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"Very few men," said Bakunin, "have read as much, and, it may be added, have read as intelligently, as M. Marx." S. S. Prawer's highly influential work explores how the world of imaginative literature-poems, novels, plays-infused and shaped Marx's writings, from his unpublished correspondence, to his pamphlets and major works. In exploring Marx's use of literary texts, from Aeschylus to Balzac, and the central role of art and literature in the development of his critical vision, Karl Marx and World Literature is a forensic masterpiece of critical analysis.
This 1961 book presents a full-length study of the later works of Heine, relating to Heine's life the underlying themes in his poetry.
This comprehensive study reconstructs the production history of The Blue Angel (1930), showing how director Josef von Sternberg's virtuoso visual style was amply supported by an immensely talented team of actors and technicians. It also analyzes the film's aesthetics, and shows how the grave political situation in Germany reverberated in its seemingly airtight world. One of the most famous images in cinema is to be found in the film The Blue Angel (1930). Lola Lola (Marlene Dietrich), in revealing black suspenders, sits on a beer-barrel clasping an upraised knee with both hands while she leans slightly back. Though not Germany's first sound film, it was at the time the most prestigious and expensive by far. Sternberg had been lured back from Hollywood and, together with acting star Emil Jannings and producer Erich Pommer, he set about making an adaptation of Heinrich Mann's novel Professor Unrat. The result is a subtly claustrophobic study of a man's downfall which is a milestone in European cinema.
"This study traces the successive stages of Thackeray's contact with the German world and analyses the discourse he developed as a result. The author is concerned with the fiction and criticism of Thackeray's :Paris Sketch Book"" and the impressions related by the cockney traveller in ""Irish Sketch Book"" and ""Notes of a Journey from Cornhill to Grand Cairo"". Thackeray's own pictorial illustrations of his writings and those by Cruikshank, Doyle and Walker, which he supervised and supplemented, are recognized as an integral part of his German discourse. The study is a chronological one, setting Thackeray's construction of ""German"" and ""the Germans"" against the background of his own development and of the social, industrial, cultural and political history of Britain and its continental neighbours."
This book is based on the German editions of Sigmund Freud's works and letters. It presents various examples from English and American literatures that suggest several questions Freud asked of literary works in general.
This copiously illustrated study focuses, for the first time in any language, on the whole range of Thackeray's verbal and graphic portraits and caricatures of European men, women and children of his own and earlier periods. It takes its readers on what he called a 'Roundabout Journey' in which they look, through the eyes of a variety of narrators and personae, at natives of France, Greece, Italy, Switzerland, the Habsburg Empire, Poland, Russia, Scandinavia, the Low Countries, Spain, Portugal, and Turkey. There are a few German examples too: but these are peripheral here, because the author has considered them in depth in a previous book: Breeches and Metaphysics. Thackeray's German Discour...
The first complete study of this important Victorian novelist's depiction of, and involvement with, Jews and Judaism in the context of his life, developing art, and changing opinions and the social history of European Jewry.