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Hello, Hello Brazil
“Hello, hello Brazil” was the standard greeting Brazilian radio announcers of the 1930s used to welcome their audience into an expanding cultural marketplace. New genres like samba and repackaged older ones like choro served as the currency in this marketplace, minted in the capital in Rio de Janeiro and circulated nationally by the burgeoning recording and broadcasting industries. Bryan McCann chronicles the flourishing of Brazilian popular music between the 1920s and the 1950s. Through analysis of the competing projects of composers, producers, bureaucrats, and fans, he shows that Brazilians alternately envisioned popular music as the foundation for a unified national culture and used it as a tool to probe racial and regional divisions. McCann explores the links between the growth of the culture industry, rapid industrialization, and the rise and fall of Getúlio Vargas’s Estado Novo dictatorship. He argues that these processes opened a window of opportunity for the creation of enduring cultural patterns and demonstrates that the understandings of popular music cemented in the mid–twentieth century continue to structure Brazilian cultural life in the early twenty-first.
Dorival Caymmi
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Making Peace in Drug Wars
State crackdowns on drug cartels often backfire, producing entrenched 'cartel-state conflict'; deterrence approaches have curbed violence but proven fragile. This book explains why.
Brazil, Land of the Past: The Ideological Roots of the New Right
Brazil, Land of the Past scrutinizes the ideological roots of the so-called New Right in Brazil. The book traces the continuity and resilience of a system of thought based on the idea of a God-given hierarchical order to be defended against any social contract and modernizing relativization. It explains in detail how today a diverse movement — which includes actors ranging from the authoritarian Bolsonaro wing to economic liberals to the military to both Catholic and evangelical religious conservatives – assumes unanimously the ideas of this tradition as underlying premises of their political action. Though not always explicitly, this drives the self-declared “liberal-conservative” but rather anti-modernist reaction which claims to liberate an imaginary authentic “Brazil” from an aberrant “State” – and in so doing intends to preserve inherited privilege in an extremely unequal society.
Beyond the Line
The title of Beyond the Line refers to the imaginary "Line" drawn between North and South, a division established by the Peace Treaty of Cateau-Cambrésis in 1559. This is an early modern time and Eurocentric construction, according to which the southern oceanic world has long been taken as symbol of expansionist philosophies and practices. An obvious motivation for changing this "Line" division is the growing influence of the "Global South" in the contemporary economic and political setting. However, another motivation for changing opinions in regard to the "Line" is equally important. We observe an emergent consciousness of the pivotal role of the oceanic world for human life. This require...
Bravo
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Contemporary Musicians
Provides biographical information on important figures in today's musical arena, covering artists working in all genres of modern music, including rock, jazz, pop, rap, rhythm and blues, folk, New Age, country, gospel and reggae.
Walter Wanderley
This book is characterized as the result of an ethnomusicological and historical research by Recife musician Walter Wanderley (1932-1986), known as a representative of Bossa Nova. Organist, pianist, arranger and sporadic composer, Walter Wanderley has released dozens of records on record labels such as Odeon, Philips, the American company Verve and many others, both as an instrumentalist and arranger for singers and as solo instrumental albums. Even with such a robust record production, Walter Wanderley seems to have been forgotten by most records in the History of Brazilian Popular Music. This book tries to help understand how this success happened predominantly only outside his country of ...
