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Sara Garden Armstrong
Limited Edition of 300, signed and numbered, in slipcase. Includes monograph and original drawing, signed and numbered, in envelope. Kirkus review: "A volume of essays and photographs highlights the career of a multimedia artist whose works explore themes of movement, breath, and the relationship of humans to the environment.A comprehensive and illuminating examination of an influential experimental artist."
The Panoramic River
Havell s work, (who also created many of the landscapes for Audubon s famous birds) includes panoramic publications and paintings of the Hudson River and the Thames like other artists in this exhibition such as Thomas Cole (Father of the Hudson River School), and noted artists Jasper Cropsey and John Kensett, who favored the chain of cities, suburbs, and countryside along these two rivers, where horizontal planes and historical associations gave form to both artistic and cultural expression. The Panoramic River features major loans from more than two dozen museums, galleries, and private collections. Museums lending paintings include: The Metropolitan Museum of Art; The New-York Historical Society; Museum of Fine Arts, Boston; Baltimore Museum of Art; Fenimore Art Museum; The Frances Lehman Loeb Art Center at Vassar College; Maryland State Archives; West Point Museum; Williams College Museum of Art; Princeton University Art Museum; and the Yale Center for British Art.
Information Arts
An introduction to the work and ideas of artists who use—and even influence—science and technology. A new breed of contemporary artist engages science and technology—not just to adopt the vocabulary and gizmos, but to explore and comment on the content, agendas, and possibilities. Indeed, proposes Stephen Wilson, the role of the artist is not only to interpret and to spread scientific knowledge, but to be an active partner in determining the direction of research. Years ago, C. P. Snow wrote about the "two cultures" of science and the humanities; these developments may finally help to change the outlook of those who view science and technology as separate from the general culture. In t...
Contemporary Artists: L-Z
Arranged alphabetically from Magdalena Abakanowicz to Tadaaki Kuwayama, this volume provides a biography of the artist, a selected list of exhibitions, a list of public collections that include work by the artist, and more.
NANO Fiction Volume 3 Number 2
NANO Fiction (print ISSN 1935-844X; digital ISSN 2160-939X) is non-profit literary journal that publishes flash fiction—a form of short story also known as micro fiction, micro narrative, micro-story, microrrelatos, postcard fiction, the short short, the short short story, kürzestgeschichten, and sudden fiction—of 300 words or fewer. Featuring twenty to thirty authors in each issue, NANO Fiction has roots that draw from Aesop’s Fables and Zen Koans. Notable practitioners of this prose form include Lydia Davis, Franz Kafka, Italo Calvino, Ignacio Martínez de Pisón, Naguib Mahfouz, and Linor Goralik, among others. This issue of NANO Fiction features works by: Nicholas T. Brown, Ryan Call, Brian Allen Carr, Gabe Durham, Avital Gad-Cykman, Frank Giampietro, Jenny Gillespie, Jennifer Gravley, Kate Hagerman, Kyle Hemmings, Ann Hillesland, Jac Jemc, Janet Jennings, Suzanne Lamb, Brandon Lamson, Cynthia Litz, Joël Martinez, Stephanie Martz, Scott McWaters, Katherine Megear, Amanda Montei, M.V. Montgomery, Adam Moorad, Thomas Mundt , Fred Muratori, Thisbe Nissen,S. Craig Renfroe, Jr., Sophie Rosenblum, Tom Whalen, Timothy Willis Sanders, Stephanie Valente, and L.A. Zimmerman.
