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A Biographical Register of St. John's College, Oxford, 1555-1660
Full biographical accounts of the members of St John's College Oxford give much new evidence for academic life of the period. This volume comprises a register of all who were academically of St John's College, Oxford, from its foundation in 1555 until 1660, as well as of a number of men otherwise associated with it. It includes many figures of nationalimportance, among them William Laud, William Juxon, Edmund Campion, and Bulstrode Whitelocke, scholarly translators of the Bible, five future earls, and many Members of Parliament. The biographies, based on a very wide rangeof sources, amplify and correct existing work and identify many previously unknown St John's men. The introduction draws o...
Graves and the Goddess
Examines the language of ancient Celtic and Mediterranean poetic myths, probing the role of the all-encompassing female figure, the White Goddess, in the earliest forms of poetry.
A Biographical Register of St. John's College, Oxford, 1555-1660
Full biographical accounts of the members of St John's College Oxford give much new evidence for academic life of the period. This volume comprises a register of all who were academically of St John's College, Oxford, from its foundation in 1555 until 1660, as well as of a number of men otherwise associated with it. It includes many figures of nationalimportance, among them William Laud, William Juxon, Edmund Campion, and Bulstrode Whitelocke, scholarly translators of the Bible, five future earls, and many Members of Parliament. The biographies, based on a very wide rangeof sources, amplify and correct existing work and identify many previously unknown St John's men. The introduction draws o...
Robert Graves and the Classical Tradition
The poet Robert Graves' use of material from classical sources has been contentious to scholars for many years, with a number of classicists baulking at his interpretation of myth and his novelization of history, and questioning its academic value. This collection of essays provides the latest scholarship on Graves' historical fiction (for example in I, Claudius and Count Belisarius) and his use of mythical figures in his poetry, as well as an examination of his controversial retelling of the Greek Myths. The essays explore Graves' unique perspective and expand our understanding of his works within their original context, while at the same time considering their relevance in how we comprehend the ancient world.
