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Old Lines, New Forces
Draws together a dozen essays by the foremost contemporary critics of the British novel to examine its growth in the sixties. The collection of critical pieces is devoted to major, minor, and rising novelists who are cultivating the seedbed of contemporary fictional talent in England today.
Radical Fictions
Nick Bentley takes a fresh look at English fiction produced in the 1950s. By looking at a range of authors, he shows that the novel of the period was far more diverse and formally experimental than previous accounts have suggested.
Colony and Confederation
The selections in this survey of the narrative and lyric poets of Confederation and the later nineteenth century have been chosen to remind readers of the distances and diversities involved as Canadians struggled toward nationhood. Along with essays on Sangster and Mair, the first poets consciously writing of the Canadian scene and the Canadian identity, there are individual studies of Crawford, Roberts, Lampman, Scott and Service. Some of the authors analyse a single work in a poet's canon; others consider several themes or evaluate a poet's philosophical or religious position. To these essays are added three by Norman Newton, George Woodcock and Roy Daniells on the era of "high colonialism". The book contains ten pieces published in the journal Canadian Literature over the last thirteen years and five new ones written specifically to enhance this collection.
The Regional Novel in Britain and Ireland
The Regional Novel In Britain and Ireland, 1800-1990 will be of interest to literary and social historians as well as cultural critics.
The London Gazette
None
Contemporary Literary Criticism
Entries include critical commentary, brief biographical information, a portrait when available, a list of principal works, and may also include a further reading section.
British Working-Class Fiction
British Fiction and the Struggle Against Work offers an account of British literary responses to work from the 1950s to the onset of the financial crisis of 2008/9. Roberto del Valle Alcalá argues that throughout this period, working-class writing developed new strategies of resistance against the social discipline imposed by capitalist work. As the latter becomes an increasingly pervasive and inescapable form of control and as its nature grows abstract, diffuse, and precarious, writing about it acquires a new antagonistic quality, producing new forms of subjective autonomy and new imaginaries of a possible life beyond its purview. By tracing a genealogy of working-class authors and texts t...
Risk and the English Novel
Taking the cue from the currency of risk in popular and interdisciplinary academic discourse, this book explores the development of the English novel in relation to the emergence and institutionalization of risk, from its origins in probability theory in the late seventeenth century to the global ‘risk society’ in the twenty-first century. Focussing on 29 novels from Defoe to McEwan, this book argues for the contemporaneity of the rise of risk and the novel and suggests that there is much to gain from reading the risk society from a diachronic, literary-cultural perspective. Tracing changes and continuities, the fictional case studies reveal the human preoccupation with safety and contro...
