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This is the first book that comprehensively examines Indigenous filmmaking in North America, as it analyzes in detail a variety of representative films by Canadian and US-American Indigenous filmmakers: two films that contextualize the oral tradition, three short films, and four dramatic films. The book explores how members of colonized groups use the medium of film as a means for cultural and political expression and thus enter the dominant colonial film discourse and create an answering discourse. The theoretical framework is developed as an interdisciplinary approach, combining postcolonialism, Indigenous studies, and film studies. As Indigenous people are gradually taking control over th...
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Final copy of manuscript of the Dreiser Edition of A traveler at forty, with a complete record of emendations, historical notes, and textual notes.
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Edited by Anna Balakian, this volume marks the first attempt to discuss Symbolism in a full range of the literatures written in the European languages. The scope of these analyses, which explore Latin America, Scandinavia, Russia, Poland, Hungary, Serbia, Czechoslovakia, and Bulgaria as well as West European literatures, continues to make the volume a valuable reference today. As René Wellek suggests in his historiographic contribution, the fifty-one contributors not only make us think afresh about individual authors who are giants, but also draw us to reassess schools and movements in their local as well as international contexts. Reviewers comment that this copious and intelligently...
Black Mothers and the National Body Politic: The Narrative Positioning of the Black Maternal Body from the Civil War Period through the Present focuses on the struggles and triumphs of black motherhood in six works of narrative prose composed from the Civil War period through the present. Andrea Powell Wolfe examines the functioning of the black maternal body to both define and undermine ideal white womanhood; the physical scarring of the black mother and the reclamation of the black maternal body as a site of subversion and nurturance as well as erotic empowerment; and the construction of oppressive discourses surrounding black female bodies and reproduction and the development of resistanc...
Machine generated contents note: -- Table of Contents: -- Acknowledgements -- Introduction: Democracy's Progress -- Chapter One: On the Possibility of Democracy in the Present-Past: Reading Thomas Jefferson and W.E.B. Du Bois in the Times of Slavery and Freedom -- Chapter Two: Narrating the Present-Past in Frederick Douglass's Life and Times -- Chapter Three: Making Reparation; or, How to Count the Wrongs of Slavery -- Chapter Four: Failed Futures: Of Prophecy and Pessimism at the Nadir -- Chapter Five: Pauline E. Hopkins's Untimely Democracy (Stasis, Agitation, Agency) -- Epilogue: Democracy's Plunges
Islam, like the West, is not a homogenous monolith. However, Islam is most commonly represented in the West in terms of suicide bombing, suppressed and veiled women, and internal and external conflict. These depictions of Islam suggest that the relationship between Islam and the West is, and has always been, one of hostility and hatred. However, this collection locates threads of connection and 'love' between Islam and the West, and argues that it is important to bring them to the forefront i ...
Virtually unknown for the better part of the twentieth century, Pauline E. Hopkins (1859-1930) is one of the most interesting rediscoveries of recent African American literary history. This is the first study devoted exclusively to Hopkins’s life and her influential career as an editor, political writer, social critic, pioneering playwright, biographer, and fiction writer. Hanna Wallinger’s discoveries break much new ground, especially regarding Hopkins’s relationship with such notable men and women as Booker T. Washington and Anna Julia Cooper, her position in Boston’s black women’s club movement, her work with the Boston-based Colored American Magazine, and her concepts of race, ...