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Sweet Liberty brings together 15 years of work by painter Dan Colen (born 1979), one of the "bad boys" of the New York art world who emerged onto the scene in the early 2000s alongside artists like Dash Snow and Ryan McGinley. Witty, shocking, poignant and nihilistic, Colen's art presents a portrait of contemporary America and investigates the acts of producing and looking at art. Alongside significant early works such as "Me, Jesus and the Children" (2001-03), this publication features paintings from Colen's long-running Gum and Trash series, as well as four installations in which Colen appropriates imagery from the mass media and American subcultures. This volume marks, in Colen's own words, "the first time I've been able to present the full range of my work and the wide-ranging ideas, crafts, materials, technologies and processes that I engage with."
As dazzling as the art it celebrates, this volume is packed with 1,000 full-color illustrations and features in-depth interviews with more than 125 train artists and "writers" to provide unprecedented perspective into graffiti.
In 1986 the controversial film-maker Derek Jarman discovered he was HIV positive, and decided to make a garden at his cottage on the bleak coast of Dungeness, where he also wrote these journals. Looking back over his childhood, his coming out in the 1960s and his cinema career, the book is at once a volume of autobiography, a lament for a lost generation and a celebration of homosexuality.
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