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Hour Book
Poetry. Winner of the Sawtooth Poetry Prize. The devotions, time-stamped lyrics, and prose-poem meditations that make up HOUR BOOK track the simultaneous experience of two significant life events--a birth and a death--while investigating artistic, historical, philosophical, and political constructions of time. Intertexts range from medieval Books of Hours, to Thomas Hardy's Tess of the D'Urbervilles, to E.P. Thompson's writings on time and capitalism, to Yoko Ono's performance art. These poems attempt to make the powerful abstraction of time visceral; to turn time into a room we might enter together and explore.
A Table that Goes on for Miles
Poetry. "Heim's poems are treasurehouses of carved thought: she is actually thinking, word by word, line by line, and her argument's currents seem to etch patterns in the syntax, like wall carvings made by a delicate and ethical hand. Everything here is transparency, lightness illuminations sifted through a mind willing to be unsettled by experience's injurious data. Reading these phenomenal and profoundly philosophical poems, I think of still lives by Giorgio Morandi careful, enigmatic arrangements of the ordinary. Heim's acoustic elegance places her in the front ranks of those who pursue the plainspoken sublime." Wayne Koestenbaum"
What Nature
Poetry that grapples with the intersection of natural and cultural crises. In an age of record-breaking superstorms and environmental degradation, What Nature seeks—through poetry—to make sense of how we interact with and are influenced by nature. Shifting its focus from what has already been lost to what lies ahead, What Nature rejects the sentimentality of traditional nature poetry. Instead, its texts expose and resist the global iniquities that create large-scale human suffering, a world where climate change disproportionately affects the poorest communities. The intersection of natural and cultural crises—like Standing Rock's fight against the Dakota Access Pipeline and the water c...
Geometry of Shadows
Gathered from early twentieth-century Italian magazines, manuscripts, correspondence, television recordings, and ephemeral art volumes, Geometry of Shadows is the first comprehensive collection of Giorgio de Chirico's Italian poetry, with award-winning poet Stefania Heim's translations presented alongside the Italian originals.
African American Literature in Transition, 1980–1990: Volume 15
African American Literature in Transition, 1980–1990 tracks Black expressive culture in the 1980s as novelists, poets, dramatists, filmmakers, and performers grappled with the contradictory legacies of the civil rights era, and the start of culture wars and policy machinations that would come to characterize the 1990s. The volume is necessarily interdisciplinary and critically promiscuous in its methodologies and objects of study as it reconsiders conventional temporal, spatial, and moral understandings of how African American letters emerged immediately after the movement James Baldwin describes as the 'latest slave rebellion.' As such, the question of the state of America's democratic project as refracted through the literature of the shaping presence of African Americans is one of the guiding concerns of this volume preoccupied with a moment in American literary history still burdened by the legacies of the 1960s, while imagining the contours of an African Americanist future in the new millennium.
If We Were Kin
In June 1973, amid ideological rifts in the U.S. gay liberation movement, thousands of people gathered in New York City's Washington Square Park to commemorate the fourth anniversary of the Stonewall Rebellion. Partway through the rally, Street Transvestite Action Revolutionaries (STAR) co-founder Sylvia Rivera fought her way to the stage to address the predominantly white, middle class lesbian and gay crowd. Over the din of their boos and jeers, Rivera reprimanded the crowd for failing in their responsibilities to their "gay brothers and sisters" in jail, detailed the sacrifices she had made for the movement, and called them into the politics of STAR, "The people who are trying to do someth...
The Deportation Machine
"By most accounts, the United States has deported around five million people since 1882-but this includes only what the federal government calls "formal deportations." "Voluntary departures," where undocumented immigrants who have been detained agree to leave within a specified time period, and "self-deportations," where undocumented immigrants leave because legal structures in the United States have made their lives too difficult and frightening, together constitute 90% of the undocumented immigrants who have been expelled by the federal government. This brings the number of deportees to fifty-six million. These forms of deportation rely on threats and coercion created at the federal, state...
Forest of Eyes
One of Japan’s most important modern poets, Tada Chimako (1930–2003) gained prominence in her native country for her sensual, frequently surreal poetry and fantastic imagery. Although Tada’s writing is an essential part of postwar Japanese poetry, her use of themes and motifs from European, Near Eastern, and Mediterranean history, mythology, and literature, as well as her sensitive explorations of women’s inner lives make her very much a poet of the world. Forest of Eyes offers English-language readers their first opportunity to read a wide selection from Tada’s extraordinary oeuvre, including nontraditional free verse, poems in the traditional forms of tanka and haiku, and prose poems. Translator Jeffrey Angles introduces this collection with an incisive essay that situates Tada as a poet, explores her unique style, and analyzes her contribution to the representation of women in postwar Japanese literature.
Work Inequality Basic Income
Technology and the loss of manufacturing jobs have many worried about future mass unemployment. It is in this context that basic income, a government cash grant given unconditionally to all, has gained support from a surprising range of advocates, from Silicon Valley to labor. Our contributors explore basic income's merits, not only as a salve for financial precarity, but as a path toward racial justice and equality. Others, more skeptical, see danger in a basic income designed without attention to workers' power and the quality of work. Together they offer a nuanced debate about what it will take to tackle inequality and what kind of future we should aim to create.
The Oxford Handbook of Walt Whitman
A Handbook on Walt Whitman that reflects the best new work in the field including chapters that set his work within the context of digital scholarship, discussion of new manuscript discoveries and transcriptions, exploration of environmental angles on Whitman, and a focus on disability studies.
