisans, but kings, noble patrons, and entrepreneurs all joined in the quest, hoping to gain both prestige and profit from the enterprises they established. This beautifully illustrated ...
We are now entering a new phase in the establishment of historical organization studies as a distinctive methodological paradigm within the broad field of organization studies. This book serves both as a landmark in the development of the field and as a key reference tool for researchers and students. For two decades, organization theorists have emphasized the need for more and better research recognizing the importance of the past in shaping the present and future. By historicizing organizational research, the contexts and forces bearing upon organizations will be more fully recognized, and analyses of organizational dynamics improved. But how, precisely, might a traditionally empirically o...
Paris was the epicenter of art during the latter half of the nineteenth century, luring artists from around the world with its academies, museums, salons, and galleries. Despite the city's cosmopolitanism and its cultural stature, Parisian society remained strikingly conservative, particularly with respect to gender. Nonetheless, many women painters chose to work and study in Paris at this time, overcoming immense obstacles to access the city's resources. 'Women Artists in Paris, 1850-1900' showcases the remarkable artistic production of women during this period of great cultural change, revealing the breadth and strength of their creative achievements. Guest Curator Laurence Madeline (Chief Curator at Musées d'art et d'histoire, Geneva) has selected close to seventy compelling paintings by women of varied nationalities, ranging from well-known artists such as Berthe Morisot, Mary Cassatt, and Rosa Bonheur, to lesser-known figures such as Kitty Kielland, Louise Breslau, and Anna Ancher.
With the explosion in YA publishing, it’s harder than ever to separate good books from the rest. Booklistmagazine’s editors’ deep and broad knowledge of the landscape offers indispensable guidance, and here they bring together the very best of the best books for young adults published since the start of the 21st century. Drawing on the careful judgment of expert YA librarians, this book Includes a foreword by best-selling YA lit authority Michael Cart, who demonstrates how we have entered a new golden age of books for young adults Collects reviews which showcase the most stimulating contemporary YA titles Features an essay in each section, grouped by genre, presenting an overview and examining relevant trends Indexes selections by author, title, and genre for handy reference The thoughtful professional review coverage for which ALA’s Booklist is known makes this volume an ideal tool for YA readers’ advisory and collection development.