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Severance Package
Summoned by his boss to a special Saturday meeting along with other "key personnel," Jamie DeBroux soon discovers that they have been operating as a cover for a branch of the intelligence community and that his boss intends to eliminate them all--unless Jamie can come up with a desperate plan to beat his boss at his own game. By the author of The Blonde. 25,000 first printing.
Paperback Confidential
132 profiles of the men and women who wrote the books that became the backbone of the Pulp and Paperback Era from the 1930s through the 1960s. Each profile contains details about the author's life and explores key works; also covered are screenplay and teleplay work, as well as movies based on the authors' stories.
I Was a Bandit
"This is not what one could call in any shape or form a pretty story. It is the plain unvarnished tale of a man who has been a notorious criminal from his boyhood days, and it is printed only because it will prove, in a way that all the prison statistics in the world cannot prove, that you can't win at the crooked game...." So begins the introduction to the original 1929 edition of I Was a Bandit by Eddie Guerin, a notorious thief who kept newspaper readers entertained on both sides of the Atlantic in the late 1800's. After a lifetime of crime, he was eventually given a life sentence on Devil's Island-from which he escaped-and sold his life story to a publisher. This reprint from Staccato Crime is the first new edition of that book in over 90 years.
Bodies Are Dust
Police Inspector Buck Safiotte is corrupt and cruel, ruthless and remorseless, ambitious and outrageous, ruling the streets of New York City like a monarch of the gutter. One early reader of Bodies Are Dust fretted that the book was too vicious for the library, but this almost-forgotten, impossible-to-find novel has become a classic, and noir fans consider their copies precious. Now, after more than 60 years out of print, Bodies Are Dust is available again, the first title from Staccato Crime, a new imprint of Stark House Press, which will resurrect noir classics, both novels and true crime, originally published 1899-1939.
The Wanton / The Dame / The Desired
THE WANTON In which Lieutenant Al Wheeler must figure out -who killed the youngest member of the Randall family by hanging her from a tree -what the mysterious "W" brand on her neck signifies -who's next as the Randalls are each threatened with a similar fate THE DAME In which Lieutenant Al Wheeler is called upon to -discover who murdered the secretary of famous actress, Judy Manners -find out who is lying about the signed contracts which the producer claims are legit -maneuver his way around Camille, the mistress of Judy's philandering husband THE DESIRED In which Lieutenant Al Wheeler finds himself in the midst of murder -when he almost collides with a car with a dead body in its trunk -involving a beautiful, spoiled vixen who had been driving the car -with a prime patsy for the killing in the form of the vixen's labor boss father
Wild to Possess
WILD TO POSSESSLew Brookbank is running from his grief. His wife had left him for another man, and he had discovered them together--murdered. Drowning himself in gin, one night he stumbles across a parked car where a man and a woman are plotting the kidnapping and murder of the man's wife. At first he thinks he should turn them in, but there is some real money involved here, and he makes the liquor-fueled decision to follow them and work a double-cross of his own. But Lew doesn't figure on Clarkson, brother of his dead wife's lover. Clarkson wants to bring him back to pay for the death of his brother. But there's no turning back on the plan now--Lew has got to see this one through to the end...
Chaos and Madness
Preliminary Material -- INTRODUCTION -- HISTORY AND THE NOVEL: AN OVERVIEW -- MASTERING THE ART: THE HISTORICAL NOVEL AND LOCAL COLOR -- BETWEEN MAGIC AND MADNESS: A PORTRAIT OF SPAIN AND ITS NEUROSES -- POSTMODERN CRITIQUE AND THE HAND OF THE HISTORIAN -- CHAOS, COMPLEXITY AND INTERPRETATION -- BEYOND REFERENCE: HISTORIOGRAPHIC METAFICTION IMPINGED BY SCIENCE FICTION -- THE NOVEL NEVER ENDS: ON ALTERNATIVE WORLDS, JEWISH CONNECTIONS AND INFINITE REGRESS -- CONCLUDING REMARKS -- NOVELS PUBLISHED BY MILTON LESSER UNDER THE FOLLOWING NAMES OR PSEUDONYMS -- SHORT STORIES -- BIBLIOGRAPHY -- INDEX.
The Means
"Part Primary Colors, part House of Cards, The Means takes you deep into high-stakes politics where everyone has something to hide. Tom Pauley is a conservative trial attorney in Durham, NC, who is tapped by GOP leaders to campaign for the Governor's mansion. His bold style makes him a favorite for a run at the White House. Mitchell Mason is the president-elect of the United States, pushed into politics by a father determined to create a political dynasty. Mason manages the White House with a personal touch that makes both friends and enemies. Samantha Davis is a child actor-turned-lawyer-turned-journalist, working her way up from the bottom in a competitive industry. She is determined and brilliant, and her dogged pursuit of a decade-old story could trigger a scandal that would upend the political landscape. New York Times bestselling author Douglas Brunt's "savage" (Publishers Weekly) prose creates an incisive portrait of ambition, power, and what it takes to win in the ruthless world of politics today"--
It's Nothing, Seriously
It’s Silence, Soundly, It’s Nothing, Seriously and It’s Absence, Presently, continue The ‘It’ Series published by Matador since The Book of It (2010). They constitute another stage in an artistic journey exploring the visual and audial dialectic of mark, word and image that began over 25 years ago. In their aesthetic form the books are a decentred trilogy united together in a new concept of The Bibliograph. All three present this new aesthetic object, which transcends the narrow limits of the academic bibliography. The alphabetical works also share a tripartite structure and identical length. The Bibliograph itself is characterised by its strategic place within each book as a whole...
Horror Literature from Gothic to Post-Modern
From shambling zombies to Gothic ghosts, horror has entertained thrill-seeking readers for centuries. A versatile literary genre, it offers commentary on societal issues, fresh insight into the everyday and moral tales disguised in haunting tropes and grotesque acts, with many stories worthy of critical appraisal. This collection of new essays takes in a range of topics, focusing on historic works such as Ann Radcliffe's Gaston de Blondeville (1826) and modern novels including Max Brooks' World War Z. Other contributions examine weird fiction, Stephen King, Richard Laymon, Indigenous Australian monster mythology and horror in picture books for young children.
