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Moderns Abroad
  • Language: en
  • Pages: 529

Moderns Abroad

  • Type: Book
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  • Published: 2007-01-24
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  • Publisher: Routledge

This volume studies the architecture and urbanism of modern-era Italian colonialism (1869-1943) as it sought to build colonies in North and East Africa and the eastern Mediterranean. Mia Fuller follows, not only the design of the physical architecture, but also the development of colonial design theory, based on the assumptions made about the colonized, and also the application of modernist theory to both Italian architecture and that of its colonies. Moderns Abroad is the first book to present an overview of Italian colonial architecture and city planning. In chronicling Italian architects' attempts to define a distinctly Italian colonial architecture that would set Italy apart from Britain and France, it provides a uniquely comparative study of Italian colonialism and architecture that will be of interest to specialists in modern architecture, colonial studies, and Italian studies alike.

New Activities For Cultural Heritage
  • Language: en
  • Pages: 263

New Activities For Cultural Heritage

  • Type: Book
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  • Published: 2017-09-07
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  • Publisher: Springer

This is the Proceedings of the International Workshop Heritagebot 2017 that was held in Cassino, Italy in September 2017. The papers cover a wide range of disciplines connected with Cultural Heritage, from humanistic fields up to engineering designs through legal aspects and financial/economical studies, treating aspects of theory, design, practice and applications. Topics addressed during the conference were: business models and business planning; creative cities and industries; documentation, analysis and survey of cultural heritage; economics of cultural heritage; cultural heritage, business and organizational models; cultural heritage and collaborative digital systems; citizen science for cultural heritage: service robotics for cultural heritage; legal tools for the development and innovation management in cultural heritage; capital budgeting and capital structure of cultural heritage sector; field applications in cultural heritage.

Figures in the Carpet
  • Language: en
  • Pages: 517

Figures in the Carpet

Figures in the Carpet presents a stellar roster of first-rate historians dealing seriously with a perennially important subject. The case studies and more theoretical accounts in this book amount to an unusually perceptive assessment of how "the person' has been viewed in American history.

The Wandering Throne of Solomon
  • Language: en
  • Pages: 362

The Wandering Throne of Solomon

  • Type: Book
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  • Published: 2015-11-09
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  • Publisher: BRILL

In The Wandering Throne of Solomon: Objects and Tales of Kingship in the Medieval Mediterranean Allegra Iafrate analyzes the circulation of artifacts and literary traditions related to king Solomon, particularly among Christians, Jews and Muslims, from the 10th to the 13th century. The author shows how written sources and objects of striking visual impact interact and describes the efforts to match the literary echoes of past wonders with new mirabilia. Using the throne of Solomon as a case-study, she evokes a context where Jewish rabbis, Byzantine rulers, Muslim ambassadors, Christian sovereigns and bishops all seem to share a common imagery in art, technology and kingship.

From Mythos to Logos
  • Language: en
  • Pages: 350

From Mythos to Logos

  • Type: Book
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  • Published: 2019-05-15
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  • Publisher: BRILL

From Mythos to Logos: Andrea Palladio, Freemasonry and the Triumph of Minerva explores how myth was used to encode architecture and frescoed interiors with insights that promote peace, freedom and kindness as ways of being in the world. The author, Michael Trevor Coughlin argues that Freemasonry took root in the Italian city of Vicenza as early as 1546, and that its precepts, conveyed through the intersection of myth and philosophy, were disseminated widely in buildings and images, as well as texts, prescribing tolerance and an understanding of the divine that exists in each and everyone.

Abitare la Terra n.29/2011 - Dwelling on Earth
  • Language: en
  • Pages: 48

Abitare la Terra n.29/2011 - Dwelling on Earth

EDUARDO SOUTO DE MOURA Luca Nicotera ALESSANDRO ANSELMI Stefania Tuzi LAKE|FLATO Maria Luna Vetrani ANTONIO MONESTIROLI Gaetano Fusco BOGDAN BOGDANOVIC Slobodan Selinkic CINO ZUCCHI Alessandra Sgueglia EMILIO CARAVATTI Pietro Fantozzi SUONI DI PIETRA / SOUNDS OF STONE Adriana Rossi CONSIDERAZIONI SULL’URBANISTICA A ROMA / THOUGHTS ABOUT URBAN PLANNING IN ROME Carlo Maltese INTERVISTA A CARLO PETRINI / INTERVIEW WITH CARLO PETRINI Mario Pisani

The Bible and Natural Philosophy in Renaissance Italy
  • Language: en
  • Pages: 313

The Bible and Natural Philosophy in Renaissance Italy

The Bible and Natural Philosophy in Renaissance Italy explores how doctors studied the Bible and other sacred texts in sixteenth-century Italy. Andrew D. Berns argues that, as a result of their training, they understood the Bible not only as a divine work but also as a historical and scientific text.

The Power of Tradition
  • Language: en
  • Pages: 184

The Power of Tradition

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Paolo Portoghesi
  • Language: en
  • Pages: 233

Paolo Portoghesi

Through the work of the Italian architect, theorist and historian Paolo Portoghesi (1931-2023), this book offers a new perspective on postmodern architecture, showing the agency of other spheres of knowledge – history, politics and media – in the making of postmodern architectural discourse. It explores how Portoghesi's personal “postmodern project” was based on the triangulation of a renewed interest in historical architectural language, unprecedented use of media and intertwined links between architecture and politics. Organized in a sequence of critical chapters supported by the analysis of Portoghesi's most significant architectural projects – including Casa Baldi (1959), The M...

Prisoners of the Gorgons
  • Language: en
  • Pages: 187

Prisoners of the Gorgons

  • Categories: Art
  • Type: Book
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  • Published: 2017-11-03
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  • Publisher: Youcanprint

Why "Prisoners of the Gorgons"? Because in the Oxford painting the Gorgons are shown in evident fashion, and two eminent critics, condisered the leading ones in the art world, making use of their erroneous allegorical interpretation, have conditioned and altered the true reading of the painting, imposing their anti-Catholic sentiments on over 150 art historians who have directly or indirectly dealt with this work by Rubens.